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Traffic

Traffic started life as Traffik, a 1989 mega-mini-series following the heroin trail from Pakistan through Germany and into the UK. It was brutal, it was gruelling and it was a cracker. The decision to remake it as a leg-knotting 2hr 20 min single film, and transfer the action to Mexico and the US, delivers an extra hit, a political one. After all, the US government advocates free trade and the pursuit of happiness as unalienable principles while at the same time banning the importation and enjoyment of drugs. It’s this fault line that Traffic patrols, as it follows four interwoven stories: the drugs czar (Michael Douglas) with the addict daughter; the feds trying … Read more
Pope Benedict in Brasil in his red loafers

Popes on Film

News that Pope Benedict XVI has decided to hang up the red papal slippers sets the mind a-wandering. Who are the great popes of cinema? Oddly, this is a harder question to answer than you might think. For starters, there are many films that feature a pope at the edge of the action but very very few are actually about a pope. Also, the pope, though held in contempt in some quarters, gets a rather easy ride in the movies, possibly because so many Hollywood films were made by Jewish emigres with first hand experience of what can happen when religion is dragged into the foreground. Either way, popes and knuckle-whitening drama don’t … Read more
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Great Films About Food

With the good burghers of the UK reeling from revelations that there’s more horse in their impossibly cheap frozen dinners and meat patties than in the 2.30 from Uttoxeter, I started thinking about food in films. Not the “food as scene setter” – though who doesn’t hanker after a cosy neighbourhood Italian restaurant with booths and checky tablecloths, the sort you see in old Scorsese movies – no, I’m after the ones where food is either pivotal, or transgressive, or transformational. Significant, in other words. Babette’s Feast (1987, dir: Gabriel Axel) Often held up as the best film about food – I’d go along with that – Babette’s Feast dangles sensual pleasure in … Read more
bond 2

18 February 2013-02-18

 Out in the UK This Week Skyfall (MGM, cert 12, Blu-ray/DVD) Towards the end of the 50th anniversary Bond the whole things starts feeling like a double page spread in a posh magazine – all whisky, heather and vintage vehicles. You feel it’s only a matter of time before Bryan Ferry is spotted draped languidly about something. Which is a slight pity because until then this has been one of the best Bonds of the lot, a dark, dirty and thrilling caper, in which much is made of 007’s dinosaur status – he loves ye olde cut-throat razor and ye olde spy gadget. “Were you expecting an exploding pen?” says the impossibly young … Read more
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The Olsen It’s Cool to Like

Elizabeth Olsen, younger sister of those squeaky Olsen twins, is going into the family business. Is the business ready for her? Is our interviewer? One of the hazards of this journalism game, particularly if you’re a middle aged man, is meeting attractive young female actors in the interview situation. They’re likely to look at you intently, laugh at your feeble stabs at humour, lean towards you confidentially, look interested. And of course they’re in the acting game, so being plausible is a large part of what they do. It’s unbelievably easy to believe these bundles of talent and hotness fancy you. It’s a frequent occurrence to leave the interview completely smitten. Take Elizabeth … Read more
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Standing in the Shadows of Motown

Thanks to the postmodern turn of our retro-fixated culture, even teenagers today have heard of the great Tamla-Motown label. And playing on nearly every one of the 110 top ten hits coming out of Detroit between 1959 and 1972 were a loose collaboration of crack musicians called the Funk Brothers. They played on The Supremes “Baby Love”, Marvin Gaye’s “I Heard It Through The Grapevine”, The Temptations’ “Papa Was A Rollin’ Stone” and Smokey Robinson’s “The Tears Of A Clown”. More hits, according to this film’s preamble, than the Beatles, Stones, Beach Boys and Elvis combined. And having done all that for Motown and having turned its owner into a very wealthy man, … Read more
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11 February 2013-02-11

Out in the UK This Week Beasts of the Southern Wild (StudioCanal, cert 12, Blu-ray/DVD) It’s generated a gazillion column inches, tweets and web-posts, and you are now pretty much obliged to see what is effectively a 21st century Huckleberry Finn story, set in the entirely atmospheric waterworld of the bayou below the levees where hardscrabble folk scratch out an existence, preferring near poverty in the Gulf of Mexico to destitution in the big city. Realism and magic realism aren’t natural stylistic partners – scenes of incoming storms ravaging the bayou sit alongside shots of the mythical beast the aurochs – but director Benh Zeitlin gets them to dance using six-year-old Quvenzhané Wallis … Read more
Donald Sutherland in Don't Look Now

Don’t Look Now

It seems an odd thing to say, but most films aren’t really that cinematic. Most films, you could close your eyes and follow them. Not so with Nicolas Roeg’s “arthouse horror”. Close your eyes and you’re lost. In fact, even with your eyes open, all is not as it appears. Take the infamous love-making scene played out between grieving parents Donald Sutherland and Julie Christie. It’s not the “were they doing it for real” question that marks it out as significant but the fact that Roeg keeps intercutting this ultimate example of living in the now with scenes from a few minutes later – when the duo are absent-mindedly getting dressed, ready to … Read more
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And God Created Bardot

“I am really a cat transformed into a woman… I purr. I scratch. And sometimes I bite.” Brigitte Bardot – icon, activist, bigot and just possibly the future president of France. By Steve Morrissey In a recent poll of the Sexiest Movies Stars by the film magazine Empire, Brigitte Bardot squeaked in at number 98. Down the list maybe, but she was nestling next to Thandie Newton, one of  the undisputed knockouts of our time. And that isn’t bad for a woman who hasn’t made a film in 40 years. Which raises the question: why is she still so fondly remembered? It’s not her ageless good looks. Bardot has always refused the surgeon’s … Read more
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The Ladykillers

Now that there’s a new team at Ealing Studios, using an illustrious old name to sell underweight product (St Trinian’s, Dorian Gray, Burke and Hare) it’s a good time to look back at 1955’s The Ladykillers, the last classic of the studio’s golden era. Its director, Alexander Mackendrick, also called the shots on Whisky Galore! in 1949 and The Man In The White Suit in 1951 and would go on to make one of America’s most rancidly brilliant satires, The Sweet Smell of Success. But here the accent is definitely on the sweet smell of lavender water, as a group of robbers, led by Alec Guinness’s caterpillar-browed Professor Marcus, first fool an old … Read more
in the mood for love

In the Mood for Love

Escape the tyranny of the huge flatscreen TV for an evening and surrender to a slow-moving visual feast best seen on the big screen in a darkened room with lots of people. They will mostly be holding their breath, and for a variety of reasons. The gorgeousness of Christopher Doyle’s cinematography for one, depicting 1960s Hong Kong as a kaleidoscope of butterfly blues, resinous ambers and neon reds. The unusual focus of the plot for another – on the man and woman realising that their other halves are having an affair with each other. On the losers not the winners in the game of love, in other words. And on the awful, stomach-clenching … Read more
intouchables

4 February 2013-02-04

Out in the UK this Week Untouchable (EV, cert 15, Blu-ray/DVD) A rich white tetraplegic (François Cluzet) gets lessons in life from a lusty black guy from out of the projects (Omar Sy). Untouchable (Intouchables in French, and the plural is there for a reason) is the most successful French film ever but has generated at least as many accusations of racism as it has five star reviews. But, one joke about Barack Obama apart, this vastly entertaining, hugely feelgood, very funny and brilliantly acted film (Omar Sy’s is a “star is born” turn) touches more on socio-economics than race, unless you’re in the business of being professionally affronted. Either way, see it … Read more

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