Reviews
F1 is as entertaining as it is ridiculous. A Formula 1 driver getting away with the sort of track chicanery that Brad Pitt’s character pulls off here? Nonsense. Insane. He’d be yanked off the track so fast he wouldn’t have time to remove his fireproof balaclava. While we’re about it, Isn’t Pitt way too old … Read more
Delicately ambiguous as a title, Loving Highsmith also turns out to be a clever way of signalling the approach of its director, Eva Vitija, to its subject matter. It is both fan letter to the writer of classics such as Strangers on a Train (she really loves her Highsmith), and an attempt to delve into … Read more
In the end I gave up and started liking Night Patrol, a hybrid beast that starts out as an update on Romeo and Juliet, with action shifted to the LA of Bloods and Crips, but winds up somewhere else entirely – in vampire territory. I think it was the audacity of the move that tickled … Read more
Dinner in America starts raucously, in shock joke territory, and ends up as a tender love story. In scene one a zonked-out woman taking part in a drugs trial is gesturing lasciviously towards a fellow trial member, fingering the sliced meat on her plate of food in a clear “fuck me” invitation. He’s spraying puke … Read more
How funny is Benedetta meant to be? Is it a serious film examining the mindset of religious people of a different time, or a nunsploitation flick straining every sinew to get its stars out of their clothes and comically at it? It’s an adaptation of Judith C Brown’s book, Immodest Acts: The Life of a … Read more
Liam Neeson. A Very Particular Set of Skills. They’re back in The Commuter, in which everyone’s favourite geri-actioner gets physical… this time on a train. This is the fourth collaboration between Neeson and director Jaume Collet-Serra, after Unknown (Skills in Berlin), Non-Stop (Skills on a plane), Run All Night (Skills in New York) and now Skills … Read more
By general consent a classic, The Treasure of the Sierra Madre also won three Oscars – best director and screenplay for John Huston and best supporting actor for Walter Huston (his father) – and is one of those films that also get film-makers dewy eyed. Stanley Kubrick named it one of his faves (in 1963 … Read more
Feminist or not feminist? That’s the question that hovers over the whole of How to Succeed… at Murder, a Brian Clemens script for The Avengers that first aired in March 1966. Secretaries are what it’s all about, trusted right-hand women of busy gammon-faced male business titans, who are all dying in quick succession. Leaving the running … Read more
Hot off Eternal Sunshine of the Spotless Mind, director Michel Gondry takes an abrupt left turn with a documentary about US comedian Dave Chappelle hosting a block party in Brooklyn, where the likes of Kanye West, the Fugees, Jill Scott, Mos Def and Erykah Badu rock the house. Gondry has previous directing music videos so … Read more
If you want porn, there’s Pornhub, if you want a frank, unapologetic drama about the porn industry, try Pleasure, a Star Is Born (or not) story of a 19-year-old Swedish blow-in trying to make it in LA. Cocks and pussies are not prominent, in other words, though there are enough of them to convince us … Read more
A re-release from one of the most distinctive cineastes in British film. Terence Davies’s 1988 maundering autobiographical film (“It all happened… I had to tone down the violence of my dad”, Davies told The Guardian) is set in the Liverpool of his youth and is more an impressionistic montage of vibrant tableaux vivants than a drama … Read more
A nasty-ass neo-noir, Zola is based on the true story of Detroit dancer and waitress A’Ziah King, Zola to her friends. Over 148 tweets written in a clear and vivid prose style she laid out how her new stripper friend Stefani had tricked her into taking a job as a prostitute. Tweet one starts, “Y’all … Read more