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It’s remarkable that in film and TV adaptations of William Makepeace Thackeray’s Vanity Fair, it’s always called just that. Thackeray lifted the title for his satire from John Bunyan’s Pilgrim’s Progress, where a fair at a town called Vanity was an allegory for all the delights of the realm of the physical. It’s hardly a … Read more
Oh dear. There were tears before bedtime watching The Quiet Girl (An Cailín Ciúin), an Irish-language film set in the 1980s and all about a girl whose parents send her off to live with a distant cousin on a remote farm. Mother (Kate Nic Chonaonaigh) is overburdened with kids. Dad (Michael Patric) is a feckless … Read more
One of those pre-Code 1930s comedies that comes wrapped in an aura, Design for Living can’t live up to the sell. It’s not funny, though there is the odd smirk, nor perceptive, unless a comedy about the fickleness of women is what you’re after The aura comes virtue of the boys in the backroom. Noel … Read more
A girl is having her saliva harvested in the opening scene of Earwig. There’s a contraption fitted to her head which consists of a metal frame, some ducting and a pair of little glass vials. An attentive man is is on hand to help collect the secretion, which is then transferred to a mould and … Read more
Pygmalion was the name of a mythological sculptor who made a statue so beautiful that he begged the gods to bring it to life. Which they did. He called it Galatea. The myth has been worked and reworked over the millennia and still has purchase – Trading Places is a version of the basic idea, … Read more
One woman’s triumph against adversity – now there’s a phrase to chill the blood. Here’s what it says right under the title on the IMDb page for The Justice of Bunny King. “A triumph over adversity tale of women fighting their way back from the bottom of the barrel.” I don’t know who wrote that … Read more
Katharine Hepburn was at the height of the “box office poison” phase of her career when she made Stage Door in 1937. She’d won an Oscar only four years before but four flops in quick succession had turned RKO against her – she had to fight the studio to get star billing. Ironically, amusingly, cannily, … Read more
Impressive in every role she’s been in since her movie debut in 2015’s The Survivalist, Mia Goth has been a star in waiting for a while now. While X isn’t every young woman’s idea of getting your name in lights – the nudity, the blood, the screaming – Goth seizes it with both hands. Appropriately, … Read more
Rob Zombie’s The Munsters is a reboot of the 1960s TV show borrowing heavily from the original and dredging it all in a tooth-rotting production design. Rarely if ever has a black-and-white TV show been re-imagined so gaudily. The end product, like Herman Munster himself, is a bag of bits. That’s maybe intentional. Herman Munster … Read more
William Powell wouldn’t make screwball comedy My Man Godfrey without Carole Lombard as his co-star. It’s not every actor who insists on getting the ex-wife in to play love scenes (they’d divorced three years earlier) but watching the results you can see why he insisted. It’s an exquisite film, superbly directed and brilliantly written but … Read more
There are a lot of interesting films coming out of Africa right now. Here’s Saloum, not perfect but pretty damn exhilarating for its first half at the very least. It’s an open homage to Tarantino putting colourful characters with unexpected skillsets into tense situations and then watching as the pinball-machine consequences play out. Congolese director … Read more
In 1948 brilliant director Edward Dmytryk left the United States in a hurry. He’d just been sentenced to prison time for failing to testify before the House UnAmerican Activities Committee. One of the so-called Hollywood Ten, Dmytryk fled to the UK, where he made a couple of films before his passport ran out and he … Read more
