Popular Features
100 Years of… Flesh and the Devil
Flesh and the Devil was Greta Garbo’s third Hollywood movie after arriving from Europe aged 20 in 1925, and it’s the one where everything suddenly clicks. She has the right director (Clarence Brown), the right director of photography (William H Daniels) and the right co-star (top-billed John Gilbert aka The Great Lover). Originally it was meant to be Lillian Gish in the lead, but Garbo got the job because she was cheaper. The massive success of Flesh and the Devil made Garbo bigger than Gish, Swanson and all of the rest of them, bigger even than any studio. From this moment on she could write her own ticket. With total total control she … Read more
The Best Films I Saw in 2013
Here they are, the best films I saw in 2013. It’s a Top Ten job with the best in no particular order, followed by a list of films that made the top ten at some point in the year, then got bounced. This is not a Best of 2013, let me quickly point out, just the best films I’ve seen this year. So a film everyone else has seen but I haven’t won’t be here (I’ve not seen American Hustle yet, f’rinstance). And there might be stragglers from 2012 in here which I caught up with late. It really is “the best films I have seen this year”. If you’re wondering what to … Read more
The Curious Return of Douglas Sirk
What is it about a film-maker who died around 25 years ago in obscurity that fascinates a new generation of directors? The director Douglas Sirk died in 1987 aged 90. Born in Hamburg as Detlef Sierck, he became well known for his string of lush melodramas made in Hollywood in the 1950s. Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956), The Tarnished Angels (1957), A Time to Love and a Time to Die (1958) and Imitation of Life (1959) are considered his key works. The French “auteurists” were the first to start the re-assessment of Sirk in the late 1950s – the distinctive look of his films marking them out as … Read more
100 Years of… Lady Windermere’s Fan
Mary Pickford once described the director Ernst Lubitsch as a “director of doors”. In Lady Windermere’s Fan, an adaptation of Oscar Wilde’s play, you can see what she means. She meant it dismissively, though the door, and what’s behind it – or not – is key to Lubitsch’s work generally, and specifically here. This is a story all about secrets – as Wilde’s so often were – a tale of mistaken identity with ironic distance between what the people on the screen imagine themselves to be and how the audience sees them. To thumbnail-sketch a delicately intertwined plot, it centres on Lady Windermere, who is in love with her husband but being pressed … Read more
100 Years of… Master of the House
More than just a miserable face, arthouse darling Carl Theodor Dreyer could also churn out the hits. Master of the House is one such, a counter to the suggestion that he was just an austere Dane interested only in the beauty of human suffering – see The Passion of Joan of Arc or, much later, Ordet, for plenty of that. Madly successful at the box office, Master of the House is, as near as you got from Dreyer, a Hollywood entertainment, telling a story with a clear beginning, middle and end, emotional arcs, good guys and bad guys, fairly realistic performances and a moral at the end that you can actually see coming from … Read more
100 Years of… The Adventures of Prince Achmed
You don’t, in the normal run of things, expect a rape scene in old-time animation, but that’s what you get in 1926’s The Adventures of Prince Achmed, the breakthrough for Lotte Reiniger, a pioneer in her field, artistically and technically. It tells the story of the an eastern prince who steps in to help his sister after an ugly African sorcerer makes a play for her. For his trouble the brother is whisked away on a magic flying horse, to a faraway realm where Princess Pari Banu, ruler of the spirit world of Wak Wak, beguiles him with her naked beauty. And he responds with the aforesaid rape. Unless I am very much … Read more
100 Years of… Secrets of the Soul
Is it Secrets of a Soul or Secrets of the Soul? Both variations of the title seem to be in play. It was Geheimnisse einer Seele in the original German, which suggests it’s the indefinite article – do with that what you will. Either way this is a strange film from the silent era. Expressly designed to take key concepts of psychoanalysis and give them cinematic life, it was directed by GW Pabst, who really wanted Sigmund Freud to contribute. Freud was less keen – his work was more than mere entertainment – so declined, but Pabst did persuade a couple of Freud’s collaborators to take part at the writing stage, including Karl Abraham, … Read more
The Best Films of 2015
There’s a tendency among people who watch a lot of films to boost ones that stand out rather than ones that are good. This can lead to some perverse choices in the “best of” lists that proliferate at this time of year. So that probably explains the rogue nature of the list below – ha ha. If you’re expecting to find Spectre (not at all bad) or the latest Marvel movie or Jurassic World, look elsewhere. These are just the films, of the maybe 350 films or so that I’ve watched in the past 12 months, that jumped out and grabbed me. Some of them are 2014 releases. Ten Best Paddington (dir: Paul … Read more
100 Years of… Foolish Wives
When Foolish Wives debuted in 1922, its writer/director/star Erich von Stroheim was at the peak of his popularity, having exploited anti-German sentiment during the First World War by playing a despicable Hun doing despicable things in a series of films. “The man you love to hate,” was his moniker, one gained in 1918 in the film The Heart of Humanity, where he plays a ruthless German officer who throws a baby out of the window so he can better get on with raping a Red Cross nurse. That’ll do it. Foolish Wives works the same seam, though, the war over and the Russian revolution grabbing more headlines, von Stroheim is now playing a … Read more
Dick Van Dyke on DVD
What a great thing Dick Van Dyke has been. First there’s that improbable name. Even more improbable, it’s his real name. Then there’s his legs, long and lean and made for comedy dancing and comedy pratfalls. And his smile – as wide as the screen and surely the biggest on TV, if we’re not counting that of Mary Tyler Moore, who played his screen wife. We tend to think of him as a TV performer – no less than three TV series have been named after him, including the seminal Dick Van Dyke Show of the 1960s, the direct descendants of which (via Mary Tyler Moore and James Burrows) are Friends and The Big … Read more
100 Years of… The Big Parade
King Vidor’s first name really was King. It suited him. The master of the big Hollywood movie, here he is in 1925 with The Big Parade, laying down the template for all the war movies of the future. The Big Parade is the highest-grossing silent film of all time so it would be nice if we still had the original version. But it’s been lost. Instead there’s the 1930 re-issue – same movie but with sound effects and a score added. It’s the basis of the restoration done in the 1980s, which replaced the original score with one by Carl Davis. How good the film looks. It’s fabulously sharp, in fact, apart from the … Read more
10 Best Films of 2025
In a year packed with 1990s revivalism, noir resuscitation and franchise exhaustion, these are the films I liked the most in 2025. I’ve attempted to avoid the obvious but not be wilfully obscure and have probably succeeded at neither. Without further ado, with links to full reviews, here goes – in 1-10 order. Dying (dir: Matthias Glasner) A German black comedy so bleak you might laugh out of desperation, following a pair of oldsters as they reach the end of the road, and their two appalling adult children. Superbly underplayed by a top-notch cast, it’s a novelistic, dense, all-enveloping wallow in human misery, three hours long and worth every minute of the grief. … Read more
