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Google Translate suggests The Overtaking as a translation of Il Sorpasso. It’s not perfect – the less elegant “overtaking manoeuvre” is more precise – but it knocks the English-language title of the film, The Easy Life, out of the park. Maybe, in 1962, when the film came out, international distributors were trying to cash in on … Read more
If you’ve seen the TV show The Bear then you’ve seen a good chunk of La Cocina, a hothouse drama set in a fast-paced New York restaurant kitchen. New York makes a difference – more illegal workers. And La Cocina is more explicit than The Bear about its racialised pecking order, though it’s a very … Read more
Fort Ti is a 3D western and it really wants you to know it. Everything that can come the audience’s way does – a tomahawk, an Indian, a cannonball, more Indians, more cannonballs, bats, bullets, yet more Indians. In the action sequences at least it keeps coming. It’s the first 3D western and shot in … Read more
Horror-flecked crime thriller Dead Mail suffers from the death early on of one of its main characters and it never really quite recovers from it. But it’s good anyway, just not as good as it might have been if xxxxxx (no spoilers) hadn’t bitten the dust. It’s the second feature by Joe DeBoer and Kyle … Read more
Angst is director Gerald Kargl’s only film. But what a film! Grim, depressing, formidably unsettling, it is the psychopath-killer movie the others want to be. Gaspar Noë watched it repeatedly before borrowing bits for his Irreversible, Kargl’s fellow Austrian Michael Haneke surely studied it before he embarked on Funny Games. There’s clear evidence of it … Read more
What does all that spying do to spies? That’s Black Bag in a neat explicatory parcel, a Steven Soderbergh movie that mixes Who’s Afraid of Virginia Woolf? with the Michael Caine Harry Palmer films – or so say Soderbergh and writer David Koepp. But there’s John Le Carré in there as well. And as this … Read more
If you’re looking for peak Bill Murray, 2005’s Broken Flowers is a strong contender. Murray himself recently said, “that was a perfect movie… it really did happen”, (while eating spicy chicken wings on a YouTube show called First We Feast, in case you want to check that out too). It’s peak Murray because it’s a Jim … Read more
A bit Sixties, a bit Eighties and a bit all over the place, Captain America: Brave New World is a strange mishmash of a movie. According to Variety, it wiped the floor with Kraven the Hunter at the box office. Which says more about that movie than this one, having seen both of them. First … Read more
Very New York, very Jewish, very of its time, 1988’s Crossing Delancey seems to divide opinion sharply. The Rotten Tomatoes consensus is largely in favour, though back in the day Roger Ebert wasn’t so keen (“not good enough,” said the usually fair-minded Ebert). It’s often billed as a rom-com, which is like calling Hamlet a … Read more
A colossally charmless superhero movie, Kraven the Hunter got pummelled by the critics and didn’t do well at the box office. But never mind all that, who should we blame? Partly an origin story, it heavily features Aaron Taylor-Johnson in the lead role, though Levi Miller plays the youthful Kraven, the Russian oligarch’s son who … Read more
Czech master film-maker Juraj Herz’s 1971 follow-up to The Cremator is a complete change of gears, pace, look, intent, the whole kit and caboodle, as if Herz wanted to say to the Communist authorities – look, I can do it straight too. Oil Lamps (Petrolejové lampy) is in colour, for a start, whereas The Cremator … Read more
“Play stupid games, win stupid prizes,” an on-screen snippet tells us at the beginning of Stupid Games. It’s a phrase that’s been attributed to any number of people – Tom Clancy to Taylor Swift – but probably predates them all. “Stupid is as stupid does,” is another one, and is particularly apt in the case … Read more
