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The title of the Indian film Manthan is often rendered in English as The Churning – not some psychological state of distress but actual physical churning. As in rich, creamy milk into butter and whey. Because this is a film about the setting up of a milk co-operative, financed by the dairy farmers it’s all about. … Read more
Technophobe romance, kind of, All of You is a little bit Eternal Sunshine, a little bit One Day. Set in an adjacent future (the present day with a tech curlicue), it imagines a world where romance is curated by tech companies promising there is someone out there for everyone and that they are just the … Read more
It’s not often that you get to see a former prime minister in an acting role. Or a great classical pianist, for that matter. In 1937’s Moonlight Sonata you get both, and in the shape of a single person – Ignacy Jan Paderewski, the Polish pianist who gave up his music career to serve his … Read more
The odd Indian eventuality of a cop’s wife taking his job if he dies in service is the driver of Santosh, documentarian Sandhya Suri’s feature debut, a fascinating and thrilling Serpico-style story of corruption, discrimination and the outsider/insider dynamic. Suri does it largely in documentary style. After a fly-on-the-wall introduction to Santosh, a widow threatened … Read more
Manon isn’t Henri-Georges Clouzot’s best film by a long stretch but it is a great example of how good he was at what he did. A richly detailed story about an amoral woman and the man she falls for, its interesting personal angle is that Clouzot is possibly using it to examine his own behaviour … Read more
Prepping for the apocalypse seems to be mostly a white thing. 40 Acres rebalances things a touch. A paranoid survivalist drama set in a world where the “animal biosphere” has been killed off by a pandemic, and a civil war has further screwed things up, most of it plays out in a compound where a … Read more
A jazzy, noirish take on the “getting the band together” drama, Blues in the Night benefits from crisp images and snappy dialogue. On the downside, everyone in it is about ten years too old for their role, there is quite a lot of “hep cat daddio” slang to digest and the racial politics are a … Read more
How’s this for an opening shot. An old woman in distress on the floor in her nightie, shit down one of her legs; behind her an old guy jigging dementedly, naked beneath his open blue shirt, genitals flapping in the breeze. Dying (Sterben in its original German) is billed in some quarters as a black … Read more
Peter Lorre is top-billed but he’s really just the seasoning in Stranger on the Third Floor, often described as the first film noir. Lorre owed RKO a couple of days on his contract and so got shoe-horned into Boris Ingster’s directorial debut, bumping John McGuire from poll position. The film doesn’t need Lorre to work, … Read more
So you’re Julia Stiles and you decide to have a crack at directing a feature film. Wish You Were Here is the result, and, well well, if it isn’t a mash-up of precisely the sort of films Stiles used to star in when she was starting out, rom-com, girl-next-door, travails-of-the-teen-spirit-y kind of stuff – Ten … Read more
Ten shortish films loosely working their way through the Ten Commandments, director Krzysztof Kieslowśki and co-writer Krzysztof Piesiewicz’s epic Dekalog made its TV debut in December 1989, as Poland was shaking off its Soviet overlords, and was instantly hailed as a masterpiece. Time has polished its legend and it’s still regularly cited as one of … Read more
Paul Greengrass’s first film for five years is about a bus you definitely wouldn’t want to catch. The Lost Bus transports him and us back to the quasi-disaster-movie style of United 93, his 9/11 movie. It’s about a real-life disaster – 85 people dead, 50,000 evacuated in the 2018 Camp Fire, one of the deadliest in … Read more
