Latest Posts
You know what you’re getting with a Christmas movie – after a trudge out in the cold comes the good cheer. Whether it’s the Santa Claus no one believes is really Santa (A Miracle on 34th Street), the old grouch abandoning his curmudgeonly ways (A Christmas Carol), or the malevolent Father Christmas threatening peace on … Read more
This Gaslight, the 1940 version, shouldn’t really exist. When MGM decided to remake the British original in 1944 as a star vehicle for Ingrid Bergman and Charles Boyer, they tried to destroy the original prints, as if the 1940 film had never existed at all – a case of gaslighting Gaslight? Bergman and Boyer are … Read more
Alison Brie and Dave Franco are a couple in real life and in excitable quarters this fact alone earns Together extra kudos. It’s a talking point, but the Brie/Franco connection doesn’t otherwise make any difference to this movie. They are fine, separately and together, as people whose too-close relationship shifts from the figurative to the … Read more
Jean Epstein’s The Fall of the House of Usher is surely the best version of the Edgar Allan Poe story ever. Loved by director Kurosawa, revered by critic Roger Ebert, it perversely only seems to exist in streaming and hard-copy versions that don’t do it justice. This is one of the best gothic chillers ever … Read more
On Swift Horses is giddy 1950s melodrama for the 21st century, with Will Poulter and Jacob Elordi as brothers charting separate courses through the great American post-War boom. Daisy Edgar-Jones plays the prize for one of them, or she would be if she weren’t also on a journey of her own, towards a sense of … Read more
Is Journey into Fear an Orson Welles film sailing under a foreign flag? Norman Foster is the director name up on screen, but credits can be deceptive. The wartime thriller was co-written by Welles, though he has no screen credit. It was also produced by him, again uncredited. And we know for certain that Welles … Read more
Some films aren’t that great but you like them anyway. That, for me, was Mr Blake at Your Service! (aka Well Done! aka Complètement Cramé), a cosy French comedy with, crucially, a starring role for John Malkovich. Deep breath for the plot. He plays a big something in London who gives it all up on … Read more
If you’ve ever wanted to see Klaus Kinski’s hairy anus, Fruits of Passion (Les fruits de la passion) is the movie for you. A sequel of sorts to the infamous/scandalous Story of O, it’s a “life inside the brothel” tale about the sentimental education of an impressionable young beauty at the hands – and other … Read more
Yikes, Birdeater, the sort of movie I don’t like watching, but I did watch it. And in the end… liked? Not quite. Admired…? Again, not quite. But there is something special going on in Jack Clark and Jim Weir’s debut feature, a kind of Festen among the Aussies. Unpleasant secrets surfacing at a social gathering, … Read more
It’s soap, it’s melodrama, have a go if you like, but if it’s absolutely nothing else, Marcel Carné’s 1938 hit Hôtel du Nord is an object lesson in how to use a hair light. Watch it for its looks rather than its plot, in other words, which slaloms about a touch preposterously, though its actors … Read more
It’s a good moment for whacked-out horror. Heart Eyes joins Crumb Catcher, The Rule of Jenny Pen, Bring Her Back, Together, Gazer and The Monkey, to name just the ones I’ve seen in the last few weeks. Heart Eyes is less icky than some, more larky than others – it’s Whedon-esque, Buffy-like, horror done with … Read more
Paracelsus, the great Swiss renaissance physician. Who could want a film about him? Adolf Hitler, it turns out. Maybe in the story of the proud loner standing against received wisdom, the tribune of the Volk and all that, Hitler saw a kindred spirit – the Führerprinzip in action before the Führer. The director was the … Read more
