Month: December 2020

Shithouse

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Dylan Gelula and Cooper Raiff

Shithouse is an attention-grabbing title for a film. It’s a title likely to put some people off, which is a pity because Cooper Raiff’s feature debut is a fantastic film. Writer/director Raiff also stars, as a homesick dorky freshman at university miles from where he grew up. Alex has no friends, is nervous and generally out of his depth. As the film opens instead of being in bed with a girl he’s almost by accident managed to get somewhere with, he’s out on the street having a panicky phone call with his mother. He cries. The baby. Co-star is Dylan Gelula as Maggie, the sophomore Resident Assistant at his dorm block, who Alex … Read more

The Cannibal Club

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Ana Luiza Ros and Tavinho Teixeira

Sperm, vomit, blood and a critique of middle-aged masculinity, you can’t accuse The Cannibal Club of a lack of originality. It’s a musical, no of course it isn’t, it’s a horror film but one that’s careful about the way it doles out the bloodshed. As the curtain rises, trophy wife Gilda (Ana Luisa Rios) is lying languidly on a sunlounger by a pool being eyed by the guy who cleans the pool. Meanwhile, her husband (Tavinho Teixeira) is preparing Gilda’s lunch, a plate of steak so bloody that it’s almost raw. Wink, wink. The pool guy is actually a lusty young man at the peak of his sexual powers, something we get to witness … Read more

Elstree 1976

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Stormtroopers resting between takes

The Kickstarter-funded Elstree 1976 looks like it’s going to be about Star Wars, not least because of the packaging and that being the year that the studio to the north of London was booked out by George Lucas to make his epic space adventure. It is, tangentially, but in fact it’s more a meditation on life and the way its rewards are portioned out. Director/interviewer Jon Spira was born in 1976, which means he’s fanboy generation rather than first-hand participant, but he’s an able interviewer of the ladies and gents who were there. Not the Harrison Fords or Mark Hammils, but the likes of Paul Blake, Laurie Goode, Anthony Forrest and Pam Rose, … Read more

Shuttlecock aka Sins of a Father

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Major Prentis in a prison cell

Shuttlecock, it says on the IMDB, with the year 2020 in a bracket. Strange, that guy looks like Alan Bates, I thought to myself as the grainy face of a middle-aged man appeared on the screen. Since Bates died in 2003 this seemed unlikely. Up come the opening credits and there is the name Alan Bates at the top of the list. What am I watching? A bit more digging and I see there’s another film called Shuttlecock on the IMDB, from 1991, also directed by Andrew Piddington and starring… Alan Bates. A bit more digging still and (thank you Wikipedia, and, yes, I have sent some money) a picture starts to emerge, … Read more

Happiest Season

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The family (plus guest) line up for a Christmas photo

Gooey, sentimental Richard Curtis movies are the template for this wannabe starring Kristen Stewart and Mackenzie Davis as Abby and Harper, a romantically linked couple going back to Harper’s parents’ for Christmas. Being a mainstream movie about homosexual love – Lesbians, Actually – these young women are not in-your-face dyke-on-a-bike Sapphics but nice young women who just want to be accepted for what they are. Neither is heroic – Abby’s parents are dead and so she never had to come out to them; Harper has never told her parents. And that’s the hook on which this film hangs. Is Harper going to fess up and simultaneously re-apprise them of the identity of her … Read more

Bloody Nose, Empty Pockets

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Barkeep Mark (left) and the daytime regulars

A day in the life of a Las Vegas bar, Bloody Nose, Empty Pockets is also a portrait of the lifestyle of the professional barfly. It’s actually the last day in the life of this bar, because the Roaring 20s is about to shut up shop for good. So there’s perhaps more of a celebratory air than usual as beers are downed and shots upended in farewell. Michael is the first and last figure we see – weaving his way shakily across a road and towards the bar as it opens up in the morning. He downs a hair of the dog, has a shave and freshen-up in the toilets and then instals … Read more

Godmothered

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Eleanor and Mackenzie in the snow

Godmothered is Disney product. Written to a Disney template, cast, directed, lit and edited in an efficient business-like Disney way, it’s a comedy fairytale that popped off the production line and onto screens wrapped up all nicely and ready to go. Its story even resembles an existing Disney film, Enchanted, the one about a fairytale character having a fish out of water experience in New York – comedy, romance, the full nine yards. We’re in Boston this time, snow-encrusted, twinkly, Christmasy Boston, where magic is about to happen when klutzy trainee godmother Eleanor (Jillian Bell) arrives on an “assignment” to help out the little girl who wrote to her asking for help. Should … Read more

Mank

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Herman Mankiewicz at work in bed

Mank is the story, well known to film nerds, of the writing of Citizen Kane, for many the greatest film ever made. More exactly it’s two stories, one about writer Herman Mankiewicz dishing the dirt on press baron William Randolph Hearst (his model for press baron Charles Foster Kane) and his paramour Marion Davies, the other about director Orson Welles doing Mankiewicz out of a screen credit for his work. Inserted almost as an afterthought is yet another story – about the socialist Upton Sinclair and his campaign to become governor of California, and how his guns were spiked by the movie studios. Installed at a secluded cabin in the Mojave desert with … Read more

Black Bear

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Aubrey Plaza and Christopher Abbott

Aubrey Plaza fans, here’s your film. In Black Bear she plays one, two, three or even four roles, depending on how you’re counting, as an actor/director trying to hash out a screenplay out in a cabin in the woods. From the first instant that Allison (Plaza) arrives at this B&B “for creatives”, as owners Blair (Sarah Gadon) and Gabe (Christopher Abbott) put it, it’s obvious there’s going to be trouble. She, a self-declared “difficult” actress who went into directing because no on would employ her any more, immediately starts that bantering, joshing to and fro with host Gabe which indicates that she fancies him. As they walk up from the main gate, he … Read more

Mogul Mowgli

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Zed in hospital gown

Mogul Mowgli jumps into debates about authenticity and cultural appropriation – often conducted by people with no skin in the game on behalf of people who do – and does a decent job of trying to make itself heard above the din of the culture war. It does it by focusing on the particular rather than the general in a story about a rapper who gets sick and ends up in hospital, where, stripped of what he thinks of as his identity, he starts to wonder who he is. His family, meanwhile, gather about and try (in authenticity/appropriation style) to impose their idea of who he is on him. Riz Ahmed plays rapper … Read more