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Chyeon Jeon-myeong in Hansel and Gretel
6 April 2009-04-06

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Out in the UK This Week Mike Leigh at the BBC (2 entertain, cert 12) Before heading off on his film career, auteur Leigh did some great stuff for TV. Here’s the pick of his 1973-84 output, including Nuts in May and Abigail’s Party, along with Leigh’s own audio commentary, intelligent interviews and a clutch … Read more

Jill Wagner in Splinter
30 March 2009-03-30

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Out in the UK this week Celia (Second Run, cert 15) Oz director Ann Turner’s classic 1989 rites-of-passage debut, about one girl’s amply furnished fantasy childhood. It’s the story of a child, from a child’s point of view, rather than adult looking back, and set in 1950s Australia overrun by rabbits and the Red menace. … Read more

Walt Disney's Pinocchio
9 March 2009-03-09

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Out in the UK this week Pinocchio 70th Anniversary Platinum Edition (Disney, cert U) From the days when the voice cast went uncredited, Walt Disney’s 1940 follow-up to Snow White gave us the Oscar-winning song When You Wish Upon a Star, a wooden boy with a Freudian nose and one of the studio’s darkest and … Read more

Andrea Riseborough in The Devil's Whore
16 March 2009-03-16

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Out in the UK this week   The Devil’s Whore (Lionsgate, cert 15) Having played Mrs Thatcher, Angela Riseborough is once more an iron lady in a proto-feminist TV series set during the English Civil War and laced with death and lashings of bodice-ripping and packed with a great cast (John Simm, Dominic West, Maxine … Read more

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Gran Torino

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Old grizzled Clint Eastwood plays Shirty Harry in a film about redemption, ageing, learning to live with others, sacrifice but most of all about the myth of Clint himself. The skimpy plot concerns a grumpy Korean war veteran whose neighbourhood has gone to the dogs, evidence of which he sees in his immigrant neighbours, who … Read more

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Tropa de Elite aka Elite Squad

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Anyone who’s read a lot of film reviews will be familiar with the “redeeming features” style of reviewing. “Worth a look to see De Niro on fire”, “Ken Adam’s set designs lend it a style the script is struggling to equal”, and so on. Sometimes people pop round to my house to borrow a dvd … Read more

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Batman: The Dark Knight

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Not having enjoyed the first Nolan/Bale Batman film (yes, he was traumatised by bats. I get it!) I wasn’t looking forward to the second. But, having been told how great it was, how awesome Heath Ledger was, how dark it all was, I was prepared to put prejudice to one side and settle back to … Read more

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Before Sunset

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This 2004 follow-up to Richard Linlater’s 1995 Before Sunrise is a first-date movie for people who fancy themselves as having more going on upstairs. But grey matter to one side, do you need to have seen the first film to enjoy the second? Probably not, though it helps to know that in Before Sunrise Ethan … Read more

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 Who? Those who have no idea who Norman McLaren is won’t be so nonplussed after the briefest glimpse of his work. Frequently working by drawing directly onto the film stock itself (as in Boogie Doodle), this Scottish-born wizard experimenter is the creator of an instantly recognisable style of animation, frequently set to jazz or electronic … Read more

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Kiss Me Deadly

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Critics continue to argue over whether this is the best film noir ever made but all seem united on one point – Kiss Me Deadly is the best adaptation of one of Mickey Spillane’s Mike Hammer novels. Now 50 years old, the film opens with a scene that still packs a punch – cynical private … Read more

Gael Garcia Bernal in Amores Perros
Amores Perros

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The film which announced the rebirth of Mexican cinema in 2000, Amores Perros was adored not just by cinephiles but also those who “don’t do subtitles”. The reasons are many and continue to make it a film worth seeing, or seeing again. Shot on film which has been deliberately processed in the “wrong” chemical to … Read more

Orson Welles in Confidential Report aka Mr Arkadin
Confidential Report

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The prevailing wisdom on Orson Welles has changed in recent years. It used to be: “Poor Orson, his masterpieces (such as The Magnificent Ambersons, It’s All True, The Lady from Shanghai ) butchered by the studios”. Now it’s: “Lazy Orson, got most of the way through a film and then lost interest”. Certainly Welles subscribed … Read more

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