26 January 2015-01-26

Hayley Atwell and André Benjamin in Jimi: All Is by My Side

Out in the UK This Week Jimi: All Is by My Side (Curzon, cert 15) Imagine a Jimi Hendrix record without any of his guitar pyrotechnics. That’s the feeling you get from this efficient, workaday biopic about the godlike genius who came and went so quickly, leaving behind enough music for us to know how good he was. The film follows Hendrix’s transformative year in London 1966-67, makes glancing references to his influences and to his ethnicity (as you might expect from a film directed by 12 Years a Slave writer John Ridley). The ethnicity, it claims, Hendrix chose to ignore, which almost brings into focus a man who might have been remarkably … Read more

Kids in America

The cast of Kids in America strike a pose

How many America high school comedies have you seen? How many more do you want to see? Exactly my thoughts as I slid the DVD of Kids in America into the slot. But I was wrong and happy about it, because this is a smart and funny film, about smart and funny and intensely likeable teenagers who are shown giving nearly everything their best shot because it’s the first time they’ve done any of it. The action revolves around a gang of seven students, more ethnically mixed than your average movie high school clique, who decide that something in their “everything verboten” school has got to change. And it’s not going to be them. … Read more

19 January 2015-01-19

Ellar Coltrane as Mason, from five to 18

Out in the UK This Week Boyhood (Universal, cert 15) As I write Richard Linklater’s ambitious drama is picking up Golden Globes like it was made of Velcro and looks like it’s heading for Oscar glory too. So what’s the deal? At first glance it looks like a gimmick, following the same actors for 12 years, Ethan Hawke and Patricia Arquette from their lush prime into early middle age, Ellar Coltrane as the boy of the title, who is five when Linklater turns the camera on, 18 by the time he’s done. So is Boyhood drama or structured reality? It’s actually another go at the sort of freewheeling relationship drama of Linklater’s Before … Read more

The Great Ecstasy of Robert Carmichael

Dan Spencer in The Great Ecstasy of Robert Carmichael

A provocative and more or less relentlessly grim drama set in hoodie Britain that seems to ask the liberal establishment to look again at their “anything goes” attitudes. Director Thomas Clay and co-writer Joseph Lang divide the world into two. One is middle class, in the shape of sleek celebrity TV chef Jonathan Abbott (Michael Howe) who whips up fancy food, lives in a lovely house, has a lovely partner and has a lovely life. Then we have Robert (Daniel Spencer). He lives in another part of the same small coastal town where there’s not much doing, but his parents are bringing him up to be a valuable member of society. He learns the cello, makes a passable … Read more

The Spectacular Now

Shailene Woodley and Miles Teller in The Spectacular Now

Feeling, looking, sounding like a very dark John Hughes film (Breakfast Club, Ferris Bueller period), The Spectacular Now also has in Miles Teller and Shailene Woodley exactly the sort of actors Hughes might have cast – not the prettiest, but the most personable, the most “relatable” as we now say. It’s Teller’s first starring role, after standing out in a series of supporting roles, notably adding a gloss to the comedy 21 & Over that the sub-standard joke writing certainly wasn’t delivering. And at first sight he’s playing a similar kind of character, the bright funny jock. Except this isn’t the successful jock the movies encourage us to pity – because of their muscular … Read more

Two Night Stand

Analeigh Tipton and Miles Teller in Two Night Stand

Two Night Stand takes the boy wins girl/boy loses girl formula, gives it a millennial spin and then lets its stars, Miles Teller and Analeigh Tipton charm the pants off us as they rip the pants off each other. Genuinely fresh and cute, refreshingly forthright and even sexy – most sex comedies, let’s face it, aren’t – its simple two hander story sees Tipton’s sofa-surfing slacker having rebound sex with stoner Teller, then attempting to sneak away from his place in the early hours, only to find they’re snowed in together. Which is embarrassing considering the “fuck you, too” farewells they’ve just been bidding each other. And that’s it: a boy, a girl, … Read more

Marie Antoinette

Kirsten Dunst as Marie Antoinette

It’s tempting to look at writer/director Sofia Coppola’s biopic about Marie Antoinette as a coded self-portrait – young woman born into immense privilege, continuing in the family business, expected to have an understanding of the hoi polloi though with no experience thereof, allowed to indulge her whims, and so on. Perhaps it’s a better film seen that way, because as a straightforward biopic it’s full of problems, chief of those being the inertia at the centre, where Kirsten Dunst’s Marie – the Austrian princess bought in by the French to produce an heir – and her spouse the Dauphin (Jason Schwartzman) sit like a pair of bland puddings while around them wheel a menagerie of exotic … Read more

The Host

Bae Doo-na, Byun Hee-bong and Song Kang-ho in The Host

In Memories of Murder, the South Korean director Bong Joon-ho made an interesting point about the police procedural – that no matter how “tortured” the cop/protagonist, no matter how broken his background, how fractured his family life, how severe his problem with drink, he always remains a hero. Not in Memories of Murder he doesn’t. Nor did the case get solved by inspiration, Sherlock Holmes-ian deduction, or even solid police work – it was mostly luck, that’s when the cops weren’t beating information out of people. The Host is Bong’s observations on the creature feature, another home for the hero. But, again, not here. Bong first gives us a bit of Godzilla-style backstory … Read more

12 January 2015-01-12

Tomer Sisley and Lizzie Brocheré in Sleepless Night

Home entertainment releases in the UK this week Sleepless Night (Icon, cert 15) A great French chase thriller set almost entirely inside a nightclub. All the cops are bent, there are a lot of bad guys, and they’re the boiled-in-piss sort (pockmarked Birol Ünel is one of them, if that means anything to you – it should). Tomer Sisley is lead cop – crooked as you like, though there’s far worse than him – and the action kicks off after he heists a big bag of cocaine off the bad guys and hides it in the false ceiling above the gents toilets. When he goes back to get it, a bad guy having … Read more

Sixty Six

Gregg Sulkin and Helena Bonham Carter in Sixty Six

Bernie, a London Jewish boy who sees his barmitzvah as the very peak of his young life, suddenly realises it’s taking place on the same day as the 1966 football (soccer) World Cup final. Will anyone come, especially once the home team start morphing from total no-hopers to potential giant-killers? Helena Bonham Carter, Peter Serafinowicz, Eddie Marsan and Catherine Tate are among the familiar British faces helping young Gregg Sulkin towards his big day in a likeable but small-scale comedy which pins its hopes on the footballing names Bobby Moore, Nobby Stiles et al to give it back-of-the-net appeal. This of course makes for very parochial comedy indeed, but director Paul Weiland, apparently basing … Read more