Morocco

Amy prepares to go on stage

Josef von Sternberg was the sort of man who loved it when a plan came together, and in 1930’s Morocco his master strategy paid off. The plan: having found himself shipped to Berlin by Paramount after a string of Hollywood failures, Von Sternberg decided to find a star there, groom her, and then use her to buy his ticket back to the big time. The star was Marlene Dietrich and even before The Blue Angel, Von Sternberg and Dietrich’s first film together, had been released in the USA, he was back in America using it to tout for business. Summoned by telegram, Dietrich followed him and by the time she arrived Morocco was … Read more

Cordelia

Cordelia and Frank in a Tube tunnel

The actor Antonia Campbell-Hughes is worth watching in anything she’s in. She’s particularly good at the externalisation of anxiety and there’s plenty of that in Cordelia, the story of a broken London woman trying to put her life back together after some terrible event. The event was the terrorist bombings of London in July 2005, though all we learn of what happened then is how it’s left Cordelia, an actor now afraid to leave the house, who hasn’t used the Underground ever since (this was made in 2019 and is set then too), and who leans heavily on her twin sister (also played by AC-H), a boozy, fun-lover who is presumably everything Cordelia … Read more

Le Jour Se Lève

Françoise and François embrace

Le Jour Sè Leve is a prime example of a film in the doom-flecked “poetic realist” style which flourished in France before the Second World War and we’re lucky to have it at all. When RKO set out to remake it in 1947, as The Long Night, they bought up and destroyed all the prints they could find. But not all of them, obviously, because here we are. It didn’t go too well for the remake (the New York Times described the 1936 French original as “in every respect superior to this new job”) even with Henry Fonda in the key role, as the murderer reflecting alone in his room as night gradually … Read more

DC League of Super-Pets

Krypto and Ace

The Superman story with a doggie twist. The tale, or tail, of the pup who jumped into baby Kal-El’s escape pod as his parents evacuated their son from the dying planet Krypton, and wound up as Superman’s best friend on planet Earth, complete with canine super powers of his own, a cape, and even a pair of black framed glasses as a doggie disguise. When he’s not being Krypto the superdog, he’s the Bark to Superman’s Clark Kent. Ho ho. Dwayne Johnson, surely at risk of spreading himself too thin, voices Krypto, the loyal companion whose daily round of walkies and fly-ies is interrupted by a series of events. First Superman and Lois … Read more

Le Crime de Monsieur Lange

Valentine, Amédée and Batala

When talk turns to the greatest films of all time, Jean Renoir is usually in there. And when talk turns to Renoir, it’s La Règle du Jeu or La Grande Illusion which most often figure, with Boudu Saved from Drowning sometimes making an appearance. Le Crime de Monsieur Lange not so much. Made in 1936, the year before La Grande Illusion, it has been eclipsed by it in the decades since, though it’s a virtuoso piece of film-making with a remarkable camera, brilliant performances and a story that goes right against the grain. A man and a woman on the run turn up at a bar near the border begging for a room … Read more

Pearl

Pearl coverd in blood

While shooting 1970s-porn-pastiche-horror movie X in New Zealand, and caught up in a bit of a covid quarantine hiatus, writer/director Ti West realised he might have the makings of a franchise on his hands. So he pitched the idea to production company A24 of extending his single movie into something more. They said yes, and West, wasting no time, immediately set about writing Pearl with his star, Mia Goth. The franchise idea is loosely linked horror movies set in different eras and shot in different styles. X told the story of a gang of amateur porn film-makers in 1970s America getting their rich-hued sex/death/slasher/giallo-inspired comeuppance. In that film Goth played two roles – … Read more

The Maltese Falcon

Ricardo Cortez and Bebe Daniels

The Maltese Falcon, but not that one. Not the 1941 version starring Humphrey Bogart and directed by John Huston, but the other one, the original filmic take on Dashiell Hammett’s story, from 1931, with Ricardo Cortez as Sam Spade and Roy Del Ruth directing. That one. Retaining much of Hammett’s terse, hard-boiled dialogue, it keeps his story intact too – woman called Ruth Wonderly (Bebe Daniels) employs private eye Spade and his partner to help her find her missing sister. By the next morning two men are dead, one of them Spade’s partner, another the man who was supposed to have run off with Wonderly’s sister. The “sister”, it turns out, was all … Read more

The Girl

Sienna Miller as Tippi Hedren

There were two dramatised features about the working methods of director Alfred Hitchcock in 2012. Hitchcock starred a pretty decent Anthony Hopkins as the corpulent director. But today it’s The Girl, a more obviously made-for-TV affair. It’s an HBO/BBC collaboration, with actors who bump it up the pecking order – Toby Jones as a dead-eyed Hitchcock, Imelda Staunton as his enabling, collaborative wife Alma and Sienna Miller as Tippi Hedren, the star of The Birds and Marnie. The story of The Girl is the story of a director who finds a new star, grooms her and, Vertigo-style, becomes hopelessly, almost pathologically obsessed with her. It’s Alma who first calls Hedren “the girl”, having noticed … Read more

Employees’ Entrance

Madeline and Kurt

Employees’ Entrance is a short, sharp and strange film, from the title on downward. A drama made in 1933 and set in a department store in the teeth of the Great Depression, it takes a look at rapacious capitalism in the form of its central character – Warren William as the time-and-motion guy Kurt Anderson, who somehow gains control of a business that’s been run almost on feudal lines till he came along. Kurt is a price-of-everything-value-of-nothing badass and though his technique isn’t all slash and burn, his management style is brusque, hectoring and unsympathetic and he demands total loyalty from his staff, who he expects to be on call 24/7. On the … Read more

Bullet Train

Brad Pitt as hitman Ladybug

So you’ve decided to watch a film called Bullet Train. You know Brad Pitt is in it. You know David Leitch directed it – he co-directed John Wick and was Pitt’s stunt double in Fight Club. You have certain expectations. In fact you almost know exactly what you’re going to get – something that’s expensive and glossy, well made, with driving action and perhaps a squeeze of humour. The names Sandra Bullock and Brian Tyree Henry back up the suggestion there’ll be comedy. And there’s Michael Shannon in the credits, so maybe a bit of badassery? Want to bet there’ll also be a runaway train factored into the plot somehow? Enter Brad Pitt, … Read more