Shadow Dancer

Andrea Riseborough in Shadow Dancer

 

A movie for every day of the year – a good one

 

 

19 July

 

IRA declare ceasefire, 1997

On this day in 1997, the Provisional Irish Republican Army declared that hostilities with Britain were over. It had come into being, in its modern form, in 1969 after increasing unrest over campaigns for more civil rights for Catholics had resulted in the mass deployment of the British Army in Northern Ireland. There had been several ceasefires before, most recently in 1994 when secret talks between the IRA and the British government had led to negotiations about proper talks to secure a settlement. When the British government announced that it wouldn’t go into talks with Sinn Fein (seen as the political wing of the IRA, though becoming increasingly distant from it) until the IRA disarmed, the IRA responded by calling off the ceasefire. A new government in 1997, one that didn’t need the votes of Ulster Unionists (who were against any compromise in Northern Ireland) to sustain itself, changed the mood again and the ceasefire was reinstated on this day in 1997. The ceasefire remained in place until the IRA later declared that it had given up the armed struggle and would work for its political aim of a united Ireland “exclusively through peaceful means”.

 

 

 

Shadow Dancer (2012, dir: James Marsh)

Written by Tom Bradby, an ITN reporter who cut his teeth in Northern Ireland, Shadow Dancer is rich in detail and drenched in the ambience of the time, when an askance look, talking to the wrong person, not being enthusiastic enough about the cause could all get you killed. Bradby’s elegant script and James Marsh’s direction brilliantly set up in a few minutes what many films can’t do in 90 – showing us how the violence of one generation is passed on to the next in a simple scene of a young girl called Collette witnessing her brother being shot and killed in 1970s Northern Ireland. The action then cuts to London in 1993, where Collette, now all grown up and embodied by Andrea Riseborough, is picked up by police after trying to leave a bomb on the Tube in London. Enter Clive Owen in another of his slick “operative” roles, as the MI5 man using charm and naked threat to make Collette become an informer. It’s an offer she can’t refuse. The trap is set.
But when is it going to spring? That’s the coil of tension hanging over Shadow Dancer, which takes the spy thriller genre and does strange things with it. For one thing the mechanics that drive more Hollywood ventures – precise plotting and procedure – is replaced by sheer naked luck. In Shadow Dancer things work out quite often not because of the planning or derring-do but because fate somewhere flipped a coin and it came out heads. Victory also goes to the guy who can think on his or her feet. This insistence on the ad hoc nature of fate is matched by the look of the film – shabby, in a word, whether it is the MI5 offices full of hulking old computers, thick with cigarette smoke, or back in Northern Ireland, where prosperity always lagged way behind the rest of the UK. Nasty particulars also drum up an atmosphere: for instance the scene where hard men casually line a room with plastic sheeting before any questions have even been asked of the person they want to have “a chat” to – it’s going to get bloody.
And there’s the always excellent Riseborough as a very peculiar sort of spy, one who is working against her own people, an IRA woman whose had too much of the Troubles but still isn’t entirely ready to quit. And because Riseborough plays it absolutely straight – to her fellow actors rather than the audience – we’re unsure how far Collette is prepared to take her collaboration with MI5. This lack of a firm handle on the motivation of Collette’s character is possibly what made the film less of an instant sell to some people. Is Collette a good guy or a bad guy? Come to that, what draws a man like Mac (Owen) to a trade like this? And is his boss, tough nut Kate Fletcher (Gillian Anderson) really the iron maiden she appears? Bradby’s script withholds, withholds, withholds, asking us to raise an “undecided” flag against nearly every character in the film, until finally as it deals out the final card, all becomes semi-clear, and we say “ahaa”. And then it all goes cloudy again – the fog of war swirls back in.

 

 

Why Watch?

 

  • Andrea Riseborough’s performance
  • Tom Bradby’s great script
  • Real atmosphere of the place/time
  • Yves Angelo’s deliberately drab cinematography

 

© Steve Morrissey 2014

 

 

Shadow Dancer – Watch it now at Amazon

 

 

 

 

14 January 2013-01-14

Out in the UK This Week

 

 

 

 

 

 

Tabu (New Wave, cert 15, Blu-ray/DVD)

From Miguel Gomes, director of the unique, genre-confounding Our Beloved Month of August, another amazingly original work – a story of forbidden love set in colonial Africa that looks and feels like an archive photograph of the “dark continent” come to life. Give it half an hour for its odd magic to start working, and for the strange use of sound (no dialogue, just background atmospherics) to start making sense.

Tabu – at Amazon

 

 

Shadow Dancer (Paramount, cert 15, Blu-ray/DVD)

ITN reporter Tom Bradby adapts his own book for the screen and brings first-hand knowledge to a gripping, dirty, tamped-down drama about an IRA woman (Andrea Riseborough, brilliant again) being recruited by MI5. A lot better than some of the rather half-hearted reviews would suggest, a film about covert living which is unafraid to proceed by extreme stealth.

Shadow Dancer – at Amazon

 

 

Forks Over Knives (Crystal Lake, cert E, DVD)

Supersize Me done back to front, as documentary maker Lee Fulkerson reverses his terrible blood figures by eating a wholefood plant-based diet. “Animal protein is really good in turning on cancer,” says one of his medical-expert witnesses, and the evidence, not least from a survey of the eating habits of the Chinese, is pretty compelling. A bit less evangelising and more counter-argument would have been welcome but it’s still undoubtedly food for thought (contractually obligatory play-on-words sign-off).

 Forks over Knives – at Amazon

 

 

Dredd (EV, cert 18, Blu-ray/DVD)

A visually impressive outing for 2000AD comic’s most vengeful creation, with Keith Urban (Mr Nicole Kidman) playing the hi-tech lawgiver who loves wasting perps. Urban decides that to beat the problem of the helmet (Dredd wears it at all times) he’ll overact. Stallone, famously, didn’t bother with the helmet but Urban’s Dredd, has the edge, if only just. Note to Hollywood: Dredd is not meant to be sympathetic.

Dredd – at Amazon

 

 

Lawless (Momentum, cert 18, Blu-ray/DVD)

The mystery of Shia LaBeouf’s star status is the hole at the centre of this otherwise tasty tale of rough, tough moonshiners. A beautiful looking film directed by The Proposition’s John Hillcoat which is hamstrung by LaBeouf’s boy-to-man story arc. Still, Tom Hardy, Guy Pearce and Jessica Chastain are in it, and while they’re on screen the whole thing shudders like a thoroughbred.

Lawless – at Amazon

 

 

360 (Artificial Eye, cert 15, Blu-ray/DVD)

Anthony Hopkins, Jude Law, Ben Foster and Rachel Weisz star in City of God director Fernando Meirelles’s version of Arthur Schnitzler’s La Ronde, a luxuriously slick series of almost-linked love stories threatening at every turn to become interesting.

360 – at Amazon

 

 

Samsara (Arrow, cert 12, Blu-ray/DVD)

Ron Fricke was the cameraman on Koyaanisqatsi and went on to direct Baraka, a similarly lordly overview of the world, humanity and its works. Samsara is more of the same, a National Geographic-style smorgasbord of awesome imagery, timelapse being Fricke’s signature, all shot in 70mm. It will thrill hi-def junkies and owners of new giant TVs but will probably bore everyone else rigid.

Samsara – at Amazon

 

 

© Steve Morrissey 2013