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Birdeater
Yikes, Birdeater, the sort of movie I don’t like watching, but I did watch it. And in the end… liked? Not quite. Admired…? Again, not quite. But there is something special going on in Jack Clark and Jim Weir’s debut feature, a kind of Festen among the Aussies. Unpleasant secrets surfacing at a social gathering, sort of thing. Thomas Vinterberg’s Festen, a seminal 1998 movie sometimes going by the English translation of The Celebration, is one of the movies that Clark and Weir got their cast and crew to watch before embarking on Birdeater, along with The American Friend, My Night at Maud’s, Nashville and A Brighter Summer’s Day. And one of the … Read more
Hôtel du Nord
It’s soap, it’s melodrama, have a go if you like, but if it’s absolutely nothing else, Marcel Carné’s 1938 hit Hôtel du Nord is an object lesson in how to use a hair light. Watch it for its looks rather than its plot, in other words, which slaloms about a touch preposterously, though its actors are beyond criticism. Carné preceded it with Port of Shadows, and followed up with Le Jour Se Lève, though it can’t match either for punch, coherence or consistent characterisation. Apart from one ridiculous digression to the south of France en route to Egypt, it all takes place in and around the Hôtel du Nord, a Paris flophouse where … Read more
Heart Eyes
It’s a good moment for whacked-out horror. Heart Eyes joins Crumb Catcher, The Rule of Jenny Pen, Bring Her Back, Together, Gazer and The Monkey, to name just the ones I’ve seen in the last few weeks. Heart Eyes is less icky than some, more larky than others – it’s Whedon-esque, Buffy-like, horror done with a smirk. So, very referential? Yes, indeedy. The pre-credits sequence sets us up nicely for what’s going to play out. A sweet young-lovers proposal scene. He’s going to pop the question. She’s trembling with anticipation. But instead of the two of them walking off into the sunset together, he winds up with an arrow in the head and … Read more
Paracelsus
Paracelsus, the great Swiss renaissance physician. Who could want a film about him? Adolf Hitler, it turns out. Maybe in the story of the proud loner standing against received wisdom, the tribune of the Volk and all that, Hitler saw a kindred spirit – the Führerprinzip in action before the Führer. The director was the GW Pabst, who’d been caught in France en route to the USA at the beginning of the war and was then forced to turn out films for the Reich. With a lot of foot-dragging and a determination to keep Nazi ideology as much as possible out of the finished product, the great Austrian made only two in five … Read more
Bring Her Back
Unsettling, spooky, nasty, demonic and icky, Bring Her Back is a modern horror classic demonstrating brothers Danny and Michael Philippou’s encyclopaedic knowledge of the genre, spun their own way. Their feature debut, 2022’s Talk to Me, was no flash in the pan. It takes a while to work out what’s going on but the brothers give us domestic jeopardy to chew on until all can be revealed. After their father dies unexpectedly in the shower, sibling teenagers – he older than her – are farmed out to a foster carer. Andy (Billy Barratt) is nearly 18 and in three months intends to become his almost blind stepsister’s legal guardian. All he has to … Read more
Nora Prentiss
“Major picture-making at its worst,” was the New York Times verdict on Nora Prentiss in 1947. Yes, but… It’s also a prime example of the sort of 1940s movie seemingly designed to put women back in their box once war was over. And for that reason alone it deserves a look. It’s a classic “rogue female” movie, and Ann Sheridan is ideally cast as the nightclub singer driving a staid, breadwinning family man to destruction. They called them dangerous dames back then and it must be said that there’s nothing wilful or malevolent in Nora (Sheridan), far from it. But that just makes it worse. The girl can’t help it. Stodgy and slow are … Read more
Extraction
Extraction is late-era Bruce Willis so it comes prejudged. Which, it must be said, is entirely Willis’s own fault. He didn’t have to sign on for so many sub-par actioners. Surely someone somewhere was offering him a decent gig at a decent screw? Maybe not. It also, on account of subsequent developments in Willis’s health, comes pre-forgiven. Anyhow, in keeping with many other “starring Bruce Willis” movies, this one doesn’t really star Bruce Willis. He plays a decommissioned CIA agent and the real star of the movie is Kellan Lutz, as the son of the retired dude. A desk jockey at the CIA, Harry Turner really wants to be a field agent like … Read more
The Fall of the House of Usher
Overshadowed by both the Jean Epstein silent 1928 version and Roger Corman’s one from 1960, 1948’s The Fall of the House of Usher isn’t exactly a good film but it is a hellishly interesting one. Directed by Ivan Barnett, it was shot mostly at GIB Studios in Hastings on the south coast of England, a town not exactly bristling with movie production facilities and people. GIB stands for George Ivan Bennett, the director’s full name. The studio was an offshoot of a film society Barnett had formed in 1944 when he was about 19. When Sight and Sound magazine did a report on the Hastings film scene in the mid-1940s they declared the … Read more
Presence
There are big Steven Soderbergh movies and small Steven Soderbergh movies. Presence is the latest of the small ones, stacking up alongside Let Them All Talk and Unsane as another fascinating experiment in Soderbergian minimalism. Between starry, big-budget affairs like Oceans 11 or Contagion, in his smaller movies this master of technique sets himself film-making challenges, much as Hitchcock did with the likes of Rope or Lifeboat, perhaps also inspired by Lars Von Trier’s concept of “obstructions” (self-installed hurdles designed to jump-start the creative process). Soderbergh shot Let Them All Talk guerrilla-style, on board a cruise ship while it went about its regular business with paying customers. Quite a feat considering the cast … Read more
Christmas Holiday
Imagine calling a film Christmas Holiday and then filling it with desperation, prositution, twisted mother love and murder. They knew how to have fun in 1944. Ignore all the opening flimflam about a lieutenant being dumped by his girl on Christmas Eve, the day before his wedding. The film only really takes wing once we get to the backstory of Jackie (Deanna Durbin), the prostitute that heartsore Lieutenant Charles Mason (Dean Harens) hooks up with after accidentally landing in New Orleans en route back to San Francisco for the furlough he now no longer wants or needs. He winds up taking not to bed but to… midnight mass. Charlie is a nothing in … Read more
The Phoenician Scheme
Symmetrics. Opulence. Screwball comedy pacing. Whimsy. Deadpan. A nostalgic evocation of old Hollywood. The Phoenician Scheme must be a Wes Anderson movie and if nothing else it finally does with Bill Murray what should have been done long ago. It casts him as God. Wes Anderson. By now about 50 per cent of his potential audience have had enough of the tableaux vivants and the mid-century-modern sets and candy colours, the endless digressing, and films that seem longer than they actually are (The French Dispatch and Asteroid City were both only about 1 hour 45 minutes, but felt longer). But fear not, The Phoenician Scheme has pace, it has jokes and it has … Read more
The Big Bluff
Did you know that Billy Wilder had a brother and that his name was Billy too? In fact W Lee Wilder had more of a claim on “Billy” than Billy did, being two years older than his more famous sibling and having actually been baptised William. Billy’s birth name was Samuel. W Lee Wilder also worked in the film biz, though down the chain quite a bit. He specialised in making shorts about church music in the Southern USA. There were 16 of those, produced to little acclaim. When W Lee was not ploughing this furrow he was busy in another, churning out unremarkable if not downright terrible low-budget sci-fi like 1954’s Killers … Read more
