Steve

Le Cercle Rouge

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Vogel and Corey face off

Le Cercle Rouge, Jean-Pierre Melville’s 1970 gangster-heist movie, starts with a quote from the Buddha about all men eventually finding themselves inside the red circle. Regardless of what they think they’re up to, or how self-determined their actions are, human beings cannot outwit fate. The quote is entirely bogus, having been written by Melville himself, who picks up and drops the idea of fate/luck/chance throughout his movie, relying on it to operate when he needs a fanciful meeting of two key characters to occur, for example, but keeping it out of the picture for the film’s centrepiece, a long, silent heist sequence. The film is a self-assured and elegant exercise in style and … Read more

Sequin in a Blue Room

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Conor Leach as Sequin

“A Homosexual Film by Samuel Van Grinsven” is how the Sydney-based writer/director describes his feature debut, Sequin in a Blue Room, in the space where the usual “A film by” card comes up. Not “Gay”, not “Queer”. And “Homosexual” as if the film itself were homosexual, which is impossible. Perhaps Van Grinsven is staring down any would-be criticism with a “yeh, what of it?”. Or maybe he’s making it clear to the ninnies who don’t like this sort of thing that this sort of thing is exactly what they’re getting. It’s a love story, in essence, though one overlaid with all the modern-day paraphernalia of dating culture – the apps allowing hook-ups on … Read more

Wrath of Man

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H with a gun

Wrath of Man is director Guy Ritchie and actor Jason Statham’s fourth collaboration since they both broke through in 1998’s Lock, Stock and Two Smoking Barrels. It’s a remake of the 2004 French movie Cash Truck and opens with the Metro Goldwyn Mayer logo emblazoned in orange lettering against a hazy cityscape. All very 1970s is the initial impression. And it turns out to be a correct impression since what we get with Wrath of Man is a cut and shut of two 1970s staples – the bank heist movie and the revenge thriller. The joys of a Statham film come largely in having our expectations satisfied. He’s a trans-cinematic presence, reliably Statham, … Read more

My People, My Country

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Watching Shenzhou 11

Seven films by seven different Chinese directors comprise My People, My Country, a portmanteau film about key moments in the history of the People’s Republic, all overseen by Chen Kaige (who contributes one of the short films), director of My Beautiful Concubine. At 150 minutes running time that’s a 20-25 minute running time for each film. When people talk about waving the flag they’re usually using the term metaphorically. It’s literal in My People, My Country – rarely can so many flags have been waved, so fervently, up front, in the background or off to the side. They’re a disparate bunch of films, as portmanteaus tend to be, but patriotism is in no short … Read more

Only the Animals

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Evelyne and the hopelessly smitten Marion

Dominik Moll’s latest film, Only the Animals (Seules les Bêtes), opens with a striking shot of an African man cycling along the road wearing a live kid goat on his back much as you would a rucksack, arms and legs for straps. But from there we leave the titular animals behind and enter the all-too-human realm. We’re up in the snowy heights of France in winter, where an optimistic insurance agent (Laure Calamy, of Call My Agent fame) is having an affair with Joseph (Damien Bonnard) one of her clients, a recently bereaved soul who leads a silent solitary life. The woman’s truculent oaf of a husband (Denis Ménochet) gets wind of the … Read more

The Dry

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Aaron and local cop Greg investigate

A very familiar whodunit with an unfamiliar setting, The Dry sees Eric Bana on home Australian turf as a cop investigating the case of a man who killed his wife and kid before turning the gun on himself. How familiar? How about: cop returns to old stomping ground, drawn back by a case which also re-awakens some slumbering trauma from years before. Yes, that one. Ringing the changes is the parched, dust-dry Outback where years-long drought is squeezing the life out of Kiawarra, a one-horse town dominated by farming, as well as the sweat-stain masculinity that’s an Aussie specialty. Drinking, brawling, swearing and scowling, plenty of all those too. Specifically, Eric Bana plays … Read more

The Night Eats the World

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Anders Danielsen Lie

The Night Eats the World is a detail-rich zombie procedural ingeniously set in one house, with one main guy as its focus, a couple of “names” doing the sort of walk-on you’d have thought they were above and a lot of extras stumbling about and moaning. Director Dominique Rocher’s feature debut spends a few minutes at the beginning just introducing us to its main character before it hits us. Sam (Anders Danielsen Lie) is at a party he doesn’t want to be at – he’s just there to pick up some belongings after having obviously split acrimoniously with his girlfriend – falls asleep while waiting for her to show him exactly where his bloody … Read more

Riders of Justice

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Otto, Markus, Emmenthaler and Lennart

Anders Thomas Jensen is amazingly prolific. Riders of Justice (Retfærdighedens ryttere in the original Danish) may be only his fifth film as a director in 22 years but in that time he’s also written around 40 feature-length movies. You might have seen Brothers (starring Jake Gyllenhaal, Tobey Maguire and Natalie Portman), or the underrated western Salvation (Mads Mikkelsen, Eva Green, Jeffery Dean Morgan) or After the Wedding (Julianne Moore, Michelle Williams, Billy Crudup). All his directorial efforts to date have starred Mads Mikkelsen and Nikolaj Lie Kaas, four of the five have feature Nicolas Bro, fabulous actors all. They’re joined this time by another real talent, Lars Brygmann, for another exercise in the … Read more

The Killing of Two Lovers

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The lovers asleep

The Killing of a Two Lovers starts, unusually, with a climax, backs off quite a bit to let us work out what’s going on, before returning with another climax at the end, exactly where we’d expect one to be. It opens with two people in bed asleep. Hovering over them is a bearded man with a desperate look on his face and a gun in his hand. He hears a noise from somewhere else in the house, takes fright and climbs out the ground-floor window and makes good his escape. The two people sleep on unawares, while we head out with David, the desperate guy, and find out more about him. The film … Read more

The Man in the Hat

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The Man by his Fiat 500

The Man in the Hat is a weird whimsical hybrid: a homage to Jacques Tati and a semi-musical travelogue in a fantasy version of France. In The Man in a Hat‘s France there is no fast food, no Japanese cars, no smartphones. The car The Man drives is a Fiat 500, the original, tiny, tin-boxy version not the more chi-chi modern one. He jumps into it sharpish after the opening scene, when The Man (as the credits call him) spots a gang of unsavoury gentlemen heaving something human-shaped into the sea one balmy evening. They’d not realised he was there, enjoying a glass of wine and a plate of something tasty outside a … Read more