Still Alice

Kristen Stewart and Julianne Moore in Still Alice

A super confident woman, top of her game, a linguistics professor, one day discovers herself grasping for a word while she’s giving a lecture. This being the movies, where a cough in one scene leads to coughing up blood in the next, we automatically suspect she’s got Alzheimer’s. The title providing another nudge (why Still?). And so it turns out, in a movie that seems determined to put a polish on the disease of the week movie, and largely succeeds. Polish number one is that it’s not just any old Alzheimer’s but familial Alzheimer’s, in which the gene – should you have been unlucky enough to have inherited it from an affected parent … Read more

Annie

Quvenzhané Wallis and a cute dog

Annie is the “turn that frown upside down” musical seemingly custom-built for stagestruck kids. But in writer/director/songsmith Will Gluck’s updating, it breaks out of the greasepaint shuffle-step limbo it’s been consigned to and makes a bold dash for the spotlight. Gluck opens with a swerve, showing us a precocious and stagestruck young ginger Annie holding her classmates to ransom with a show-and-tell delivered with weapons-grade winsomeness. Then swivels to reveal that this isn’t the titular Annie, but another one. The Annie we’re interested in is played by Quvenzhané Wallis, the cute kid from Beasts of the Southern Wild. And god is she cute. A bright little button who is the making of this singing, … Read more

The Interview

James Franco and Seth Rogen in The Interview

Like an Inspector Clouseau party that’s forgotten to invite Peter Sellers, The Interview has a gigantic gaping hole where the comedy should be. Unsure if it’s a satire on modern entertainment or a Get Smart-style caper comedy set in the People’s Republic of North Korea, it squats uneasily between the two, leaving its game bromantic stars, James Franco and Seth Rogen, mouthing like beached fish in one unfunny set-up after another. The film arrives after the most brilliantly organised bit of internet brouhaha since The Blair Witch Project. First, Sony’s servers were hacked by the North Koreans, angry at the prospect of a film about an assassination attempt on the Dear Leader. The film … Read more

22 December 2014-12-22

Ava Gardner and Burt Lancaster in The Killers

Out in the UK This Week Are You Here (Lionsgate, cert 15) Here’s a strange formless bromance from Mad Men creator Matthew Weiner, a midlife crisis dressed up as a movie and sold winningly by its two stars – Owen Wilson giving off gigawatts of charm as the ladies man TV weatherman and stoner escorting his bipolar toking buddy (a typically whacked out performance by Zach Galifianakis) to his dad’s funeral, where he cops an eyeful of the dead man’s grieving, hot wife (Laura Ramsey). Weiner writes to a TV rhythm, and there’s the strong feeling with Are You Here, as all the characters and backstories start bumping into each other and yet … Read more

15 December 2014-12-15

Scarlett Johansson has her Matrix Moment in Lucy

Out in the UK This Week Lucy (Universal, cert 15) Young innocent Lucy gains access to the full potential of her human brain in one of Luc Besson’s now infrequent bouts of directing. A kissing cousin of 1997’s The Fifth Element, it’s a fun and funky affair, helped enormously by the seven barrels of spunk that Scarlett Johansson injects into it. She plays the innocent abroad who is first forced into becoming a mule carrying a seriously mind-expanding drug for a seriously life-threatening gangster, and then an uberbeing when the drug gets into her bloodstream after she’s given a damn good kicking by a henchman for rejecting his sexytime overture. Well, that’s the last time anyone … Read more

The History Boys

Dominic Cooper (centre) in The History Boys

Mr Chips meets Dead Poets Society in Nicholas Hytner’s adaptation of Alan Bennett’s play, and depending on how you approach it, it’s either a fairly satisfying or a slightly disappointing event. Personally, I was disappointed, but then maybe I’d expected more from a film which as a play had garnered such critical plaudits. Or maybe it was the play-iness of the whole thing that stuck slightly in the craw. The story concerns a bubbly class of boisterous Sheffield boys in the 1980s being crammed for Oxford and Cambridge by a gaggle of teachers – Hector the advocate of the thirst for knowledge (Richard Griffiths), Mr Irwin the teacher to the test (Stephen Campbell … Read more

I Saw Ben Barka Get Killed

Charles Berling as film director Georges Figon in I Saw Ben Barka Get Killed

Ben Barka was a prominent revolutionary activist from Morocco who was “disappeared” by the French authorities in 1965. Co-writers/directors Serge Le Péron and Saïd Smihi tell his story as a dramatic reconstruction of what probably happened and cast the suave Charles Berling as the crooked film producer who is persuaded by the secret services into acting as a decoy and luring Barka (Simon Abkarian) onto French soil. It’s probably of most interest to students of the politics of the era, so the question is whether it’s of any possible use to anyone else. The answer is yes, if you enjoy stylish exercises in French noirist cool. Or if you’re a fan of Berling, who … Read more

8 December 2014-12-08

The cartoonised Robin Wright in Ari Folman's The Congress

Out in the UK This Week The Congress (StudioCanal, cert 15) With Waltz with Bashir, director Ari Folman used Tintin-esque animation as the visual clothing to a set of sober taped interviews between himself and the buddies he’d served with in Israel’s war against Lebanon. The Congress does similar unusual things, propelling Robin Wright – playing an actor called Robin Wright who has elected to have herself digitised and therefore immortalised – into an animated world when she attends “the congress”, the occasional gathering of other fictional figures. The real world looks like a workaday real world, as lived by rich Hollywood, leading to the suspicion that Folman is remaking Andrew Niccol’s digitised-actors … Read more

The Signal

Brenton Thwaites in The Signal

Well, I loved this. A confident exercise in genre and genre misdirection that has the balls to invoke The Matrix, Close Encounters, and Vincenzo Natali’s Cube. So, yes, it’s about aliens and a gigantic conspiracy and there’s a lot of white light bathing its clinical setups, and it cost not very much at all. And the first bit of misdirection comes at the very first shot – a boy, a girl, his buddy, dappled sunlight, a piano on the soundtrack. It looks like we’re in torridly romantic Nicholas Sparks territory and we can only be minutes away from someone coming down with a terminal disease, especially as Nic, our lead, is on crutches, as … Read more