Popular Reviews
Godzilla vs. Kong
It’s Godzilla vs. Kong but in all honesty it could almost be any Godzilla movie. There’s just something so interchangeable about them all. Grasping for a differentiator you might seize on “cult indie director” as a search filter – but that could be this one (director: Adam Wingard) or 2014’s Godzilla (director: Gareth Edwards). Or how about “the one with Kyle Chandler and Millie Bobby Brown”? Well that could be either this one or 2019’s Godzilla: King of the Monsters (they played the same characters). Or how about “the one with Michael Dougherty’s name on the writing credits?”. That could also be this one or Godzilla: King of the Monsters. Unsurprisingly, perhaps, since they … Read more
Erin Brockovich
After Sex, Lies and Videotape, director Steven Soderbergh’s career starting sliding and looked like it was going to go from thumbs up to belly up. Then he came back hard with two great movies in two years and laid down the template for his working practice in the future. Which was more or less “one for me, one for them”. The Limey bore the marks of the personal film: offbeat casting (Terence Stamp, Peter Fonda), whacked-out situations, experimental structure. Then there is this. Erin Brockovich tells the David and Goliath story of the busty legal assistant (Julia Roberts plus chest prosthetics) who takes on a corporation that’s polluted a small town’s water supply … Read more
Mumsy, Nanny, Sonny & Girly
Having shot everything from 1960’s Saturday Night and Sunday Morning to David Lynch’s A Straight Story, it’s no surprise that Freddie Francis is best known as a cinematographer, one of the greats. But he also has more than 30 director credits to his name. Much of it was gun for hire work but in 1970, after eight years of doing others’ directorial bidding, he was finally given his head. Mumsy, Nanny, Sonny & Girly (aka Girly) is his picture, done his way, co-conceived with writer Brian Comport, and shot at Oakley Court, a location he’d worked at many times on various Hammer horror productions when it was mostly used for its imposing exterior. … Read more
Thor: Love and Thunder
Though the Asgardian deity has appeared in other Avengers movies in the interim,Thor: Love and Thunder is the first outing for Chris Hemsworth’s caped godhead since the last standalone Thor movie, 2017’s Thor: Ragnarok. Time has moved on and we’re now in a different phase of the Marvel Cinematic Universe, one determined to bolt a “meta” onto the usual stew of tall tales, quips, dressing up, special effects and heroics. Some things have changed, but some remain the same. In textbook Thor fashion, we first meet the villain. Christian Bale plays Gorr, a grieving father driven into a frenzy when he discovers that Rapu, his liege lord/godhead, doesn’t give a stuff about his … Read more
Censor
Censor twists the horror movie into something it usually isn’t – a political satire. It’s set in the 1980s, when a media-confected moral panic about “video nasties” forced the UK government into regulating what had been until then the entirley unregulated market in home videos, kept supplied by thousands of tiny one-man (they usually were men) operations run out of corner shops up and down the country. Until then the “board of film classification”, as it’s coyly known – an organisation funded by the industry and not by government – had dealt with theatrical releases only. There was barely anything else, after all. But as a result of the Video Recordings Act 1984, … Read more
I Saw What You Did
Master of the kitsch gimmick William Castle’s 1965 shocker I Saw What You Did is a cautionary tale about the terrible things that happen to nice teenage girls who make prank phone calls. It’s also notable for being the last appearance in an American film by Joan Crawford. Though not her last film – 1967’s Berserk and 1970’s Trog were shot in the UK – it is like them a horror film, as befits a star who had been around since the 1920s and had become along the way a bit of a gargoyle. However, it’s not really about her. Instead attention focuses on Libby and Kit, two teenagers having a fun night … Read more
Semmelweis
If you know the name, you’ll know the film. Semmelweis tells the story of the 19th-century doctor who introduced hand-washing to labour wards in Vienna and at a stroke reduced the incidence of puerperal (aka childbed) fever, a killer of new mothers. Opening shot: a pregnant woman going into labour on the Austrian capital’s streets screaming blue murder when the police try to hustle her into the “death factory”, as she calls the maternity hospital. We’ve been plunged straight into the meat of the movie. Why is she so reluctant to go? What is regularly killing new mothers in this venerable institution, and why, we soon learn, does the midwife clinic across the … Read more
The Avengers: Series 2, Episode 15 – Intercrime
Twelve high level robberies in the last few weeks “and not one of them the work of an Englishman,” Steed says in the opening minutes of Intercrime, both the title of this episode and the name of a criminal outfit, a dark flipside of Interpol organising nefarious goings-on “all over Europe”. This case for Steed and Mrs Gale, the 15th to be broadcast in the second series – and the first to go out in 1963, the year of JFK’s assassination – is a busy affair, with more than its fair share of ridiculousness. For example, to extract information from Hilda Stern (Julia Arnall), the German representative of Intercrime newly arrived in the … Read more
Dead Pigeon on Beethoven Street
Directed by Sam Fuller, Dead Pigeon on Beethoven Street (Tote Taube in der Beethovenstraße) is something of an outlier, both for Fuller and for the German TV show Tatort. Tatort, still running after more than 50 years, translates as Crime Scene, and is a Sunday-night landmark on the German TV landscape. It offers feature-length policiers set in various different parts of the German-speaking world and is populated with a huge cast of characters, some who recur and others who don’t. Part of its formula for success is this lack of a rigid formula – it’s highly adaptable. It’s also a proving ground for rising talent. Wolfgang Petersen (Das Boot), Edward Berger (Conclave) and … Read more
Something in the Air
A movie for every day of the year – a good one 30 May Charles de Gaulle dissolves the National Assembly, 1968 On this day in 1968, French President Charles de Gaulle, in the face of increasing street protests against his government and his personal style, dissolved parliament. The previous day he had fled the country, telling his prime minister, Georges Pompidou, “I am the past, you are the future. I embrace you.” No one knew where he had gone. With strikes breaking out all over the country and running battles taking place on the streets of Paris, revolution was in the air. Government officials were burning documents and ministers were arming themselves … Read more
Gravity
A movie for every day of the year – a good one 14 April Sputnik 2 falls from orbit, 1958 On this day in 1958, the second satellite to be launched into Earth orbit, Sputnik 2, fell back to earth. It had been launched on 3 November 1957 and was carrying Laika, a samoyed terrier cross chosen for her good nature – the first animal launched into space. Sputnik 2 carried enough food, water and air to keep Laika alive for ten days, but because of a malfunction, the temperature inside Sputnik 2 got too high (104ºF/40ºC) and Laika died after a few hours into the mission, from heat and stress. If she … Read more
Lovelace
Amanda Seyfried has a spectacular rack and, gents, you get plenty of it in this biopic about Linda Lovelace the 1970s deep throat queen who unwittingly did more than most to make porn legit. Amanda Seyfried… rack… unwittingly. Those are the key words from that sentence and of this film, a well made, deeply period piece that would have us believe that it’s on the side of the unwitting, naïve Bronx Catholic girl born Linda Boreman – who went on to become the star of Deep Throat, the first porn film to screen in mainstream theatres – while all the time devoting 90 per cent of screen time, and 99 per cent of dramatic … Read more
