Donald Sutherland

Little Murders

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Elliott Gould and Marcia Rodd in a car

1971’s Little Murders gets the jump on Annie Hall by a handful of years. Woody Allen’s 1977 film was originally going to be called Anhedonia (an echo remains in his ultimate title) and was about a guy who couldn’t feel anything, which is what the condition of anhedonia is. Little Murders takes the same idea in a different direction – bleaker, less digressive and only funny in a weird way. Originally Jean-Luc Godard was going to direct but instead Alan Arkin ended up behind the camera, honouring Godard with a New Wave-style approach to the material – fast edits, scenes crashed into and out of, nothing too fancy in terms of lighting, as if … Read more

Klute

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Donald Sutherland in Klute

Donald Sutherland died the day before yesterday, so I thought I’d rummage around and see what I had of his. Turns out I have Klute in Criterion’s 4K restoration. And, having now watched it, I can report that it delivers on many levels, not least Sutherland’s performance, which is a thing of minimalist wonder. It was made in 1971 so we’re at Peak Donald – Mash, his breakthrough, and Kelly’s Heroes had both come the year before. Don’t Look Now would come two years later. Then came 1900 and Fellini’s Casanova, probably the best of the bunch of around 18 movies Sutherland made in that hot streak from 1970-77. Klute is actually Jane … Read more

The Avengers: Series 5, Episode 12 – The Superlative Seven

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Charlotte Rampling and Diana Rigg

Charlotte Rampling, Donald Sutherland and Brian Blessed are the standout names in The Superlative Seven, a title suggesting this episode is going to borrow heavily from The Magnificent Seven of seven years before. In fact it’s more a reworking of Agatha Christie’s Ten Little Indians, with a bit of Hunger Games thrown in (appropriately, since a five-decades-older Sutherland would be prominent in that). Blessed was probably the best known of the three at the time, having been a key cast member of the hit UK show Z Cars, though Rampling was close behind, Georgy Girl having made her a name the year before. Sutherland? More a familiar face than a big name, TV … Read more

Don’t Look Now

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Julie Christie in Don't Look Now

A movie for every day of the year – a good one 25 March The founding of Venice, AD421 On this day in the year AD421, Venice was founded. Sited on 118 islands in a lagoon between the mouths of the rivers Po and Piave, Venice derives its name from the Veneti people who lived in the region in the 10th century BC, though the people who actually founded the city were more likely refugees fleeing the Germanic and Hun invaders who were flooding into Italy as the Roman empire fell apart. Today is traditionally taken as the day of the city’s founding because on this day in 421 the church of San … Read more

Mash

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Donald Sutherland and Elliott Gould

An on-screen statement, put there at the behest of a nervous film studio, claims this film is about the goings-on at a field hospital during the Korean War. That statement apart, this is obviously a film about Vietnam, a war the Americans had already lost at home, if not yet out on the field of battle. Now, decades later, from the other end of the countercultural telescope, Mash’s relentless portrayal of the military hierarchy as being overrun by charlatans and buffoons seems a bit old hat. But the director making it had earned the right to his opinion. Robert Altman was a veteran of the Second World War who’d gone on to become … Read more

Don’t Look Now

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Donald Sutherland in Don't Look Now

It seems an odd thing to say, but most films aren’t really that cinematic. Most films, you could close your eyes and follow them. Not so with Nicolas Roeg’s “arthouse horror”. Close your eyes and you’re lost. In fact, even with your eyes open, all is not as it appears. Take the infamous love-making scene played out between grieving parents Donald Sutherland and Julie Christie. It’s not the “were they doing it for real” question that marks it out as significant but the fact that Roeg keeps intercutting this ultimate example of living in the now with scenes from a few minutes later – when the duo are absent-mindedly getting dressed, ready to … Read more