Steve

Crime Wave

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Sterling Hayde as Detective Sims

This heist-gone-wrong movie starts with a heist going wrong. 1953’s Crime Wave (aka The City Is Dark) is a B movie and wastes no time hanging around. The setup is classic – within scant minutes of opening a cop is dead, one of the bad guys is in urgent need of a doctor and the heisters are on the run with the law on their tail. Meanwhile, across town another classic ingredient, the ex-con trying to go straight but being dragged back towards crime, first by the wounded man arriving at his door, then by the bent doctor who arrives to patch him up, and finally by the fugitive bad guys themselves. Studio … Read more

Broker

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Moon So-young, Dong-soo, Ha Sang-hyun and baby

On a filthy rainy South Korea night a young mother abandons her baby, leaving it in the “baby box” – designated for just this thing – attached to a church. The next day, having changed her mind, she heads back to the church, only to find that a pair of “baby brokers” got to the box before the church authorities. They have stolen her baby and intend to sell it on the adoption black market. Two cops saw all this. Clearly onto the brokers, they were watching from a stakeout vehicle as Moon So-young (Lee Ji-eun) left her baby and as Dong-soo (Gang Dong-won) filched it. As they watch and snack on instant noodles, gummi … Read more

Raw Deal

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Joe with gun, and Ann and Pat on a staircase

Everyone gets a raw deal in Raw Deal, a taut and dark film noir from 1948, directed by Anthony Mann, lit by the great John Alton and so often overlooked when Greatest Noir lists are being compiled. Its characters all come with a tragic flaw which writers John Higgins and Leopold Atlas are eventually going to prise wide open but it’s the additional wallop of sheer bad luck that makes this unusual – that and the voiceover by one of its female characters, Pat Regan, played by Claire Trevor. Pat is in love with Joe (Dennis O’Keefe) but Joe is in prison doing a stretch as the fall guy for bigshot criminal Rick Coyle … Read more

Huesera: the Bone Woman

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Valeria washing herself

Huesera: the Bone Woman opens and ends with spectacular images – of a gigantic golden Virgin Mary at a shrine to start, and of a writhing mass of naked zombie-like creatures to finish. In themselves they’re impressive but they also offer a distilled show-and-tell of the shift in tone Mexican director Michelle Garza Cervera has brought about over the 97 minutes’ running time of her movie. Things start out in the everyday, rational, workaday world of a young woman, Valeria (Natalia Solián) who wants to have a baby. At the shrine she is visiting largely to keep her supersitious mother happy she offers up a prayer to the Virgin. Otherwise Valeria is relying … Read more

Identikit

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Elizabeth Taylor applying the war paint

Now this is a weird one. 1974’s Identikit, also known as The Driver’s Seat, and even occasionally as Psychotic, stars Elizabeth Taylor as what looks like a screen representation of her public persona – a batshit, flamboyant grande dame who we first meet in a German department store, where she is buying something garish and roundly insulting the sales assistant while doing so. Lise, it turns out, is a wanted woman. An identikit picture of her has been posted at all airports. The police are on her tail, for what we don’t know. And as she flies from Hamburg to Rome, they follow behind, questioning everyone Lise comes into contact with. Lise, for … Read more

Playdurizm

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Demir and Andrew take drugs

Playdurizm starts with what looks like a moment from a feverish dream. A man and a woman having sex. She’s in a sling and he’s standing up. Ecstasy on both sides. Meanwhile, in a separate reality, another man appears to be hurtling through space and/or time in a lo-fi mock-up of 2001: A Space Odyssey’s “stargate sequence”, while in voiceover a quotation from Francis Bacon (the painter not the philosopher) informs us that humans are all “meat”. Dream over, that man, Demir (Gem Deger, who also directs and co-wrote with Morris Stuttard), wakes up in a strange place, not sure who or where he is. In the kitchen of the kitschy, Pop Art-y … Read more

Au Pair Girls

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Gabrielle Drake and Richard O'Sullivan

Known in the US as The Young Playmates, Au Pair Girls is a ripe chunk of British cheese from 1972 and a prime example of the sort of film the UK was making at the time. A simple story of four girls arriving in the UK and then having various adventures, most of which involve them losing their clothes, Au Pair Girls really benefits from its feisty female leads, Astrid Frank, Gabrielle Drake, Me Me Lai and Nancie Wait. They’re an interesting bunch. Astrid Frank appeared in French, German and English language movies, switching from a French movie with Jean Gabin (1970’s Horse) to sexploitationers such as Swinging Wives or Swedish Love Games. … Read more

Living

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A bowler-hatted Mr Williams checks his watch

Everyone loves Bill Nighy but he’d never really looked like Oscar material – unjustly – until Living came along. Too diffident. Too stylised. Too often wearing that same blue suit. What Nighy did was so effortless that it hardly seemed like acting at all, or at least the sort of acting that Oscar likes (snot and disability, with a heartwarming character arc and a chastening moral). Living was his big shot. It ended in valiant defeat, as we now know, with Brendan Fraser winning out against a tough shortlist that also included Austin Butler for Elvis, Colin Farrell for The Banshees of Inisherin and Paul Mescal for Aftersun. It was a case of … Read more

Mumsy, Nanny, Sonny & Girly

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Vanessa Howard as Girly

Having shot everything from 1960’s Saturday Night and Sunday Morning to David Lynch’s A Straight Story, it’s no surprise that Freddie Francis is best known as a cinematographer, one of the greats. But he also has more than 30 director credits to his name. Much of it was gun for hire work but in 1970, after eight years of doing others’ directorial bidding, he was finally given his head. Mumsy, Nanny, Sonny & Girly (aka Girly) is his picture, done his way, co-conceived with writer Brian Comport, and shot at Oakley Court, a location he’d worked at many times on various Hammer horror productions when it was mostly used for its imposing exterior. … Read more

Magic Mike’s Last Dance

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Magic Mike and his shirtless crew

And so the franchise built around Channing Tatum’s early career as a male stripper comes to an end, with one bang and, doubtless, several whimpers. Magic Mike’s Last Dance sees Steven Soderbergh return as director, director of photography and editor, writing credit goes again to Reid Carolin and Tatum makes it three in a row as he dry-humps a role that’s been good to him. The “bang” refers to Salma Hayek’s character, the immensely rich Maxandra Mendoza, who hooks up with down-on-his-luck Mike Lane (Tatum) early on, then whisks him away to the UK after he demonstrates his Magic in a raunchy private routine that leads to the “happy finish” Mendoza expressly said … Read more