Latest Posts

John Steed in the jungle

Two weeks after a coup in the Central African Republic, one day after a forcible change of regime in Nigeria, Small Game for Big Hunters had something of the topical about it – and the tropical – when it first went out in mid January 1966. Prime Minister Harold Macmillan made his Wind of Change … Read more

Mrs Peel behind bars

The title of EM Forster’s novel is parodied in Room Without a View, for reasons which never really became clear to me, but then on looking back over my notes to this episode I realised I could remember barely any of it. Some things I do remember, though, such as the bare bones of the … Read more

Emma punts, Steed relaxes

Silent Dust first aired on New Year’s Eve 1965 and from a 21st-century vantage point has all the makings of a very prescient episode of The Avengers. In what starts out as an obvious parody of a nature documentary, we first observe birds nesting in the trees, then watch as the birds start dropping off … Read more

Patrick Macnee surrounded by cutout Christmas trees

Time magazine’s Swinging London issue appeared in April 1966 and made “official” what had been obvious for some time – something was going on in the UK capital. To find out what that looked like at the time, you could do worse than examine Too Many Christmas Trees, the Christmas Day episode of The Avengers … Read more

Steed dead-ringer Gordon Webster

Tricks are what Two’s a Crowd is about, and the 12th episode of series four starts with two quite good ones. First up, a shot of a plane. It’s not a real plane, but a model, and the trick is that the model plane is meant to be a model, not – as was so … Read more

Patrick Macnee and Diana Rigg

Man-Eater of Surrey Green is the perfect Avengers episode title. Camp, corny, a bit sexy, a lot parochial, it sums up the series perfectly. And this episode, which is a mix of scientific blah blah and a lot of eccentric bombing about. Things kick off when two lab-coated scientists in love (Gillian Lewis and William … Read more

Clifford Evans, Peter Bowles, Patrick Macnee

Set in the world of the well-to-do, the very satisfying Dial a Deadly Number first aired in the UK in the early days of December 1965 and returns to two regular Avengers fascinations – businessmen and undertakers. In what sounds like the setup to a joke, there are these three business magnates sitting in a … Read more

Lindsay Duncan and Sophia Myles in a car
November 1st

MovieSteve rating:

Short and sweet isn’t the way write/director Charlie Manton plays it in this revenge-driven short starring Lindsay Duncan and Sophia Myles Uh oh, I thought, when actors Lindsay Duncan and Sophia Myles first opened their mouths, and out came Southern-fried accents. Duncan is from Edinburgh and Myles is a Londoner and if there’s anything that … Read more

John Steed and Emma Peel on a deserted air base

Mrs Peel comes of age in The Hour That Never Was, the ninth episode of series 4 and a typical classic-era Avengers based on unlikely goings-on in locales almost devoid of people. “Comes of age” because in this episode she is clearly smarter than Steed, being the first one to notice that time appears to … Read more

A man-shaped indentation in the ground

Undoubtedly a fancy episode when it first aired in late November 1965, A Surfeit of H2O manages to be whimsical, sinister, ridiculous and ingenious all in one go, with a good belt of fine character actors to help things along. Water is what it’s about, as the title suggests, and before the title has even … Read more

Emma Peel in a coffin

The Murder Market is one of the episodes first shot with Elizabeth Shepherd playing Mrs Peel, then reshot with Diana Rigg in the role after it was decided that Shepherd didn’t fit the bill. Hence the two directors on the imdb credits – Wolf Rilla shot the original, Peter Graham Scott this version, which eventually … Read more

Emma Peel with bow and arrow

The Master Minds was episode six in series four in transmission terms, but only the second episode that Diana Rigg and Patrick Macnee had made together. Hence the not-quite-thereness of their relationship – notice throughout how rarely Rigg actually looks at Steed. By series five the two of them were locked in almost permanent ocular … Read more

Previous

Popular Posts