Reviews
Clear-eyed but compassionate, Il Posto is the other film by Ermanno Olmi, the one that isn’t The Tree of Wooden Clogs. Both are neo-realist to an extent and are concerned, obsessed, with the stuff of everyday life. Here, though, the focus is on the city, whereas Clogs was resolutely a tale of rural peasant life. … Read more
A film expressly designed to lure the US into the war in Europe, 1941’s Man Hunt is also Fritz Lang’s attempt at a rollicking The 39 Steps-style yarn, with dashing about, derring-do, stiff upper lips, local colour and a man/woman yoking-together that’s got everything Hitchcock had except handcuffs and his exquisite sense of pace. It … Read more
Telling the story of the hyperhyped tennis match between 55-year-old “male chauvinist pig” Bobby Riggs and the then reigning queen of tennis, Billie Jean King, this deceptively light documentary catches the casual and systemic sexism of the time, paints a warm, human picture of King and even has the grace to give the publicity hungry … Read more
Originally intended as a Marx Brothers movie, Million Dollar Legs is a comedy with humour verging on the surreal and is set in a familiar Marx Brothers world. Even so it’s probably too mad even for them. It’s so familiar, in fact, that you might wonder if they read Joseph Mankiewicz’s original treatment for Million … Read more
Close Encounters? No, just Encounter, though the choice of title is deliberate. Instead of Richard Dreyfuss on the road, heading towards alien contact, Encounter offers Riz Ahmed’s Malik on the road with his two sons, heading towards something… or perhaps something else… or perhaps nothing at all. It’s all a massive tease, really, and it’s Michael … Read more
Kirill Serebrennikov, the director of Petrov’s Flu (Petrov v grippe), wasn’t at Cannes in 2021 to see his film screened, as he hadn’t been at Cannes to see his previous film, LETO, screened in 2018. He was under house arrest back home in Russia, having been accused of embezzling funds from the Seventh Studio, one … Read more
The Arriflex 35BL camera is the most important ingredient in Across 110th Street. It drives the look, the location, the acting style, the intimate mood, in fact almost every aspect of this strange hybrid of blaxploitation and noirish crime thriller. Silent, lightweight and released in time for the Munich Olympics, the new 35BL (the BL … Read more
Mr Klein is a film about a mindset as much as a man or an event. The event is the Holocaust, the mindset is of a man called Mr Klein, played by Alain Delon, a French art dealer who, one day in 1942 in Nazi-occupied Paris, is tagged as being a Jew. But he isn’t … Read more
The intimate, highly personal family drama shot in an unobtrusive, semi-documentary way is Spanish auteur Carla Simón’s speciality, and in Romería, her latest film, she stays true to her vocation. Born in the mid-1980s, Simón was orphaned at an early age and raised by an uncle. In the early 2000’s she set off on a … Read more
The title describes it exactly – Thirty Two Short Films about Glenn Gould is 32 short films about the celebrated pianist Glenn Gould, all directed by François Girard, who squeezes his compendium into just over 90 minutes. Which is pretty good going considering he’s covering quite a lot of territory and doing it in a … Read more
A good way of coming at National Anthem, Luke Gilford’s debut feature, is to know a little bit about his own life. He grew up in Colorado, the son of a member of the Professional Rodeo Cowboys Association. Getting older, he became uneasy at, his words, how homophobic and patriarchal the rodeo was, and yet … Read more
So, an Undine. It’s a mythical water nymph, mentioned by Paracelsus, the Renaissance physician, but you won’t learn that directly from Christian Petzold’s latest drama, an increasingly bizarre and dislocated story of love suffused with magical realist moments that make no sense at all… unless you realise that the titular Undine (Paula Beer) is a … Read more