Latest Posts
Rent-a-Pal
Set in 1990 and influenced by the moment when direct-to-VHS schlock met cheap synthesisers, Rent-A-Pal actually takes its inspiration from a point further back in time, when The Outer Limits and The Twilight Zone put high-concept sci-fi, often with a twist, on primetime TV. It’s a four-hander, with Brian Landis Folkins playing David, a 40-year-old sad sack whose life is dominated by the fact that he’s his demented mother’s carer. Since he barely leaves the house, he has no girlfriend, which is why he’s half-heartedly signed up to Video Rendezvous – you choose the woman you like from a tape full of pitches made by female lonely hearts – the sort of outfit … Read more
The Other Lamb
Omens and portents abound in The Other Lamb, action not so much. Following the story of Selah (Raffey Cassidy), it’s set in a cult headed by a man known as the Shepherd, otherwise populated exclusively by women, who are designated either as Wives or Daughters. For easy identification and to reduce individuality even more, the Wives dress in purple, the Daughters in Blue. They live in the modern world but away from it, out in the woods where they slaughter their own animals – sheep, appropriately – and butcher the meat themselves. They seem content, happy even, though little jealousies flare now and again when Shepherd chooses to lay with one wife rather … Read more
Two of Us aka Dead Earth
Well I was expecting a French film called Two of Us (aka Deux), about two ageing lesbians who have spent decades in the closet. Instead I got this Two of Us (aka Dead Earth aka Paradise Z) about two young lesbians fighting off a zombie holocaust. Not quite the same thing, the lesbian aspect to one side, if Sylvia and Rose even are lesbians. What this Two of Us reminded me of very early on was a great and barely known zombie film called The Battery. The Battery’s USP is the portrait it paints of two guys – former baseball team-mates – who have spent so long in each other’s company, and fighting … Read more
An American Pickle
American Pickle is unsure whether it’s fighting the culture war or fighting it off – a proper pickle It’s amusing, likeable, good-natured and I really wanted to like it, but American Pickle really is all over the place. Basics first: Seth Rogen is the East European from some Yiddish-speaking stetl who, after the Cossacks kill everyone in his village in a pogrom, heads to the US with his wife and love of his life (Sarah Snook, soon dead, before you get too excited). There, Herschel gets a job, falls into a vat in a pickle factory, wakes up a century later, the brine having somehow magically preserved him, and heads out into modern New … Read more
Mulan
Anyone for a live-action remake of a much-loved animation? The latest of Disney’s live-action makeovers of its own back catalogues continues a “so-what?” run of remakes – Jungle Book, Cinderella, Beauty and the Beast, Dumbo to name a few. They’re not bad films exactly – no, hang on, Dumbo is – but how many of them have been necessary, what are Disney playing at exactly, and how long before Snow White? Junking the songs and comedy sidekicks of the 1998 animation, this Mulan sticks fairly close to the original Chinese folk tale, first written down about 1,600 years ago, of a feisty young woman skilled in combat who, fearing for her sick father’s … Read more
The Avengers: Series 6, Episode 33 – Bizarre
So we come to the end of The Avengers journey with Bizarre, 33rd episode of the final season. The show started in January 1961 and was literally about an Avenger, Ian Hendry playing David Keel, a doctor going on a restorative-justice rampage after his wife was killed by drug smugglers. And it ends here in May 1969, having morphed from a crime-based show shot as live in black and white on big TV cameras into something a lot more spytastic, shot on film with all the gloss you could muster on a TV budget. The early (surviving) episodes are almost unwatchable now, the terrible telecine transfers making them even lower in visual quality … Read more
The Avengers: Series 6, Episode 32 – Get-A-Way!
The penultimate Avengers episode actually goes right back to the early days of this series’ production run. There was over a year between the completion of Get-A-Way! in February 1968 and its transmission in May 1969. It’s one of the ones produced (or started, at any rate) by John Bryce, whose short-lived attempt to take The Avengers back to some version of realism never really had enough time to gain traction before the old team of Clemens and Fennell were reinstated. Invisibility (realism?) is what Get-A-Way! is all about. Invisibility at a high-security prison for enemy agents, run as if it were a monastery – the warders wear habits (again, realism?) – where … Read more
The Avengers: Series 6, Episode 31 – Pandora
The benign king deceived by his courtiers – a wicked grand vizier, a scheming cardinal, a treacherous brother – is a comforting story told and retold down the ages. The Avengers episode Pandora is Brian Clemens’s version of it: a man grieving for a lost love being fooled by his family into believing she is alive, the better to loosen his grip on the family fortune… Pandora is that woman, dead 50 years but still mourned by maddened recluse Gregory (Peter Madden), around whom a massive deceit is daily confected that out in the wider world the First World War is still raging and Pandora is still alive. All that bad guys Rupert … Read more
The Avengers: Series 6, Episode 30 – Take-Over
Take-Over it was called in 1969 when it first aired. In the intervening decades the word takeover has lost its hyphen but this episode of The Avengers remains fresh and watchable precisely because of its antique quality. But first a bit of a prelim – man being escorted to prison makes a run for it when the car he’s in breaks down. Instead of chasing after him, his guards just hang back and watch. They even pull out cigars. Then one of them flicks a lighter, and the running man immediately falters, then falls to the floor choking. Dead. With the opening credits out of the way, the plot proper gets underway. Tara … Read more
The Avengers: Series 6, Episode 29 – Requiem
Requiem sounds like it should be the title for the last-ever episode of The Avengers, now only weeks away. That it’s not is a typical piece of perversity by showrunner Brian Clemens. Another is Clemens’s ongoing attempt to sideline Linda Thorson, which he’s still engaged in even this late in the day. Perhaps a further series was still a possibility. If it had come off, doubtless Tara King would have been noticeable by her absence. Anyhow, the setup – a woman is killed in an underground car park by a pair of heavies. But it turns out it’s not a woman at all, but a man in drag – who has been acting … Read more
The Avengers: Series 6, Episode 28 – My Wildest Dream
Though broadcast towards the end of the Tara King era, My Wildest Dream was made towards the beginning. It marks the point where Brian Clemens and Albert Fennell had fully taken back control of the series from John Bryce and were able to start banging out episodes that were theirs through and through, rather than rehashes/cut-and-shuts of stuff Bryce had finished or half-finished. This was the first of that bunch. It looks, perhaps no surprise, like an Emma Peel-era episode. Defiantly so, in fact – big bold colours, wide, empty sets, a pop-art influence. The dialogue is more Peel-era too – rat-a-tat-tat, knowing and smart. The story is by Philip Levene and has … Read more
The Avengers: Series 6, Episode 27 – Thingumajig
Thingumajig, a can’t-be-bothered title for an average episode that starts well – a woman carrying a skull into a small church is horrified when the organ starts playing on its own and the lights start to strobe. Meanwhile, underground, her fellow archaeologist is so wrapped up in excavating something that he doesn’t hear her shouts. Seconds later he’s dead, having been menaced by something slithering towards him. All he leaves behind is a picture of his attacker drawn in the sand – a square outline, more or less – and a curiously molten/fused torch. If it all sounds like a Doctor Who plot, that’s because it’s written by Terry Nation – creator of … Read more
