Reviews
Parthenope is Paolo Sorrentino vamping, riffing on Paolo Sorrentino. A fabulously good looking film full of defeated old guys and spectacularly hot women, it nods as ever to La Dolce Vita, has a nice cameo for a famous actor, and the grotesques keep coming as if it had somehow accessed Fellini’s dreams. What is it … Read more
Like an Inspector Clouseau party that’s forgotten to invite Peter Sellers, The Interview has a gigantic gaping hole where the comedy should be. Unsure if it’s a satire on modern entertainment or a Get Smart-style caper comedy set in the People’s Republic of North Korea, it squats uneasily between the two, leaving its game bromantic stars, … Read more
Billed as sci-fi, Happyend is actually closer to films like Dazed and Confused or The Last Picture Show. It catches a bunch of Japanese youngsters just as they start the transition away from high school and on to the next thing. If there are the end of times coming down the track, they are not … Read more
Summer Days, Summer Nights originally went by the title Summertime, as in the song by DJ Jazzy Jeff & the Fresh Prince, which is interesting because that’s exactly the vibe it has – beautiful young people all just hanging and chilling and cooling about, enjoying the heat, soaking up the rays and basking in the … Read more
Like writer/director LaBute’s In The Company of Men, his 1997 debut, Your Friends and Neighbors deals with a theme that’s current in cinema – that all men are rubbish. LaBute focuses on three self-obsessed friends, travelling further into their psyches as the film progresses. And the further he travels, the shallower the trio appear. Contemporary gents, … Read more
Impetigore? It’s the English title of a horror movie whose original Indonesian name is Perempuan Tanah Jahanam, so if you’re aiming for authenticity, pile right in. The Trivia section on its IMDb entry helpfully tells us that the word is a conflation of “Impetigo (bacterial infection of the skin that is more common in young … Read more
The posters are much more direct about what’s going on in The Crimson Kimono than the film itself is. Over a picture of a couple in a clinch they klaxon – “YES, this is a beautiful American girl in the arms of a Japanese boy!”. YES, this is a movie about a transracial relationship! Columbia boss … Read more
Three young women are chased around an island by three crazed ex-soldier guys in Katie Aselton’s boo-goes-there horror story which would slot nicely into the big book of feminist films if it weren’t for the gratuitous (oh come on) nudity. Not that there’s anything wrong with god-given nakedness. But back to the film. Directed by … Read more
Not the best Otto Preminger film but a very good example of what he was about, Where the Sidewalk Ends is a film noir directed with maximum economy that re-teams Laura‘s golden pairing of Gene Tierney and Dana Andrews, he again impassive as you like, she almost unbearably long-suffering. It’s not much of a role … Read more
The usual description of Jean Renoir’s 1939 classic La Règle du Jeu (The Rules of the Game) as a swingeing/coruscating/blistering (or some such) indictment of the ruling class on the eve of the Second World War misses something – it’s a farce, and a funny one, done at breakneck speed. Sure, the swingeing etc etc … Read more
Party Girl reminds us that director Nicholas Ray wasn’t just a master of noir. Alongside the stark monochrome of great dramas like In a Lonely Place and They Live by Night, there’s this insanely lush, ridiculously colourful offering, often bracketed with Ray’s other colour movies of the era – Johnny Guitar or Rebel without a … Read more
John Frankenheimer’s Seconds could almost serve as an emotional template for Polanski’s Rosemary’s Baby, made two years later in 1968, though Frankenheimer is working in black and white and brings much more of the live TV aesthetic to bear on his cool, highly influential horror movie – Face/Off, Total Recall and The Wicker Man also … Read more