Reviews
Writing poetry doesn’t pay very well and so in the 1930s Cecil Day Lewis, father of Daniel, started writing detective fiction on the side. The Beast Must Die was his fourth crime novel. Translated literally into the French, it gave Claude Chabrol the title of his unusual 1969 thriller, Que la Bête Meure, which in … Read more
Alejandro Jodorowsky’s 1970 movie is considered to be one of a handful that changed the way films were watched… and made. Signalling the shift into, and legitimisation of the hitherto critically rarely considered genre movie, El Topo simultaneously satirises and adds to its chosen area of operations. Which is the western, the spaghetti western to … Read more
The Long Night is a remake of Marcel Carné’s Le Jour Se Lève hoping to do for American audiences what Carné’s film had done for the French – wow them. It was a flop, in spite of having a good cast, a fine director and top flight technical team. In case anyone wanted to make … Read more
Evidence that borders aren’t just a 21st-century hot button, 1949’s Border Incident is about the contentious human back and forth between Mexico and the USA. Every year workers cross the border to harvest the crops in California, an authoritative and majestic introductory shot of the All-American Canal tells us, all part of the Bracero Program … Read more
Cockneys vs Zombies given a wipe-down and relocated to the US, maybe? But Vampires vs. the Bronx isn’t a reworking of the 2012 British film even though it’s also about the denizens of a run-down part of a world city taking on a mythical horror foe. Are the vampires even the foe, or is it … Read more
It’s never entirely clear what’s going on in The Secret Agent (O Agente Secreto), a 1970s-style conspiracy thriller from Brazil with lots of good hair and tasty roles for old dudes. Director/writer Kleber Mendonça Filho doesn’t even make clear until right near the end that it’s all taking place in flashback, yet another veil between … Read more
A strange and evocative film, Undergods is a portmanteau fantasy horror with the seams sanded flat and then caulked in an attempt to hide the joins. Even so, it falls into clearly discernible distinct chunks, which seemingly bear little relation to each other. First up, K and Z, a pair of post-apocalyptic dealers in humans, … Read more
Having wandered off up arthouse avenue in recent years, with The Princess and the Warrior and Heaven, director Tom Tykwer delivers his most accessible film since Run Lola Run. It’s an adaptation of Patrick Süskind’s runaway best-seller about an 18th century peasant with an incredible olfactory talent and the trouble that that gets him into. … Read more
Expectations were high for John Milius’s Big Wednesday when it debuted in 1978. Based on Milius and co-writer Dennis Aaberg’s own experiences growing up as California surfers, it tracks three dudes from callow youth to maturity, dropping in periodically as they also surf the waves of life. So high, in fact, that Milius kindly swapped … Read more
“Immigrants – we get the job done,” ran a line in Hamilton, Lin-Manuel Miranda’s smash musical. In the Heights deals more overtly with the immigrant experience in America but no matter which way you look at it, this film doesn’t get the job done quite as well as Hamilton did, not in terms of plot … Read more
You Have Just Been Murdered is what this episode of The Avengers is called and it’s what’s written on a card left behind at the house of a man who has just been menaced with a gun by an intruder. The gunman returns later with a fake knife, “kills” his victim again, and leaves behind … Read more
When conversation turns to Alfred Hitchcock, Stage Fright doesn’t often come up. Notorious, Psycho, Strangers on a Train, The 39 Steps, North by Northwest, Vertigo and even The Birds all regularly make an appearance. Stage Fright not so much. And yet it’s a fascinating film, not least because Hitchcock tries to do something different with … Read more