Reviews
Marilyn Monroe as a fishwife?! 1952’s Clash by Night has some fun incidentals like Monroe, making much of a small role. But the real action is with Barbara Stanwyck, as a goodtime girl who’s worn out her welcome after ten years in the big city and is now back in the coastal town where she … Read more
Messy, but good-messy like real life, Didi is the coming-of-ager working most of the angles in an attempt not to do the “arcs” of this sort of thing, and mostly succeeding. The other thing it’s doing is successful too, maybe even more so – depicting that dewy moment in the early 2000s when social media … Read more
And so we come to A Touch of Brimstone, an episode that didn’t make it onto US TV screens in 1966, thanks to the bondage gear that Mrs Peel eventually gets into in the final scene. How we get there is pretty interesting too. The whole thing opens very cinematically with a lovely shot of … Read more
It’s only towards the end of The Executioner (El Verdugo) that it becomes really obvious what writer/director Luis García Berlanga is up to. Released in 1963 during the Franco era in Spain, when to criticise the regime was to court disaster, it looks to all intents and purposes like a light comedy, maybe like Italian … Read more
The opening scene of D.O.A. is so punchy and dramatic that it has to be up there on any best-ever list. A man walks into a police station, finds the homicide department and announces that there’s been a murder. “Who was murdered,” asks the homicide captain. “I was,” Frank Bigelow replies. The film ends on … Read more
When it came out the critical consensus on Dennis Hopper’s The Last Movie was that it was a mess, the result of giving a druggie with questionable talent full creative control of a movie. Nowadays it’s more often seen as a lost cult classic, a bold experiment and an attempt to push the boundaries of … Read more
The Filmmaker’s House is a remarkable documentary that might not be a documentary at all. It looks like one – there’s a handheld camera and it’s full of “ordinary people doing ordinary things” in the words of Marc Isaacs, the filmmaker who has up till now specialised in very intimate documentaries about subjects most directors … Read more
The IMDb plot resumé for American Refugee says it’s a film about race in America. There is a black family and a white family in it, and they come into conflict, that’s true. Race, however, is not mentioned once. In fact class and cultural politics, plus masculinity – toxic and otherwise – seem to be more … Read more
Liam Neeson. A Very Particular Set of Skills. They’re back in The Commuter, in which everyone’s favourite geri-actioner gets physical… this time on a train. This is the fourth collaboration between Neeson and director Jaume Collet-Serra, after Unknown (Skills in Berlin), Non-Stop (Skills on a plane), Run All Night (Skills in New York) and now Skills … Read more
A film about a daughter helping her father to kill himself doesn’t sound like appointment viewing – unless you work at Dignitas (or some other physician-assisted-suicide organisation) – but in the hands of director François Ozon it is just that. There’s an “all human life is here” aspect to Everything Went Fine (Tout S’est Bien … Read more
The six-part TV series Private Schulz was a hit when it first aired and has become something of a cult since it was first broadcast in 1981. Made by the BBC in collaboration with the Australian ABC, it was the last outing for the great TV writer Jack Pulman, whose I, Claudius adaptation had been … Read more
The inspiration for One of Them Days is the black cinema of the late 1990s, a period when actors like Taye Diggs and Gabrielle Union, Nia Long and Omar Epps were on early career highs. Though Dude Where’s My Car?, as white-sliced as it comes, might also be in the mix. That was a tale … Read more