Reviews
The title of the Indian film Manthan is often rendered in English as The Churning – not some psychological state of distress but actual physical churning. As in rich, creamy milk into butter and whey. Because this is a film about the setting up of a milk co-operative, financed by the dairy farmers it’s all about. … Read more
There are two films from 2019 called Beats, both heavily into music. This is the other one – British (Scottish, more specifically) and set in the 1990s world of rave culture. I haven’t seen the American Beats, hip-hop to the core, so can’t say which one comes out on top but Brian Welsh’s Beats sets … Read more
The County is yet more proof that Icelandic film-makers punch above their weight. Grímur Hákonarson is one of a band of modern Icelandic writer/directors including Benedikt Erlingsson (Of Horses and Men, Woman at War) and Baltasar Kormákur (101 Reykjavík, The Deep) turning out films that manage to have something going on below the surface while … Read more
The precariat of America’s Rust Belt come under scrutiny in writer/director Nicole Riegel’s feature debut, Holler, a fleshing out of her short of the same name. It’s a kitchen-sinker, in most respects, which means a story set in a blue-collar/working class world where the odds are stacked against a central protagonist who may or may … Read more
There’s no point pretending that Mad Doctor of Blood Island is any good. It isn’t. It has its moments but on the whole it’s a waste of time unless you watch it as it was meant to be watched – in the car at a drive-in playing tonsil hockey with whoever. The Filipino grind-em-out production … Read more
Time has robbed Ingmar Bergman’s film Scenes from a Marriage of some of its force but even so, if a forensic examination of a happy marriage’s collapse is what you’re looking for, it’s never been done better than it was here. I’m talking about the 1974 movie version, not the original 6x45minute TV mini-series it … Read more
If you’re looking for a drive-in movie set at a drive-in… Drive-In Massacre is the short, sharp schlock you’re looking for, a cult item shot in four days, without permits and with all the actors using pseudonyms because they were on a non-union production. It’s a cult movie, which is a way of rationalising its … Read more
Impetigore? It’s the English title of a horror movie whose original Indonesian name is Perempuan Tanah Jahanam, so if you’re aiming for authenticity, pile right in. The Trivia section on its IMDb entry helpfully tells us that the word is a conflation of “Impetigo (bacterial infection of the skin that is more common in young … Read more
Weirdo sci-fi The Room has plot to spare and every time it feels like it’s about to hit a dead end of genre familiarity the cul de sac reveals itself to be a road to somewhere else. The first “dead end” comes early on. After a boastful credit sequence during which much has been made … Read more
Is it possible to reject the big idea but still like the movie? Exhibit A: The Drama, a producers’ wet dream of casting – Robert Pattinson and Zendaya – and a strange hybrid of the talky New York dramedy, of the sort Woody Allen made his own, and a horror film. Woody Allen done as … Read more
It’s often forgotten how much genre output the French make, and how well they do it. This icy thriller in a Chabrolesque mould has two brilliant performances at its centre. On the one side we have Déborah François as Mélanie, a young girl from a poor family whose ambition to become a pianist is ruined … Read more
There’s a Marvel character called Ares, and a DC one, strangely enough. A Greek god also goes by the same name, as does the hero of Ares (Arès, originally), a dystopian French actioner mainly remarkable for how unremarkable it is. Reda Arèsilla (Ola Rapace), to give him his full name, lives in Paris in 2035, … Read more