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Out This Week Only Yesterday (StudioCanal, cert 15) It’s 25 years since Isao Takahata directed this touching animation for Studio Ghibli. Only now, thanks to a fresh revoicing by a cast including Daisy Ridley, has it arrived on these shores. The Force etc etc. As with Takahata’s Grave of the Fireflies it takes a while to … Read more
Out This Week These Final Hours (The Works, cert 18) A “last day of the world” film like we used to get around the turn of the millennium. It’s made on the cheap but with lots of skill and attitude, the attitude being largely borrowed from Mad Max. Actually, it’s about three genres in one … Read more
Out This Week Midnight Special (E One, cert 12) I’m a sucker for a deduction film, and in Midnight Special we are asked to deduce first what’s going on, and then what sort of a movie it is. This being a Jeff Nichols film, Michael Shannon is the star – as he has been in four of … Read more
Out This Week Disorder (Soda, cert 15) Like Ang Lee’s Crouching Tiger, Hidden Dragon, Disorder is a love story masquerading as something else – a home-invasion thriller, in this case – and so is the perfect date movie for traditionally minded peeps. The casting is bang on. Matthias Schoenaerts, an expert in beefy angst, is ideal … Read more
Out This Week Marguerite (Picturehouse, cert 15) The story of the socialite who sang like a scalded cat is also told by the film Florence Foster Jenkins. But this is France, the singer has been renamed Marguerite and instead of Meryl Streep there’s Catherine Frot in the lead role as the rich woman whose wealth buys … Read more
Out This Week High-Rise (StudioCanal, cert 15) JG Ballard’s dystopian novels – Super-Cannes, Cocaine Nights and High Rise among them – tend to be long on premise, short on follow-through. That’s the case too in this film adaptation by Ben Wheatley, the British maverick director behind Sightseers. Set in an entirely allegorical high rise block, Wheatley’s … Read more
Out This Week Son of Saul (Curzon, cert 15) How do you make a film about the horrors of Auschwitz without it becoming exploitative misery porn? This Hungarian winner of the Cannes Grand Prix in 2015 does it by turning the horrors of the death camp into a near-pov experience, the militarily choreographed camera of … Read more
Out This Week Hail, Caesar! (Universal, cert 12) To describe the Coen brothers’ Hail, Caesar! as a love letter to Hollywood is to understate the woozy, delirium these two middle aged men must have been in as they planned and put it together. But then their entire career has been marked by a regard, if not obsession, … Read more
Out This Week Pride & Prejudice & Zombies (Lionsgate, cert 15) And it is literally that… Pride & Prejudice… and zombies. Once the famous preamble – lightly scrambled – was out of the way, and I had been apprised of the fact that a zombie in possession of brains must be in want of more brains, it was … Read more
Out This Week Bone Tomahawk (The Works, cert 18) Someone somewhere described this as The Hills Have Eyes done as a western. That’s a good enough as a shorthand, but what that logline doesn’t quite capture is the amount of love and care – set design, locations, clothes, hair and make-up are all exquisite – that have … Read more
Out This Week Deadpool (Fox, cert 15) From the guys who wrote Zombieland, a similarly knowing and smart play in the genre pool, though this time it’s superheroes rather than the undead who get a prolonged playful kicking. The style is Honest Trailers – YouTube fanboys with brains ((“Trailers that tell you the TRUTH about … Read more
Out This Week The Club (Network, cert 18) Chilean film-maker Pablo Larraín’s seething drama is set in a remote safe house where a group of disgraced Catholic priests are living under the steely eye of capable nun Sister Monica (Antonia Zegers). Life is simple and ordered, with the only bit of excitement coming from the … Read more
