Latest Posts
29 August 2016-08-29
Out This Week Bad Neighbours 2 (Universal, cert 15) You thought a sequel wouldn’t yield much? Well, I did. I was wrong. There are lots of jokes in this follow-up, which has decided that being ballsy is the best way to go – jokes about people throwing up over each other, a physical gag about a girl going through a car window, one about putting Jews in ovens (OK, it’s in speech marks, but it is there). And the twist this time is that Seth Rogen and Rose Byrne are now next door not to a frat house, but a sorority (headed by Chloe Grace Moretz) where the girls want to have what … Read more
22 August 2016-08-22
Out This Week The Jungle Book (Disney, cert PG) A careful and clever live-action retread by Disney of their 1967 animated classic. Perhaps the cleverest thing Disney did this time round was to hire Jon Favreau, a director who seems, unlike the Zack Snyders of the world, to understand that wonder and awe are key components of films, especially those aimed at children and the child in us all – that first Iron Man movie, when Tony Stark is first getting to grips with his new suit, and is exhilarated almost beyond belief at the sheer simple sensation of flying, that’s the sort of thing Favreau does well. As for plot, it’s the … Read more
15 August 2016-08-15
Out This Week Only Yesterday (StudioCanal, cert 15) It’s 25 years since Isao Takahata directed this touching animation for Studio Ghibli. Only now, thanks to a fresh revoicing by a cast including Daisy Ridley, has it arrived on these shores. The Force etc etc. As with Takahata’s Grave of the Fireflies it takes a while to get its hooks in and also goes into slightly darker territory than Takahata’s stablemate Miyazaki would. The focus however remains the same – a girl finding her way, this being the story of Taeko, a woman haunted by memories of her younger self. We see, in flashback, her childhood at school where she isn’t very good, and at … Read more
8 August 2016-08-08
Out This Week These Final Hours (The Works, cert 18) A “last day of the world” film like we used to get around the turn of the millennium. It’s made on the cheap but with lots of skill and attitude, the attitude being largely borrowed from Mad Max. Actually, it’s about three genres in one and they successfully fold together as we follow James (Nathan Phillips of Wolf Creek) who is on a coming-of-age road trip on the very last day of the world’s existence. The question the film poses, and James asks of himself eventually when he’s got his priorities straight, is: am I going to be an asshole right to the … Read more
1 August 2016-08-01
Out This Week Midnight Special (E One, cert 12) I’m a sucker for a deduction film, and in Midnight Special we are asked to deduce first what’s going on, and then what sort of a movie it is. This being a Jeff Nichols film, Michael Shannon is the star – as he has been in four of five Nichols films to date (Nichols’s latest, Loving, also a Shannon number, has not arrived here yet) – and he brings his brutish compassion to bear on a story that looks, at first, to be an abduction drama. Shannon, we deduce, is the abductor of a child, and on the run from the law and a religious community headed … Read more
25 July 2016-07-25
Out This Week Disorder (Soda, cert 15) Like Ang Lee’s Crouching Tiger, Hidden Dragon, Disorder is a love story masquerading as something else – a home-invasion thriller, in this case – and so is the perfect date movie for traditionally minded peeps. The casting is bang on. Matthias Schoenaerts, an expert in beefy angst, is ideal as a security guard with PTSD falling for trophy wife Diane Kruger – Kruger’s “because I’m worth it” ex-model coolness actually being a real advantage here. The bit of posh going for a bit of rough is hardly a new idea, but director/writer Alice Winocour stokes the tension early on, setting many scenes in tight little corners, and even … Read more
18 July 2016-07-18
Out This Week Marguerite (Picturehouse, cert 15) The story of the socialite who sang like a scalded cat is also told by the film Florence Foster Jenkins. But this is France, the singer has been renamed Marguerite and instead of Meryl Streep there’s Catherine Frot in the lead role as the rich woman whose wealth buys her the appreciation – grins set to “fixed” – of her retinue of hangers-on in the select musical soirees she finances out of her own pocket. I’ve not seen FFJ, but have heard that it doesn’t go for the easy joke at Jenkins’s expense. If that’s true then director Xavier Giannoli and co have taken the same tack with Marguerite … Read more
11 July 2016-07-11
Out This Week High-Rise (StudioCanal, cert 15) JG Ballard’s dystopian novels – Super-Cannes, Cocaine Nights and High Rise among them – tend to be long on premise, short on follow-through. That’s the case too in this film adaptation by Ben Wheatley, the British maverick director behind Sightseers. Set in an entirely allegorical high rise block, Wheatley’s film follows Tom Hiddleston – dressed as so often in a slightly over-tailored suit – as he arrives to live in the block where the more social status you have, the higher up you live. Just above Tom is foxy Sienna Miller, who is eager to lend Hiddleston her loins once she’s caught sight of his splendid body … Read more
4 July 2016-07-04
Out This Week Son of Saul (Curzon, cert 15) How do you make a film about the horrors of Auschwitz without it becoming exploitative misery porn? This Hungarian winner of the Cannes Grand Prix in 2015 does it by turning the horrors of the death camp into a near-pov experience, the militarily choreographed camera of director László Nemes and DP Mátyás Erdély hanging close by the face or shoulder of star Géza Röhrig as he goes about his duties as the member of a Sonderkommando group – Jewish prisoners recruited by the Nazis to do the dirty work (scrub blood away, pitchfork bodies into pits, empty ovens of ash and dispose of it in … Read more
27 June 2016-06-27
Out This Week Hail, Caesar! (Universal, cert 12) To describe the Coen brothers’ Hail, Caesar! as a love letter to Hollywood is to understate the woozy, delirium these two middle aged men must have been in as they planned and put it together. But then their entire career has been marked by a regard, if not obsession, with the golden age. So what’s the plot? Josh Brolin plays a studio fixer trying to find a sword’n’sandal star (George Clooney) abducted by a bunch of blacklisted communists – the Hollywood Ten in all but name. And… er… that’s about it. Clooney is a Victor Mature/Richard Burton composite, a white-teethed naive who’s sculpted a career on his looks, though he’s keen … Read more
20 June 2016-06-20
Out This Week Pride & Prejudice & Zombies (Lionsgate, cert 15) And it is literally that… Pride & Prejudice… and zombies. Once the famous preamble – lightly scrambled – was out of the way, and I had been apprised of the fact that a zombie in possession of brains must be in want of more brains, it was straight into the tale of Elizabeth, if not the most beautiful then certainly the smartest of the Bennet daughters, and her growing relationship with dark, thunderous Mr Darcy. Lily James and Sam Riley play it straight as Elizabeth and Darcy, and Sally Phillips and Charles Dance also fit so neatly into the traditional roles of garrulous, mercenary Mrs … Read more
13 June 2016-06-13
Out This Week Bone Tomahawk (The Works, cert 18) Someone somewhere described this as The Hills Have Eyes done as a western. That’s a good enough as a shorthand, but what that logline doesn’t quite capture is the amount of love and care – set design, locations, clothes, hair and make-up are all exquisite – that have been lavished on what is effectively a horror movie. And it’s off to an immediately strong start as we meet a pair of murdering robbers slitting a victim’s throat before they accidentally wander into an Indian bone cemetery. Bad shit happens in there, but we don’t find out exactly how bad until the film’s end, by which point … Read more
