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The title Finding Jack Charlton begs the question: was Jack Charlton lost? The answer, in a way, is yes. He died in July 2020 but at the time this documentary was being made (in 2019) Charlton was suffering from dementia (the film is made in association with Ireland’s Alzheimer’s Society) and was lost to everyone … Read more
The day I sat down to watch Zack Snyder’s Justice League, the death of Jim Steinman, songwriter for Meat Loaf, among many others, had just been announced. And it occurred to me about halfway through watching that this epic is a case of same/same: a big, loud, glorious, ever-crescendoing Bat Out of Hell of a … Read more
Danny. Legend. God. it’s called, though Danny. Asshole. Cock. might have been more appropriate, this being the portrait of a man of quite staggering front, bravado, bumptiousness, call it what you will, a legend in his own lunchtime aiming at the big time from his base in Bulgaria. Danny. Quite exactly who he is, where … Read more
A familiar and enjoyable spy movie of the old school, The Courier went by the name Ironbark on its first screenings. The new title suits it better. Why that is, and whether the film should be so familiar and enjoyable is the question. It’s the true story of a middle-class amateur, Greville Wynne, deployed on … Read more
Motherless Brooklyn is the first film Ed Norton has directed since 2000’s Keeping the Faith. Oddly, considering Norton is a child of Episcopalians, that also had a connection to Catholicism – a rabbi and a priest fall for the same woman, boom boom. Here the link is the Catholic orphanage where Norton’s Lionel Essrog and … Read more
My Thoughts Are Silent (Moyi dumky tykhi, in the original Ukrainian) is one of a small clutch of films about or featuring a sound recordist, sitting alongside the likes of Silence (from Ireland), Upstream Color (USA) and Berberian Sound Studio (UK). All are odd and left-field in different ways, with My Thoughts Are Silent the … Read more
Should a serial killer movie sympathise with its killer? The Golden Glove (Der Goldene Handschuh) comes perilously close to going all-in with real-life killer Fritz Honka (Jonas Dassler), who killed four women in Hamburg between 1970 and 1974 and then hid their body parts in his attic. Grim, seedy, sleazy, disgusting, vile, the negative adjectives … Read more
Let’s do a refugee drama, which no one wants to watch, as a haunted house movie, which everyone does. That’s the thinking behind His House, a canny mix of genres from writer/director Remi Weekes in his feature debut, which adds a further layer of originality by adding all sorts of weird African supernatural juju to … Read more
The 400 Blows is a monster classic of the French New Wave with a meaningless title, a literal translation of the original French Les 400 cents coups. “Raising hell” would be a more idiomatic way of putting it and the original US subtitler even suggested Wild Oats. But the distributor preferred to stick with the … Read more
There’s an All the President’s Men structure to the Romanian documentary Collective (Colectiv), with the initial field of inquiry opening up a wormhole down which the investigation dives, to find that an alternate universe has been hiding in plain sight all along. The story starts out with the bare facts, shocking enough in themselves, of … Read more
The Hidden Fortress is a film by Akira Kurosawa and just that fact alone – “a film by Akira Kurosawa” – is enough to get it bracketed as an arthouse movie. Which is entirely ridiculous if you watch it, because there’s nothing difficult or abstruse going on here, no philosophical musing, no challenging style experiments to … Read more
Support the Girls is an Andrew Bujalski film and so comes loaded with expectation. He’s often cited as the “inventor of mumblecore”, the go-to genre for white hipsters of a certain age, the cultural late arrival at a party already full of shoegazey indie bands. Since breaking into the scene with 2002’s Funny Ha Ha … Read more
