Latest Posts
In the Earth
In the Earth is Ben Wheatley’s most overtly horror of horror films since he did the U is for Unearthed section of the portmanteau The ABCs of Death, though in films like Sightseers, High Rise and last year’s Rebecca horror has always lurked at the edges of his work. Made during the covid pandemic, and incorporating its disinfecting/distancing precautions into theme and treatment (there’s a covid supervisor in the crew credits), it’s a film all about infection, though the contagion in question isn’t so much microbial or viral as an infection of the rational mind by the spores of unreason. In In the Earth, cool, clear, scientifically trained minds are taken over by … Read more
The Tenth Victim
The Tenth Victim is a textbook case of a cult film that’s actually no good. Released in 1965 and billed as sci-fi (it barely is), it’s a camp Italian spectacle combining the unique talents of Ursula Andress and Marcello Mastroianni, and just that cocktail – 1965, Italy, sci-fi (ish), Andress and Mastroianni – is plenty of reason for seeing the film. It’s set in the 21st century, where violence has been outlawed and is now limited to carefully controlled contests between designated Hunters and Victims. These contests, adjudicated by the Ministry of the Big Hunt, are broadcast on TV, where advertisers line up with sponsorship deals – Ming Tea being the product successful Hunters (or … Read more
The Human Voice
If you’ve never seen a screen version of Jean Cocteau’s short one-hander The Human Voice before, this one, starring Tilda Swinton and directed by Pedro Almodóvar, is a good place to start. There are plenty of others. Shelby Satterthwaite appeared in a Canadian version in 2019, Rosamund Pike in an adaptation by Patrick Kennedy in 2018. There’s a Spanish language one starring Karina Gidi from 2016, a sung version from 1985 with the soprano Elisabeth Söderström as “the Woman”, even one starring Ingrid Bergman from 1966 directed by Ted Kotcheff (who also gave us Rambo in First Blood, the great Aussie shocker Wake in Fright, and ur-bozo comedy Weekend at Bernie’s). A South … Read more
Sweet Thing
Writer/director Alexandre Rockwell’s Sweet Thing is his 11th film in about 40 years and is a small-scale affair, as you might expect from an indie mainstay, crewed largely by students on the NYU film course he teaches and starring his own family and long-time collaborators. It’s the story of bright teenage girl Billie (Rockwell’s daughter Lana) and her brother Nico (his son Nico) living a ramshackle life with their drunken dad (regular Rockwell presence Will Patton). Somewhere in the wings is their neglectful mother Eve (Karyn Parsons, the kids’ real mother) and her current boyfriend, the bragadocious Beaux (ML Josepher), onto whose mercies Billie and Nico are thrown when dad ends up in … Read more
Chemical Hearts
Love is a feeling generated by chemicals in the brain, suggests Suds, the practical, science-versed older sister of Henry, in Chemical Hearts. It’s also a feeling generated by this deliciously gooey romance. If there’s room each year for one gorgeous indie teenage love movie then this is the 500 Days of Summer of 2020. Henry is the nerdy high school kid whose long-term goal is to be a writer. Shorter term his ambition stretches to editing the school paper. Dropping into his world one day like an alien from outer space is Grace, a spiky, withdrawn, slightly sneery girl who’s smart, bookish and into the love poems of Pablo Neruda. Oh dear. He’s … Read more
Here for Life
The term “experimental documentary” is often one to strike fear into the soul but Here for Life manages to be engaging, informative, entertaining and uplifting and is a good reminder that if you get the basics right, the rest will follow. Number one basic is engage your audience. In an early scene a couple of geezers meet before day has broken outside Billingsgate Fish Market in London’s East End. It’s right in the shadow of the massive Canary Wharf financial district full of JP Morgan and CitiBank glass and concrete. Old London and new. In they go, this trio, and are soon engaging the wholesale fishmongers in the usual documentary-style to-and-fro. One of … Read more
John Le Carré Movie Adaptations Ranked, 2021
There is a lot of John Le Carré out there. The author wrote prodigiously, starting while he was still working as a spy for MI5 and MI6 in the late 1950s and only really stopped when he died, in December 2020. There are nine novels featuring his most famous creation, the retired master spy George Smiley, and another 17 or so (depending on how you count) other novels, plus short stories, essays, memoirs, articles written for newspapers (denouncing the war in Iraq, for instance) and screenplays (always adaptations of his own novels). But there’s no getting round it, if you want a John Le Carré experience, the movies are probably the worst way … Read more
House of Hummingbird
Why is House of Hummingbird called House of Hummingbird? I’ve got no idea, and watching this South Korean coming-of-ager hasn’t enlightened me. Can anyone help? Answers below if you can. Maybe I missed something. Odd in a way, because the film itself is as clear as day and is told in a bright, clear manner, by actors with open, honest faces, particularly Park Ji-Hu, who plays schoolgirl Eun-hee. This is her story. She’s an average kind of schoolgirl with an interest in comics and drawing. Life at home is a bit tense. Her brother bullies her a bit, her older sister is skipping out at night to see her boyfriend, mum and dad … Read more
The Amusement Park
There is a story behind The Amusement Park. Having made Night of the Living Dead in 1968, George Romero should have been sitting pretty. But though the film went on to make a lot of money, it was mostly for other people. Somehow, and who knows what looks were exchanged when it was discovered, someone forgot to attach a copyright notice to the film and so it went into the public domain. Result: a massive instant loss of earnings on ticket sales at the cinema and no secondary rights for George when the home video market came calling. But that was mostly all in the future. In 1973 when the Lutheran Church came … Read more
In the Heights
“Immigrants – we get the job done,” ran a line in Hamilton, Lin-Manuel Miranda’s smash musical. In the Heights deals more overtly with the immigrant experience in America but no matter which way you look at it, this film doesn’t get the job done quite as well as Hamilton did, not in terms of plot or songs or raps. Why would it? This was Lin-Manuel Miranda’s first go at creating a musical and though it won him a Tony – not bad for a debut – he’s still held back by the Broadway conventions that Hamilton rejected, and was all the better because it did. Big opening number, and we’re introduced to all the … Read more
Holler
The precariat of America’s Rust Belt come under scrutiny in writer/director Nicole Riegel’s feature debut, Holler, a fleshing out of her short of the same name. It’s a kitchen-sinker, in most respects, which means a story set in a blue-collar/working class world where the odds are stacked against a central protagonist who may or may not get out of Dodge. Ruth is a smart girl in a town that’s falling apart. Her mother is a junkie awaiting either rehab or jail, whichever comes up first, it would seem. Her brother Blaze is clever enough to know that his sister has something he doesn’t and so it’s imperative that she go to college and … Read more
The Last Photograph
For a good third of The Last Photograph, Danny Huston’s first directorial effort for nearly 20 years, there’s a distinct impression that something’s not right. The acting is wonky, some of the artistic choices are confusing (why has he put a soft filter on the camera at just this moment?), the narrative is playing out to a staccato rhythm which seems designed to confuse rather than enlighten. It’s all a bit chaotic. Huston also plays the lead character, a grouchy guy who owns a bookshop concession inside Chelsea Farmers Market, London, whose dealings with his fellow humans all seem to end the same way: the middle finger, either at him or from him. … Read more
