Reviews
The Bank Dick is one hour 12 minute of WC Fields doing what WC Fields does – comedy in an erratic, chaotic, incoherent and brilliant way. It’s barely a film at all, more a series of sketches linked together by the familiar Fields character, a dyspeptic layabout and drunk who spends so much time and … Read more
Full of guys with nicknames like Mutt, Shivvy and Whitey, 1948’s The Street with No Name is your tough, streetwise crime drama making many claims to authentiticity. It was one of a run of “semi-documentary” movies made around this time, often by Twentieth Century-Fox, and shot out on the streets, in the bars and at … Read more
Lucile Hadžihalilović has been making films like The Ice Tower ever since her feature debut, 2004’s Innocence, an allegorical semi-fairytale in which a young Marion Cotillard played a pivotal role in a story that wasn’t about her character at all. Same here – Cotillard pivotal, playing Cristina, an actress in a very non-specific 1970s whose … Read more
The Dark Corner didn’t do too well when it debuted in 1946. There were too many other noirs around and it struggled to stand out from the pack. Now, though, it looks a lot better – its dark wit, snappy one liners and good cast help, plus the direction of Henry Hathaway, who knows how … Read more
Dark hair, dark shades, dark clothes, it’s Badass Charlize Theron who turns out for The Old Guard, a superhero adventure with a mournful air and an eye on a franchise. There are four distinct Therons – the actor (Monster, In the Valley of Elah), the babe (Gringo, The Devil’s Advocate), the snark (Young Adult, Tully) … Read more
Gaia is a South African horror film. Unusual enough. An eco-horror, a survivalist horror, a myco-horror and a Freudian horror too. And somehow, in among all that, it even manages a bit of old-fashioned girl-in-a-T-shirt horror titillation, a demonstration of its limber ability to play to and against horror expectations. The supreme example of this … Read more
Talking about films that crashed on the rocks of high expectations, here’s Don’t Worry Darling, a Stepford Wives/Total Recall hybrid hotly anticipated because it was a) the directorial follow-up to Booksmart for Olivia Wilde, b) because it starred Florence Pugh, whose career since debuting in Carol Morley’s Falling in 2014 has been a series of … Read more
It’s never entirely clear what’s going on in The Secret Agent (O Agente Secreto), a 1970s-style conspiracy thriller from Brazil with lots of good hair and tasty roles for old dudes. Director/writer Kleber Mendonça Filho doesn’t even make clear until right near the end that it’s all taking place in flashback, yet another veil between … Read more
A poet of the mundane, Hong Sang-soo’s films are meditative, ordinary, commonplace affairs, static of look, unhistrionic in delivery. Boring as hell if viewed through your Marvel Cinematic Universe goggles. But look at a film like In Front of Your Face through the same eyes you use for everday life and a whole other world … Read more
It’s one of the great movie titles, so it may be no surprise to learn that Bring Me the Head of Alfredo Garcia‘s title came first. Co-writer Frank Kowalski came up with the Bring Me the Head bit, and co-writer/director Sam Peckinpah took it from there, helping flesh out a story that would both justify … Read more
The various remakes of Love Affair studied this 1939 original closely and learned the right lessons. The acting must be of a high order but more than that the leads must have chemistry. The story itself is relatively unimportant. It’s a case of two people meeting, falling in love before they know it and then … Read more
Melodrama lush and silk-wrapped in The Reckless Moment, a typically opulent film from Max Ophüls, billed almost inevitably as Max Opuls in the four films he made in the USA, of which this was the last. He’s best known for Lola Montes and La Ronde, and for a strange fascination with female characters whose name … Read more