Reviews
A portrait of London in 1940, as the German’s attempted to bomb the city into submission, Steve McQueen’s Blitz is in many ways a very familiar war movie, a subversive ruse by McQueen. Whether his gambit works is another question. Superficially it’s a fine story, about a young lad being evacuated from the East End … Read more
Coined as a film-making term by Alfred Hitchcock collaborator Angus McPhail, the Macguffin (spell it anyway you like) is a simple plot device which doesn’t do much on its own, but acts as a string on which a number of scenes can be strung, lending an illusion of wholeness to something which, without it, would … Read more
A young woman whose soldier boyfriend has just dumped her goes out for a drink with a known “wolf”. Drunk and vulnerable, she then heads back to his place, where, he tells her, there’s a party going down, only to discover that the party consists of just her and him. The next morning the very … Read more
Anyone for the fifth best British film of 1936, as voted for by the readers of the defunct Film Weekly? Secret Agent is one of a run of spy thrillers Alfred Hitchcock made in the 1930s. Sandwiched between The 39 Steps and Sabotage it’s the least compelling of the three, a misfire in many ways. … Read more
Towards the end of 2021 Flee found itself in the curious position of being eligible for Oscar nomination in three different categories. Which way to jump? It eventually submitted itself as a contender in the Best International Feature category. Best Animated Feature was also an option. As was Best Documentary – though spotting that Summer … Read more
I was initially suspicious of Lee Cronin’s The Mummy – does anyone care who Lee Cronin is, or his Mummy, and why should this film bear his name? It turns out there’s a good reason for the director’s name up top – no one involved wanted audiences thinking they were getting a continuation of either … Read more
For anyone convinced post-apocalyptic movies are a recent phenomenon, here’s Deluge, a remarkable film from 1933. It’s got all the stuff you might expect from a big disaster movie and some thoughtful stuff you might not. Some of it you might even recognise – the makers of The Day After Tomorrow paid direct homage to … Read more
On 9 September 1971 the inmates at the Attica Correctional Facility in New York State rose up, overpowered the guards and embarked on the largest prison rebellion in US history. Five days later, the authorities took back control in a brutal display of force, resulting in 29 dead inmates and ten dead hostages. Director Stanley … Read more
1978’s Straight Time would be a properly great film if it just stuck to being one story – about a felon trying to go straight. But instead it decides about halfway through that more juice can be squeezed by telling another story after the first one. The felon goes back to his old ways. Some … Read more
A film of two halves, two time periods and, in fact, two films, Do Not Expect Too Much from the End of the World also tells two stories. In one the everyday travails of a production assistant driving around Bucharest auditioning injured people to appear in a public information film about workplace safety. In the … Read more
Is 1951’s The River a look in search of a story? It’s regularly described – often by people who haven’t seen it – as one of the greatest films ever made. Dig one layer deeper and the praise heaped on Jean Renoir’s “masterpiece” starts to look a touch more one-note. Martin Scorsese reckons this and … Read more
The Surfer looks like it’s going to be a wet and sandy version of John Wick or Nobody, since it starts off with a dad and his son being chased off the beach where they want to catch a wave by a group of surf bums who insist this public beach is closed to outsiders. … Read more