LĂ©a Seydoux

The Beast aka La BĂȘte

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Gabrielle and Louis in 1910

Bertrand Bonello’s The Beast (La BĂȘte) isn’t the first adaptation of Henry James’s novella 1903 The Beast in the Jungle. It’s not even the first one of 2023. That honour goes to Patric Chiha’s French-language movie The Beast in the Jungle, which made it to the screens about six months before Bonello’s. Whether Bonello trimmed his sails having seen Chiha’s fascinating and underloved film is doubtful. The Beast looks like the vision of a man who’d already decided to take Henry James and put him through an extreme wash followed by a rigorous spin. James’s story has lost its original shape in Bonello’s version, which flips the genders for a start, and casts … Read more

One Fine Morning aka Un Beau Matin

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Clément, daughter Linn and Sandra lean over a gate

The latest report on Mia Hansen-LĂžve’s mission to keep alive a style of intimate, undemonstrative French cinema, One Fine Morning (Un Beau Matin) stars a highly impressive LĂ©a Seydoux in a role that’s a world away from 007 glamour. Hansen-LĂžve is the daughter of philosophy professors and so in Seydoux’s Sandra Kienzler there’s every temptation to read-across from reality to fiction, particularly if you know that a) Hansen-LĂžve often draws from her own life, and b) she wrote the screenplay while her father was dying from Benson’s syndrome, a degenerative disease, which is exactly what Sandra’s father, a philosophy professor, is suffering from here. The film opens with Sandra (a shorn, dressed-down Seydoux) … Read more

France

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France de Meurs behind the news desk

The film France is a lot of things but let’s start with what it’s not. The IMDb says “comedy drama” – but there’s not even a smile to be had out of writer/director Bruno Dumont’s latest. Other suggestions out there include that it’s a satire on the news profession. This is hard to credit even as an idea, unless you’re entirely unaware of the way TV news reports are put together. Assembling “packages” from various takes, cutaways, drop-ins, and so on is not the same as “fake” news, which sets out to deceive rather than enlighten. The other strange notion doing the rounds is that France is a state-of-the-French-nation drama. Blame the title … Read more

Deception

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Denis PodalydĂšs and LĂ©a Seydoux

The last of the Great American Novelists of the 20th century, Philip Roth died in 2018, leaving behind a substantial body of work. Deception (Tromperie in the original French) adapts yet another of his novels for the screen, becoming yet another brave attempt at making a movie out of something that doesn’t really want to go there. In episodic instalments the plot tracks the on-off relationship between a smart, ageing but horny American novelist called Philip and a much younger English woman, called simply the English Lover. He’s played by Denis PodalydĂšs, who makes Philip a confection of suavetĂ© and savoir-faire plus a crucial dollop of self-doubt (otherwise too smug). She is played … Read more

Crimes of the Future

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Caprice stands over a lying Tenser

David Cronenberg likes the title Crimes of the Future. He’s used it once before, for a film he made in 1970. He’s using it again here, 52 years later, but there’s no other connection between the two, at least on the surface. The 1970 is comedy sci-fi about a world without women, the 2022 recycling is good old-fashioned Cronenbergian body horror like he used to make. FYI, eXistenZ (1999), his last go at the genre he dominated in the 1980s and 90s, also had the working title Crimes of the Future. This Crimes of the Future’s origins go back to four years after eXistenZ, when Cronenberg was trying to put together a film … Read more

The French Dispatch

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Bill Murray as the editor of the Dispatch

A middle finger to the haters, The French Dispatch finds an unrepentant Wes Anderson doubling down on the whimsy and pastiche of films like The Grand Budapest Hotel or The Life Aquatic with Steve Zissou. There’s more. An artist’s statement, done early on in Owen Wilson’s laconic voiceover, vouchsafes that “All grand beauties withhold their deepest secrets.” Secrets? Deepest? Anderson is all surface, surely? Anyhow, on to the Dispatch, which is an American magazine/supplement of New Yorker stripe run in the old way – a liberal institution headed by a steely eccentric (played by Bill Murray), never short of money and with enough space to contain at least one writer who doesn’t write, … Read more

No Time to Die

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Lashana Lynch and Daniel Craig

A remembrance of Bonds past, No Time to Die is an evocative, elegiac farewell to Daniel Craig which also feels like a goodbye to the entire franchise – the familiar “James Bond will return” is there after the end credits, in case you need reassuring. It covers a lot of ground, flicks a lot of synapses not normally flicked by a Bond movie and is fascinating from first to last. All of the Craig Bond movies have played about with the Bond formula one way or another, but No Time to Die seems to have gone one step further, as if it wants to run two Bond movies in parallel – the one we … Read more