Steve

Saloum

by
Bangui's Hyenas

There are a lot of interesting films coming out of Africa right now. Here’s Saloum, not perfect but pretty damn exhilarating for its first half at the very least. It’s an open homage to Tarantino putting colourful characters with unexpected skillsets into tense situations and then watching as the pinball-machine consequences play out. Congolese director Jean Luc Herbulot gives us a fascinating opening shot of a shadowy figure entering what might be a lake with a gun. What are we about to see? A western? A sci-fi movie? A war movie? A revenge drama? There are flavours of most of those in what Herbulot eventually delivers. But first let’s meet the team: a … Read more

Obsession aka The Hidden Room

by
Bill and Clive

In 1948 brilliant director Edward Dmytryk left the United States in a hurry. He’d just been sentenced to prison time for failing to testify before the House UnAmerican Activities Committee. One of the so-called Hollywood Ten, Dmytryk fled to the UK, where he made a couple of films before his passport ran out and he returned to the US to face the music, and jail. The first of those films was Obsession, released in the US as The Hidden Room. Dmytryk is best remembered for all-American movies like the Philip Marlowe mystery Murder, My Sweet (also known as Farewell My Lovely). Obsession isn’t as noirish as that in any sense but it is … Read more

Emily the Criminal

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Aubrey Plaza as Emily

An astute move sideways by Aubrey Plaza, Emily the Criminal gives her fans a bit of what they want alongside a good whack of something new. She’s a producer of the film so it’s fair to say this is deliberate. Playing the sexy snark can’t go on for ever, and she’s been working this territory at least since 2007’s online TV series The Jeannie Tate Show (she was the petulant drug-dependent teenage step-daughter). In 2009, Parks and Recreation made her a star. Since then Plaza has been playing variations on that Parks and Rec character, cynic/slacker/ditz April Ludgate, in films like Safety Not Guaranteed, Life After Beth, Ingrid Goes West and Dirty Grandpa. … Read more

Sounder

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Cicely Tyson as the mother

A critical and box office hit, Oscar-nominated and a movie now preserved by the US National Film Registry, Martin Ritt’s Sounder is one of those important films that no one seems to talk about any more. It seems to have been forgotten, or is a cult being kept alive by a small band of devotees. Perhaps it got lost in the undergrowth, along with films like the comparatively well known Silent Running, because it’s a movie from 1972 and so was squeezed out by the competition in one of the mega years – The Godfather, Cabaret, Deliverance, Solaris, Sleuth, The Discreet Charm of the Bourgeoisie, Carry On Matron (I’m joking). Or maybe it’s … Read more

Post Mortem

by
Tomás and Anna

For a while there was an odd debate going on out there as to whether Post Mortem was or was not Hungary’s first horror movie. On the trivia pages of the IMDb someone claimed that it most definitely was. Since the claim was tucked in among positive reviews from various film festivals, it looked like a case of zealous PR. On the same page, somewhat on its own, was one line stating baldly that Post Mortem isn’t Hungary’s first horror film “even if the creators think it is”. Elsewhere on the same page there’s a claim that that honour should in fact go to a 1996 movie, Legyen világosság (aka Let There Be … Read more

He Walked by Night

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Roy in the storm drain

There were two big “ripped from the headlines” movies in 1948, one from the East Coast of the USA, the other from the West. Both The Naked City and He Walked by Night made big claims to authenticity. The Naked City made much of the fact that a lot of its footage was shot out on the streets of New York. He Walked by Night also makes use of real locations, most notably LA’s underground storm drain system for a finale The Third Man would borrow a year later. But its bigger pitch is that it’s a non-Hollywoodised movie about actual events. And how it asserts that. “This is a TRUE STORY”, the … Read more

Deception

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Denis Podalydès and Léa Seydoux

The last of the Great American Novelists of the 20th century, Philip Roth died in 2018, leaving behind a substantial body of work. Deception (Tromperie in the original French) adapts yet another of his novels for the screen, becoming yet another brave attempt at making a movie out of something that doesn’t really want to go there. In episodic instalments the plot tracks the on-off relationship between a smart, ageing but horny American novelist called Philip and a much younger English woman, called simply the English Lover. He’s played by Denis Podalydès, who makes Philip a confection of suaveté and savoir-faire plus a crucial dollop of self-doubt (otherwise too smug). She is played … Read more

Where’s Poppa

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Gordon and his mother

Running on the same fuel as the UK comedy Steptoe and Son (or the US version of it Sanford and Son), Where’s Poppa is the story of a would-be suave, would-be lothario constantly being thwarted by his aged parent. George Segal plays the New York guy keen to spread his wild oats. Ruth Gordon is the insufferable mother he shares an apartment with, a woman who’s gone senile, or is maybe just making out she’s senile the better to thwart any chance of happiness for her son. It’s a loose-cannon story tracking the efforts of Gordon (Segal) to introduce a new nurse, Louise (Trish Van Devere) into the household, his mother having chased … Read more

Petrov’s Flu

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Petrov in the van with the men transporting the coffin

Kirill Serebrennikov, the director of Petrov’s Flu (Petrov v grippe), wasn’t at Cannes in 2021 to see his film screened, as he hadn’t been at Cannes to see his previous film, LETO, screened in 2018. He was under house arrest back home in Russia, having been accused of embezzling funds from the Seventh Studio, one of several cultural institutions he was connected to. The charges were widely seen as trumped up, part of Vladimir Putin’s ongoing fight against liberal elements in Russia – Serebrennikov is a vocal supporter of LGBT causes. Given all that background, you might expect Petrov’s Flu, a fictional work but one set in the post-Soviet era, when society had … Read more

Spies

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Willy Fritsch as agent 326

Metropolis, now seen as a classic, didn’t do many favours for director Fritz Lang short term. And it nearly bankrupted Ufa, the studio that made it. For Lang’s follow-up, Spies (Spione), Ufa clipped his wings and forced him to shoot on a reduced budget. Hey ho, another classic, and also, just incidentally, the template for almost all of the spy thrillers of the future. In a brilliant, lightning-fast opening montage, Lang lays out his stall – stolen documents, a murder, a public furore stoked by incendiary newspaper headlines (“public officials asleep on the job”), – another murder, followed by a man who might as well be named M calling a spy who might … Read more