Review

Sharp Corner

by
Josh with chainsaw

Beta-male-goes-mad time with Sharp Corner, borrowing the arc of The Shining and starring Ben Foster as a Jack Nicholson stand-in. There is no Overlook Hotel or supernatural stuff. Instead the action takes place in a “mansion” outside the city where Foster’s Josh McCall has moved his family, not once wondering why this great big house in the middle of nowhere could be bought at a price they could afford. The reason becomes obvious on their first night in the place when, as Josh and wife Rachel (Cobie Smulders) christen their new home by having sex on living room floor, they are rudely interrupted by a car wheel flying through their picture window. Sharp … Read more

Contraband

by
Valerie Hobson in a hat and with a cigarette in her hand

Powell and Pressburger’s second collaboration, 1940’s Contraband (aka Blackout) is a knockabout knock-off of Hitchcock’s The 39 Steps – two people yoked together against their will, a Nazi cell and so on – which also goes large on Hitchcock’s light-hearted energy and his fondness for a set piece. Conrad Veidt and Valerie Hobson had both been in P&P’s first collaboration, the previous year’s The Spy in Black, and this time around play a couple charging around London under blackout conditions. She’s a spy who stole the shore passes issued to Veidt’s Captain Andersen, a Danish sea captain whose freighter has been impounded by the British authorities. He’s keen to get them back and … Read more

The Ballad of Wallis Island

by
Charles, Herb and Nell smile to camera

Looking like an instant classic, The Ballad of Wallis Island is that rare thing: a beautifully crafted feelgood Britcom with no Richard Curtis involvement whatsoever. Though, while we’re about it, Curtis himself has called it “one of the greatest British films of all time.” On the face of it, it could not have come from a more unlikely corner. Writers/stars Tom Basden and Tim Key are probably best known (if at all) for their collaboration on Tim Key’s Late Night Poetry Programme, a BBC Radio 4 show mixing larky verse (Key), quirky music (Basden), and painful/funny interaction between the pair in linking material that has a loose, Larry David meta-ness to it. They … Read more

Trouble Every Day

by
Beatrice Dalle covered in blood

The vampire genre gets reinvented every few years. Trouble Every Day is Claire Denis doing it definitively in 2001, a few years before Tomas Alfredson gave it the IKEA flatpack refit with Let the Right One In and Ana Lily Amanpour boldly put an Iranian spin on the whole thing with A Girl Walks Home Alone at Night in 2014. In a sense Denis’s film is the motherlode, because it shows how this most verbose and ornate of genres can be approached from an entirely new angle. Watch Jonathan Glazer’s Under the Skin (2013) and tell me he hadn’t watched Trouble Every Day. He’s even repurposed plot elements. Quiet, slow, moody and lacking … Read more

Emilia Pérez

by
Zoe Saldaña as lawyer Rita

First feted then hated, Emilia Pérez got a standing ovation at the Cannes Film Festival, where it won the Jury Prize. By the time the Oscars came around the tide had started running the other way, with its 13 nominations resulting in only two wins – Best Supporting Actress for Zoe Saldaña, plus Best Song (El Mal). What had happened in the interim is a textbook case of a social media pile-on, some of it justifiable some of it not, which resulted in all sorts of apologies being given to the faceless blob for crimes against trans people, misrepresentation, the lack of actual Mexicans in the key roles in a film largely set … Read more

Ishanou

by
Tampha beneath her mosquito net

Manipuri cinema, from the state of Manipur in northwest India, only got going in 1972 and it’s pretty fair to say that Ishanou (The Chosen One) is either the most famous film ever to come from there or a contender for the title. Made in 1990 by Aribam Syam Sharma it’s a beautiful and deceptively simple drama shot on 16mm stock, which makes the whole thing gauzy and impressionistic and offsets an ethnographic element as fascinating as the story it tells. A preamble gives us a structure for what’s to follow and fills us in on the background on the Maibis of Manipur, a religious order of sorts, whose female members are said … Read more

Juror No. 2

by
Close up of Nicholas Hoult

Juror No. 2 is a rare thing these days: a good old-fashioned courtroom thriller. Director Clint Eastwood, 93 when he made it, does it old-style, the way his mentor Don Siegel might have done it, and the result is a streamlined drama revolving around a central dilemma, just the sort of lean and fast second feature Siegel might have cranked out in the 1950s. It is a very neat plot, which I’m not going to ruin by explaining. What I can say is that Nicholas Hoult is the titular juror, a man who suddenly realises mid-trial that he can free the man accused of murdering his girlfriend at a stroke, but only if … Read more

The Miracle of Morgan’s Creek

by
The Justice of the Peace with Trudy and Norval

The “miracle” of The Miracle of Morgan’s Creek is that audiences in 1943 bought Preston Sturges’s film as a proposition. The story makes no sense and Sturges knew it didn’t. Hence the framing device added to distance the “facts” of what we see on screen from their telling. The film begins with a state governor being told a wildly implausible story in a telephone call from an excited journalist, and ends back in the governor’s office, where the final tawdry details are being received. Sturges obviously intends that we understand we’re getting the facts at one remove and that there’s been a bit of journalist licence used in the story’s reporting. Here’s the … Read more

Shadow Force

by
Omar Sy points a gun while lying on the ground

Lacking the crackle and wit of the usually fairly mad Joe Carnahan movie, Shadow Force is full of charismatic performers angling for a moment in the sun. Which, for most of them never comes. Gunplay and banter are there, but they’re swamped by slack verbiage and scenes full of characters never properly introduced. So when the trademark Carnahan Big Finale arrives – guns blaze, wisecracks spark – ignition does not happen. It should be good, with its mix of Kill Bill, John Wick and Mr and Mrs Smith plotting. Omar Sy and Kerry Washington play Issac Sarr (codename Sombra) and Kyrah Owens (codename Ombra), two members of a crack black-ops squad who, years before … Read more

Model for Murder

by
Sally and David

Director Terry Bishop won an Oscar for his semi-documentary Daybreak in Udi in 1949. Oscars aren’t handed out for films like Model for Murder, a British B movie from 1959. But Bishop does a good job with what he’s been handed and puts a polish on a noirish, crime-thrillerish story with a subtext all about strange, strained and irregular relationships. In the familiar American-in-England role is Keith Andes as a guy called David Martens, who is in the country looking for traces of his dead brother and striking up a relationship in a cemetery (as no one ever does) with a young woman. Sally Meadows (Hazel Court) is a bright young thing currently … Read more