Popular Features
100 Years of… Flesh and the Devil
Flesh and the Devil was Greta Garbo’s third Hollywood movie after arriving from Europe aged 20 in 1925, and it’s the one where everything suddenly clicks. She has the right director (Clarence Brown), the right director of photography (William H Daniels) and the right co-star (top-billed John Gilbert aka The Great Lover). Originally it was meant to be Lillian Gish in the lead, but Garbo got the job because she was cheaper. The massive success of Flesh and the Devil made Garbo bigger than Gish, Swanson and all of the rest of them, bigger even than any studio. From this moment on she could write her own ticket. With total total control she … Read more
100 Years of… The Hunchback of Notre Dame
Mention The Hunchback of Notre Dame to someone and the response is often a shuffling crouch, accompanied by a moaning “the bells… the bells”, in vague homage to Charles Laughton. Here’s where Laughton got it all from, 1923’s Hunchback, starring Lon Chaney as Quasimodo, the mostly deaf, half-blind unfortunate who falls for a gypsy dancer called Esmeralda, as does nearly every other man in the film. What’s notable watching this version for the first time is how Esmeralda-centric it is. This is her story, not Quasimodo’s. The title of Victor Hugo’s original novel was Notre-Dame de Paris (Our Lady of Paris), and it’s tempting to imagine the title nods towards Esmeralda – she … Read more
100 Years of… Our Hospitality
1923 is the year when Buster Keaton’s run of classic feature-length comedies gets out of the blocks with Our Hospitality, which signals its intention to be different even in its opening credits, which linger on the screen far longer than those of most films of the era. Here, they say, is something to be savoured. The story is William Shakespeare via rural 19th-century America via the mind of Buster Keaton, a re-working of Romeo and Juliet crossed with the Hatfield and McCoys feud, with Buster playing Willie McKay, a guy who falls in love with a young woman he meets on the train journey back to his Appalachian homeland where he’s inherited a … Read more
100 Years of… Die Nibelungen: Siegfried
Long before techno or Kraftwerk there was Richard Wagner, and in 1924 director Fritz Lang and his writer wife Thea von Harbou decided to put a story the German headbanger had popularised onto the screen. Die Nibelungen: Siegfried is the first of a two-part phantasmagorical medieval epic “dedicated to the German People”, a Tolkien-before-Tolkien, Game-of-Thrones-before-Game-of-Thrones tale of hair, helmets and hunting horns. Plus invisibility, dragons, fair damsels, derring-do, treachery and death. George Lucas clearly watched this first film (at least) before making Star Wars and the debt owed visually by Game of Thrones is also obvious here and there. What’s remarkable is how technically accomplished it is given given the crudity of the … Read more
