Reviews
Bernie, a London Jewish boy who sees his barmitzvah as the very peak of his young life, suddenly realises it’s taking place on the same day as the 1966 football (soccer) World Cup final. Will anyone come, especially once the home team start morphing from total no-hopers to potential giant-killers? Helena Bonham Carter, Peter Serafinowicz, Eddie … Read more
Support the Girls is an Andrew Bujalski film and so comes loaded with expectation. He’s often cited as the “inventor of mumblecore”, the go-to genre for white hipsters of a certain age, the cultural late arrival at a party already full of shoegazey indie bands. Since breaking into the scene with 2002’s Funny Ha Ha … Read more
David Byrne’s American Utopia show, essentially a greatest hits package plus plus, was getting towards the end of its run in 2019 when Spike Lee arrived to film it. Part of Byrne’s wider Reasons to Be Cheerful project aimed at spreading good vibes, it had become, like Bruce Springsteen’s Broadway shows in 2017, a must-see … Read more
As genres go, sci-fi is a hard one to pull off on a low budget. Not as tough as historical drama maybe, but tough all the same. Someone Dies! is proof it can be done. Highly ingenious, it’s one of those no-fi movies where everyone has 12 jobs, a real sense of chaos prevails and … Read more
Liam Neeson. A Very Particular Set of Skills. They’re back in The Commuter, in which everyone’s favourite geri-actioner gets physical… this time on a train. This is the fourth collaboration between Neeson and director Jaume Collet-Serra, after Unknown (Skills in Berlin), Non-Stop (Skills on a plane), Run All Night (Skills in New York) and now Skills … Read more
At the Raindance film festival, London, UK, 27 October–6 November 2021 The UK voted to leave the EU in 2016. Power, Profit and Populism: The Battle for Hard Brexit tells the story of how the answer to a seemingly straightforwardly worded referendum question was hijacked by invisible forces. “Should the United Kingdom remain a member … Read more
Möbius, not Morbius. The Marvel supervillain was still in the uncertain future in 2013 when Eric Rochant wrote and directed this spy thriller set in the chi-chi world of high finance. Also in the future was Rochant’s magnum opus, the brilliant TV series The Bureau (aka Le Bureau des Legendes), for which Möbius can be … Read more
Halfway through watching this simple but fascinating documentary, by the same team that made the equally eye-opening 97% Owned, a friend turned up. Instead of saying “How are you?” or “Wanna cup of tea?” (I’m writing this in the UK), I said, “God, I’m watching this amazing documentary about economics in Japan and how the … Read more
“Over 40% of the world’s population suffer from sleep paralysis,” the written preamble to Mara informs us, before going on with: “Two thirds of them describe being attacked by a demonic entity.” These fanciful statistics delivered, director Clive Tonge (who presumably wrote this nonsense with co-writer Jonathan Frank) gets his movie underway. It is, you … Read more
The films of Martin McDonagh are full of lonely, isolated people and The Banshees of Inisherin is no exception. Like In Bruges, Seven Psychopaths and Three Billboards Outside Ebbing, Missouri before it, this is the story of missed or missing connections. This time, though, it’s particularly bleak. Billed as a comedy, The Banshees of Inisherin … Read more
Staggering along under a weight of folksiness, much like its old-guy hero is staggering along on his beat up legs, Alexander Payne’s latest movie is sweet and wry but let’s not all get too excited. The film certainly doesn’t. Bruce Dern is the old guy, an amnesiac oldster with a “beer isn’t drinking” drink problem … Read more
So here’s Number Seventeen, a Hitchcock film that’s almost never mentioned when Hitchcock is up for discussion. “A disaster,” is how the man himself described it, having been forced into directing it by his studio. But then who remembers Rich and Strange (great title) which came before, or Waltzes from Vienna, which came after? In … Read more