Reviews
It’s not every fantasy film that comes complete with a scene of a brutal fascist captain sewing his own face up, but that’s what you get in Guillermo Del Toro’s best film since The Devil’s Backbone (better, certainly, than Blade II and Hellboy). It’s a dark fantasy reminding us that the Grimm brothers’ original tales … Read more
“This is a UFO,” says a disembodied voice at the beginning of The Disappearance of Flight 412. “It was photographed at Santa Catalina Island in April 1966.” A blurry colour image appears on the screen and an arrow points at something in the middle. It could be a flying saucer (as no one seems to … Read more
There’s a “strike while the iron is hot” aspect to 1945’s Scarlet Street, a quick follow-up to 1944’s The Woman in the Window which reunited the three key cast members – Joan Bennett, Edward G Robinson and Dan Duryea – with director Fritz Lang and the ace cinematographer Milton Krasner. That was noir and so is … Read more
Edgar Wright, born 1974, hymns the 1960s, a decade he never saw, in Last Night in Soho, a genre mash-up and nerd’s custard with looks, style and verve to spare. Eloise (Thomasin McKenzie) is a shy 1960s-obsessed girl from the sticks who comes to London to study fashion. Having got off to a bad start … Read more
Die Frau meiner Träume (The Woman of My Dreams) was just what the doctor ordered in 1944, if the doctor in question was Goebbels and you were a happy member of Germany’s Thousand Year Reich. Light, frothy entertainment in the Hollywood style was what propaganda chief Goebbels had commanded Germany’s UFA studio to make and … Read more
Though there’s plenty of people who take drugs for entirely recreational purposes and never go to hell in any sort of handcart, there’s not much drama to be had from making movies about them. So instead drugs movies tend to be about people hitting the buffers. Candy does at least do it with a roster of … Read more
Civil War. The title and the upfront concept – a modern-day fight to the death between secessionist states and the rest of the USA – is more enticement and attention grabber than political provocation. Look for evidence of red v blue or the culture wars writ large, or the Trump years, and you’ll find them, but … Read more
We’ve all seen prison dramas – the tough lives of inmates in a heartless system patrolled by brutes, policed by sadists and presided over by a martinet. Clemency isn’t that sort of film. Nor is it film-as-entertainment, be warned, but a grim and sobering look at US prison life from an unusual angle, the warden’s. … Read more
The opening scene of D.O.A. is so punchy and dramatic that it has to be up there on any best-ever list. A man walks into a police station, finds the homicide department and announces that there’s been a murder. “Who was murdered,” asks the homicide captain. “I was,” Frank Bigelow replies. The film ends on … Read more
Amy Poehler’s debut documentary Lucy and Desi wants to tell the story, not unreasonably given its title, of both titan-of-TV-comedy Lucille Ball and her husband, business partner and co-star Desi Arnaz. Immediately there’s a problem. Lucy was a genuine star, Desi was not. Whatever his many talents behind the scenes, first as a musician then … Read more
It’s a lousy title, in English anyway. So Long, Stooge – Tchao Pantin in the original French. Might be better as See You, Loser? Anyhow, it’s a rather unusual sort of film – part one a love story of sorts, part two a revenge thriller – tied together by Coluche, a French comedy actor way off … Read more