Klaus Kinski

The Pleasure Girls

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Francesca Annis and Suzanna Leigh

Misrepresenting itself cheerfully, The Pleasure Girls is an early arrival at the Swinging Sixties party that’s only partly what the poptastic theme song and energetic trailer claim it to be. Youth! Girls! Fun! Sex! Yes, but… For a while the story sticks close to Swinging expectations – young, pretty Sally (Francesca Annis) arrives in London from the fusty provinces to become a model, takes up with a David Bailey-esque photographer called Keith (Ian McShane) and together they have a fun time, going to parties and hanging out with all the other beautiful people of mid-Sixties London. So far, so groovy. But writer/director Gerry O’Hara has other stories to tell. For one thing his … Read more

Fitzcarraldo

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Fitzcarraldo and his boat

The “conquistador of the useless” is how Brian Sweeney Fitzgerald – known by the Peruvian locals as Fitcarraldo – is described at one point in Werner Herzog’s fourth collaboration with actor Klaus Kinski. It helps, watching this mad epic conceived on the grandest of scales, to remember that Herzog often described himself that way too. The story is as big as the character of Fitzcarraldo, an obsessive opera-lover with a string of failures behind him, like the Trans-Andean railway that never went anywhere, or the ice-making business with not enough demand for ice locally to make success a possibility. As Herzog raises the curtain, Fitzcarraldo’s latest plan is to build an opera house … Read more

Aguirre, Wrath of God

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Klaus Kinski as Aguirre

As madly vainglorious as the expedition it tracks, Aguirre, Wrath of God follows a raggle-taggle band of 16th-century conquistadors into uncharted South America, where they hope to find incalculable riches in the fabled city of El Dorado. It was the first of five uneasy collaborations director Werner Herzog and Klaus Kinski made together. Herzog opens on a richly extravagant shot of the conquistadors, the accompanying nobles, plus native bearers and a priest in single file descending through the jungle down towards the Amazon. Money has been spent, the shot shouts. This is a magician’s deflection. Most of the “action” in this movie takes place either on a riverbank or on board a raft … Read more

The Great Silence

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Jean-Louis Trintignant as Silence

One of the great puzzles about Sergio Corbucci’s 1968 spaghetti western The Great Silence (Il Grande Silenzio) is how shakily it starts. In one gruesomely unsteady shot after another, using lenses that are way too long, cinematographer Silvano Ippoliti appears to be putting on a demonstration of the genre’s technical shortcomings. Distant figures swing wildly all over the frame, rendering action almost impossible to follow. Stick with it, it settles down. By the end, as events build towards a climax that’s satisfying because it’s so unexpected, Ippoliti and Corbucci have relaxed into a groove and are delivering cinematic storytelling at its finest. Scenes play out in as much time as feels necessary, minor … Read more

The Little Drummer Girl

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Charlie training with the Palestinians

Is the 1984 flop The Little Drummer Girl really a spy thriller, as it says on the tin, or an existential drama about a woman losing her mind because she believed in nothing to start with? Diane Keaton stars in this adaptation of a semi-successful John Le Carré novel (attempts have been made to re-appraise it since the author’s death), playing an actress recruited by the Israeli secret service to infiltrate a Palestinian terrorist network. Le Carré (real name David Cornwell) based “Charlie” on his half sister, the actress Charlotte Cornwell, who around this time was suing a UK newspaper for suggesting her “bum is too big”. She won, on the grounds that … Read more