Reviews
Two boys hang out with their dad for the day in My Father’s Shadow, an enormously artful film using pace and rhythm, light, shade and colour as its warp and weft. Or, if you prefer a more thematic description, a warm and intimate film about memory and the family bond. Akinola Davies made it and … Read more
Hit Man is not really about a hit man. It’s about a guy who pretends to be one to lure potential perps into showing their hand. He’s whatever the male version of the honey trap is, and in this fictionalised retelling of the story of real-life dude Gary Johnson he is played by Glen Powell. … Read more
There’s a crusading aspect to Late Shift, made explicit in an on-screen endnote about the shortage of nurses worldwide. Focus on a particular to create the universal is the idea, Petra Volpe’s film following a single nurse for a single night as she deals with patients in an understaffed Swiss hospital. The writer/director is lucky … Read more
The formidably talented maverick Leos Carax hasn’t made a feature in nine years, nothing since 2012’s batshit Holy Motors, so that’s one thing to thank the new movie Annette for. Whether Annette actually is a Carax movie at all is the question though. How so, you ask. Because Annette is written by Ron (he of … Read more
Ridley Scott does not meet his Waterloo in Napoleon, his headline-hopping spectacular about the man who conquered a huge chunk of Europe under the guise of a liberator. But nor is he covered in glory. This strange film has neither blockbuster smarts, nor arthouse depth, and is little use as a historical resource. If you … Read more
London Film Festival, 2012-10-20 Giving a film’s plot away in its title: The Assassination of Jesse James by the Coward Robert Ford did it. So, with a lot less fuss, did Snakes on a Plane. Here we have Simon Killer, about a guy called Simon, who’s a Killer. It’s a good thing we know this … Read more
“I almost like Liliom best of all,” Fritz Lang said in 1974 about the film he’d directed 40 years earlier. This from a director who invented whole genres (like the spy thriller), directed massive epics (Metropolis) and went on to dominate the crime drama with films like The Big Heat. Lang’s entirely atypical film about … Read more
About as unfashionable as they come, Hope Gap has two and a half great actors in it and tells a tender story with great compassion. It’s an adaptation of writer/director William Nicholson’s play The Retreat from Moscow and though Nicholson throws in scenes set on the cliffs and by the sea as often as possible, … Read more
A man arrives in a small, neat town in California. It’s a bright sunny day but he’s brought a sliver of dark, noirish New York with him on the Greyhound bus. And also a gun. As he limps across the street away from the bus station, a band plays, veterans march and flags flutter. It’s … Read more
May is a disturbing film full of weirdos but almost none of them is the real deal, apart from the central character of May herself. In a world where people play-act at being strange to make themselves seem interesting, May is properly odd. Lucky McKee’s solo debut came out in 2002, to a little acclaim, … Read more
The opening shot of the skewed romantic drama Jumbo is of a naked Noémie Merlant putting on her clothes in her bedroom. She’s an attractive young woman with a fine body, as the camera makes clear. An edit later and we’re with Jeanne (Merlant) as she bowls out the door and heads off to work. … Read more
“Life is goddam black and I photograph life.” Andre De Toth’s thumbnail manifesto is perfectly illustrated by Play Dirty, his last film and one of his ugliest. Critics hated it, though you sense it was the nihilism of the movie they really had an issue with rather than the various issues they cited. War is … Read more