Category: See This

Anders Berthelsen and Iben Hjejle in Mifune

Mifune

      The title is a reference to Toshiro Mifune, the Japanese director Akira Kurosawa’s favourite actor. He died as the film went into production and director Søren Kragh-Jacobsen and writer Anders Thomas Jensen came up with the title as a way of honouring him. So, no, this isn’t

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Nicole Kidman shocked in The Others

The Others

  Oddly, quite a few people hated this atmospheric ghost story when it came out. It’s a tale with a twist, set just after the end of the Second World War and it’s directed by the Spaniard Alejandro Amenábar. He was a cult name back then, thanks to Tesis and

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Jonathan Rhys Meyers in Velvet Goldmine

Velvet Goldmine

        In 1988 Todd Haynes made Superstar: The Karen Carpenter Story. In it he used Barbie and Ken dolls instead of actors to play out the tragic story of the singer with the golden voice whose anorexia eventually killed her off. Karen’s brother Richard Carpenter stamped it out of the record

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Tom Green suckles from a cow's teat

Freddy Got Fingered

    The ancient Hebrews used to send out a goat into the wilderness, hoping it would take all their sins off with it. Modern Hollywood continues the practice every year with the Razzies, awards handed out to films which supposedly stink but which are in fact often not significantly

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The French poster for Duel in the Sun, featuring Jennifer Jones and Gregory Peck

Duel in the Sun

    Martin Scorsese reckons Duel in the Sun was the first film he ever saw and one of the reasons he became a director. It was made in the mid 1940s when David O Selznick was still basking in the glow of Gone with the Wind, in terms of

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Redneck Keanu Reeves in The Gift

The Gift

    Director Sam Raimi is an expert in genre-twisting. Back when he was making The Evil Dead he so overloaded his gore epic that it eventually became funny. With The Gift he takes on a genre even more arcane: the British whodunit. Then he does weird shit with it.

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Simone Signoret and Vera Clouzot in Les Diaboliques

Les Diaboliques

      If you’re working yourself towards film-buffery, you really need to have seen something by master of suspense Henri-Georges Clouzot – “the French Hitchcock” he is often called, when Jacques Deray or Claude Chabrol aren’t using the sobriquet. You may already have seen the masterful The Wages of

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Donald Sutherland and Elliott Gould in a publicity shot for Mash

Mash

      An on-screen statement, put there at the behest of a nervous film studio, claims this film is about the goings-on at a field hospital during the Korean War. That statement apart, this is obviously a film about Vietnam, a war the Americans had already lost at home,

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Strong Language

      London wunderkind Simon Rumley wrote, produced, directed and probably did the catering on this fantastic debut feature. As an exercise in storytelling it appears to be simplicity itself. Initially it’s little more than testimonies to camera from a bunch of young Londoners as they bang on about

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Julian Richings in Cube

Cube

      Having worked as a storyboard artist on animated series such as Babar and Tintin, Vincenzo Natali was probably not top of the list to make his directorial debut with a sci-fi cult classic. But that’s what he did with Cube, a clean pure piece of sci-fi that

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