September 2015 | MovieSteve

28 September 2015-09-28

2022-11-092015-09-27 by Steve

Out This Week San Andreas (Warner, cert 12) A disaster movie like they used to make in the 1970s, with Dwayne Johnson as a John Wayne kinda guy – a helicopter pilot whose extraordinary likeability and bravery is simply a case of “just doing my job, ma’am” (actual line from film). And as with the 1970s, there are also girls being bimbos: Carla Gugino as Johnson’s estranged wife – about to marry smirking, rich architect Ioan Gruffudd (his job a nod to Towering Inferno) – and Alexandra Daddario, hired not because she can easily pass for the minor she’s playing (in fact she’s 28) but because she has Hollywood’s most bounteous rack right now, … Read more

21 September 2015-09-21

2022-11-092015-09-18 by Steve

Out This Week The Goob (Soda, cert 18) Films like to suggest that life is rawer, more elemental away from the cosmopolitan, metrosexual centres of civilisation. And in British films there’s often a suggestion that out in Norfolk, especially, things tend towards the Wild West. It was apparent in 1996’s Dad Savage, a film largely unseen except by Star Trek nuts, who seek it out to watch Patrick Stewart in a Stetson. And we get that with knobs on in The Goob. It’s a terrible title, but the film itself is excellent, a High Noon kind of affair about a lad having a showdown with his own stepfather (a loose use of a … Read more

14 September 2015-09-14

2022-11-092015-09-13 by Steve

Raúl Arévalo and Javier Gutiérrez as cops on the case in the otherworldly Guadalquivir Marshes

Out This Week Marshland (Altitude, cert 15) A mismatched-buddy-cop drama set in Spain’s Guadalquivir Marshes – delivering a bit of Beasts of the Southern Wild watery otherness – and marked out by several outstanding features. No, not the murder, of two sexually active teenage girls. That’s pretty standard. Nor the reason why they were murdered. Again, not much to see here. Instead it’s the exquisite looks captured by director Alberto Rodriguez and cinematographer Alex Catalán, who lay lush images over a slow, almost ambient soundtrack to create an almost hypnotic effect. This is totally, brilliantly, at odds with the tacitly antagonistic relationship between the two men, who, in 1981 Spain, a country new … Read more

The Devil Wears Prada

2023-10-262015-09-07 by Steve

Women in black: Anne Hathaway, Meryl Streep and Emily Blunt

The sort of film that has an inbuilt media audience – women’s magazines – who will receive it with the same lack of scrutiny as they treat each launch of a new beauty product, The Devil Wears Prada is a clever title halfway towards being a clever film. It’s adapted by Aline Brosh McKenna from Lauren Weisberger’s chick-lit novel, and since Weisberger’s spent some time working at American Vogue as editor Anna Wintour’s assistant we don’t have to look too far for its inspiration. Anne Hathaway plays the simpering Weisberger avatar, an intern/newbie at a fashion magazine not unadjacent to Vogue. And Meryl Streep is also clearly styled on the fashion bible’s redoubtable editor, who … Read more

Gypo

2023-10-262015-09-07 by Steve

Gypo is a Dogme film, the 37th made according to the strictures of the protocol dreamt up by a group of Scandinavian film-makers, including Lars Von Trier and Thomas Vinterberg, in 1995. Naturalism is the stated idea, but Dogme could also be seen as an extension of Ikea flatpack design principles into film-making, or those of no-smells, no-bells Nordic Protestantism, or the “form follows function” of the Bauhaus, or fellow Scandinavian Carl Theodor Dreyer’s spare aesthetic. Take your pick. What’s unusual about Gypo is that it is a British film, a kitchen-sinker set in the bleak coastal town of Margate. It tells the story from three different angles of a mother/daughter pair of … Read more

7 September 2015-09-07

2022-11-092015-09-04 by Steve

Out This Week John Wick (Warner, cert 15) Like some kind of undead film star, Keanu Reeves manages magnificent returns every few years – Speed, The Matrix and now John Wick, a super-sleek bit of badass comic-book adaptation relying heavily on Reeves’s blank persona (no one does it better) for much of its appeal. He plays a retired hitman so frightening that, we’re shown, even incredibly hard hardmen blench when they hear he’s on the warpath – after some damn fool goes and kills the pet dog that was the only reminder of his dead wife. And that’s all you need to know about the plot. The screenplay is incredibly smart, a collection of … Read more