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A man on the Tokyo subway struggles to find the exit. That’s the entire plot of Exit 8, proof that it’s not what you do it’s the way that you do it. This is a tense and atmospheric chunk of quasi-scifi, owing something if not everything to Jean-Paul Sartre’s Huis Clos, with a bit of … Read more
You might not associate frivolous caper comedy with the dour Soviet Union of gulags and five-year plans, but that’s what Gentlemen of Fortune is. A larky affair that probably works best if you get all the cultural specifics, it’s perfectly entertaining even with very little knowledge of the USSR. It’s one of the most successful … Read more
In plain language Rebuilding doesn’t sound like much of a proposition. A guy whose farm has been burnt out by a devastating fire tries to put his life back together while taking shelter in a Federal Emergency Management Agency trailer. That’s it. But give it a bit of space, as director/writer Max Walker-Silverman gives his … Read more
Madness indeed. A Page of Madness was made in 1926 on next to no budget, by a talented director aided by a group of demented avant-garde writers called the Shinkankakuha, who were determined to break free from the shackles of naturalism. For many years it was considered lost, until its director, Teinosuke Kinugasa, found a … Read more
If you’re over the age of eight, Gabby’s Dollhouse: The Movie is probably not something you’ll have come across, or the Netflix show it sprang from. Its star, Laila Lockhart Kraner, probably won’t mean much to you either. Your loss? This intensely likeable, positive, bright and sunny excitement isn’t a “something for everybody” offer. But … Read more
We’re in Appalachia for Red Right Hand, latest film by the Nelms brothers, Eshom and Ian. And immediately having said Appalachia, the shades start to assemble. Poor lives on the margin. Cackling inbreeds. Illicit drugs. Attack dogs. Tattoos. Guns and hunting. God. The family. Male relationships that seem overly familiar. Check, check, check, check and … Read more
Problematical movies Exhibit A – The Night Porter. The story of a former guard at a concentration camp who meets up with an erstwhile prisoner some years later and starts a sexual relationship with her. Roger Ebert thought it “nasty”, Pauline Kael considered it “offensive” while Vincent Canby of the New York Times went for … Read more
Ambitious sci-fi from Lithuania – but in English, before you switch off – Vesper is all about the world-building and the genre-tasting. One minute a coming-of-ager, another a love story, yet another a quest movie, its overriding vibe is the eco-apocalyptic thriller, set in a doomy world after the collapse of civilisation, where humans fight … Read more
Jolly and bright and unfashionable in so many ways – which just makes it better – Monte Carlo is also an Ernst Lubitsch film and so bubbles along like a thing demented. It has entirely uncool stars like Jack Buchanan and Jeanette MacDonald in the leads and a storyline taking repeated runs at the mistaken identity … Read more
A baroque apocalypse thriller and, in case it’s getting too existential for you, Before the Fall (originally Tres Diás) also adds a dab of serial-killer angst for good measure. This feature debut by director F Javier Gutiérrez made a big splash when it came out in 2008 and then quietly disappeared. Arriving three years before … Read more
You don’t, in the normal run of things, expect a rape scene in old-time animation, but that’s what you get in 1926’s The Adventures of Prince Achmed, the breakthrough for Lotte Reiniger, a pioneer in her field, artistically and technically. It tells the story of the an eastern prince who steps in to help his … Read more