Popular Reviews
Parkland
A movie for every day of the year – a good one 30 March Ronald Reagan shot, 1981 On this day in 1981, after just over two months in office, President Ronald Reagan was shot outside the Washington Hilton. His would-be assassin was John Hinckley Jr, whose attempt on the president’s life seemed to be part of a plan to impress Jodie Foster, with whom he’d become obsessed after seeing her in the film Taxi Driver. Hinckley’s intention was not to kill Reagan but the President – he’d been focused on killing President Jimmy Carter when Carter was in office until being arrested on a firearms charge. Reagan just happened to be the … Read more
Leto aka Summer
Edited at home in Moscow by a director under house arrest, Leto is a 2018 movie about life in the Soviet era made by a director living in “democratic” Russia. Any read-across is obviously entirely accidental. Leto means Summer in Russian but this is a spring/autumn tale of a USSR rock star called Mike, his pretty partner Natasha and new kid on the block Viktor. It’s the early 1980s, the New Wave is making inroads into the tightly patrolled Soviet music scene and Mike is adapting to the new sounds/era with a nip here, a tuck there – really he’s an old school long-haired rock guy in the mould of Ian Hunter from … Read more
21 Jump Street
A movie for every day of the year – a good one 20 March Lee Scratch Perry born, 1936 Today in 1936, Rainford Hugh Perry was born in Kendal, Jamaica. Often dubbed “Little Perry” in his early days in the music business in the 1950s, on account of his 4ft 11in (1.49m) height, Perry got his start selling records for Coxsone Dodd’s sound system, before taking charge of some production duties. A studio natural, and a master of falling out with people, Perry left Coxsone’s employ and started working for equally legendary reggae man Joe Gibbs, before falling out with him and starting his own label, Upsetter, in 1968. His first single, People … Read more
The Thin Red Line
In the mid-1990s it was more or less universally accepted that Terrence Malick had given up making films. He’d made Badlands in 1973 and Days of Heaven in 1978, both of them the sort of films that have critics coining new superlatives, but that was that. Then, 20 years after Days of Heaven, he came back as if from nowhere with his version of The Thin Red Line – there’d already been an adaptation of James Jones’s novel in 1964. And like Badlands and Days of Heaven it took a familiar genre – the war film in this case – and gave it a typically reserved Malickian treatment. Malick’s WWII actioner is not … Read more
21 December 2015-12-21
Out This Week North V South (Metrodome, cert 18) For reasons beyond the scope of human wit, the British gangster thriller has become a Christmas fixture, perhaps because it’s endangered, like the brussel sprout. This year’s front-runner takes the gang battle format – there’s a northern mob led by Bernard Hill, and a southern lot led by Steven Berkoff – adds a Romeo and Juliet romance subplot in the shape of a fixer for Hill (Elliott Tittensor) and the daughter of Berkoff (Charlotte Hope), then loads up with wrong’uns (Keith Allen, Geoff Bell, Freema Agyeman) and an exotic (Dom Monot in an Udo Kier role as a raging transvestite psychopath hitman), shakes and … Read more
So Close
Men are largely an irrelevance in So Close, Corey Yuen’s “girls with guns” actioner made in 2002 just as Hong Kong was exiting its glory period. I prompted Google in AI mode to list the key characteristics of the “girls with guns” genre were. It said – Hong Kong, female protagonists, gunplay and stunts, challenging norms and exploitation v agency. We get all of those in the opening sequence, in which assassin Shu Qi’s Lynn, dressed all in white, enters the HQ of a shady Hong Kong megacorporation posing as a techy “angel” specialising in malware attacks. Only to exit shortly afterwards at speed, pursued by scores of security men, many of them … Read more
Passages
Writer/director Ira Sachs’s fascination with asymmetric power relations and love of French film-maker Éric Rohmer come together in Passages, a very French, oblique and bohemian tale full of characters who have space to breathe and yet somehow manage to box themselves in. People stuck in passages. It’s a frustrating film full of great scenes, connected up with Rohermesque fannying about – people standing around not saying very much, moodily. But what a cast. Franz Rogowski as Tomas, a young film director who we first meet directing extras to come downstairs into a club in one of the final scenes of the movie he’s shooting. They will not do it his way. Or cannot … Read more
The Avengers: Series 3, Episode 26 – Lobster Quadrille
Episodes of The Avengers were often not shown in production order. But Lobster Quadrille was both the last one broadcast and the last one made in series three, going out on 21 March 1964, a day after it had been finished. It’s also Honor Blackman’s farewell episode, before she headed off to be Pussy Galore to Sean Connery’s 007 in Goldfinger. And so you’d be tempted to think the production team might give her a good send-off. But in fact it’s a very John Steed-focused adventure, all about lobster fisherman, a dastardly plot to flood the country with heroin and a mystery Chinaman who connects the first with the second. No, Chinaman is … Read more
Sometimes I Think About Dying
Can we agree that the casting of Daisy Ridley in the Star Wars reboot was one of the best right calls ever made? My preferences established, can we all also agree that her non-Star Wars choices have often been less than stellar? On to Sometimes I Think About Dying, a reminder of why she was chosen for The Force Awakens and how good she can be with the right material. In flat grey Oregon, flat grey Fran (Ridley) lives a mouselike existence, creeping every day into her desk job in a run-of-the-mill office, creeping home again after work for a dinner consisting of cottage cheese before settling down for the evening with a … Read more
The Lady from Shanghai
Early on in The Lady from Shanghai there’s a key piece of dialogue explaining the title. Orson Welles’s Michael O’Hara, an Irish sailor between jobs, meets a woman (Rita Hayworth, Welles’s wife at the time) in New York. Michael is on foot, Elsa is in a horse-drawn carriage taking a turn around Central Park. In clear “I am hitting on you” dialogue, he charms her with stories about all the wickedest places in the world he’s been to. The Far East is high on the list, with Macau and Shanghai among the places mentioned. Elsa’s been to both those cities and a few more on his list besides. Gambling? he offers. Kind of, … Read more
Gabby’s Dollhouse: The Movie
If you’re over the age of eight, Gabby’s Dollhouse: The Movie is probably not something you’ll have come across, or the Netflix show it sprang from. Its star, Laila Lockhart Kraner, probably won’t mean much to you either. Your loss? This intensely likeable, positive, bright and sunny excitement isn’t a “something for everybody” offer. But if you’re in the right demographic – the producers go as low as pre-schoolers and that seems about right – who knows? As is traditional for shows given a movie breakout, the writers send the format on holiday. So Gabby heads off with her Grandma Gigi to Cat Francisco, in Gigi’s VW Camper Van – number plate KTTY WGN – where … Read more
La Cocina
If you’ve seen the TV show The Bear then you’ve seen a good chunk of La Cocina, a hothouse drama set in a fast-paced New York restaurant kitchen. New York makes a difference – more illegal workers. And La Cocina is more explicit than The Bear about its racialised pecking order, though it’s a very uneasy order and prone to break down when the orders pile up. Estela (Anna Díaz) is our introduction to this semi-familiar world, a wetback from Mexico wandering lost around New York until she finds what she’s looking for: The Grill in Times Square, the sort of high-volume eatery that knocks out fish and chips, pizza, pasta, burgers, plus … Read more
