Popular Reviews
The Bitter Tears of Petra von Kant
Though he had 40+ films to his name when he died in 1982 aged 37, Rainer Werner Fassbinder’s roots lay in the theatre and it often showed. They’re clearly visible in The Bitter Tears of Petra von Kant, a film playing out on one set where a handful of actors perform in a theatrical “back of the room” style. The action, what little of it there is, takes place in and around the bed of Petra von Kant (Margit Carstensen), a massively entitled fashion designer attended by an entirely silent aide, Marlene (Irm Hermann). As Marlene brings coffee, cake, champagne, opens doors to let people in and out, types letters and between times … Read more
Gun Crazy
A crazy mixed-up kid is dragged to hell by a sexy dame in Gun Crazy (not for nothing also known as Deadly Is the Female), a film that has us by the scruff of the neck right from its fabulous opening scene. In super-sharp close-up a kid smashes the plate glass window of a hardware shop, steals a gun and then falls flat on his face in the rain as he tries to run away. Bad luck of this sort is to dog Bart Tare for the whole of his life. Flashback scenes flesh out this pretty decent kid with a strange obsession with guns – “Shooting’s what I’m good at. It’s what … Read more
Three Days of the Condor
The Bourne movies lifted a lot of their MO from Three Days of the Condor, one of the key political conspiracy thrillers of the 1970s. Behind the scenes the way the film was financed – sold before it was even made – would change the way the film industry worked in the 1980s, but Sydney Pollack’s loose shooting style and fast edits intercutting action with depictions of slickly professional characters doing what they do, that looks even further into the future. This is also peak Robert Redford, who plays a desk jockey for some branch of the secret service who goes out to lunch one day and comes back to find that everyone … Read more
Dying
How’s this for an opening shot. An old woman in distress on the floor in her nightie, shit down one of her legs; behind her an old guy jigging dementedly, naked beneath his open blue shirt, genitals flapping in the breeze. Dying (Sterben in its original German) is billed in some quarters as a black comedy. Brown might be closer to the mark. It’s a very, very dark colour either way. Find your jollies where you can with this one. A companion piece to Michael Haneke’s Amour, maybe, it paints a bleak picture of old age, and follows the two oldsters, Lissy and Gerd – she still just about keeping up appearances, he … Read more
My Name Is Alfred Hitchcock
Mark Cousins’s documentary My Name Is Alfred Hitchcock steers a careful course between low and high culture, the crass, “did you know” approach to the great director and the earnest film studies route. Hitchcock understood the importance of fun. The result is an engaging, interesting, entertaining and enlightening 120 minutes, not the last word in Hitchcock, but a lively addition to a library which, in my view, could not get full enough. “A showman, a daredevil, a fun fair,” says Hitch in a film entirely written and narrated by him, or so it’s claimed at the outset. In fact that’s all a bit of a lie. Cousins wrote the script that impressionist Alistair … Read more
The Transformers: The Movie
As a new multi-squillion-dollar Transformers movie directed by Michael (Pearl Harbor) Bay comes down the pipe, someone obviously thought a quick cash-in was in order. So here’s the old Transformers from 1986. On the upside: the voice talent is of the “well I never” variety. In what other film would you get Robert Stack, Eric Idle, Leonard Nimoy and Orson Welles all working together? On the other hand, just what the hell is going on? The plot is pretty much unfathomable – Welles described it as being about “a big toy who attacks a bunch of smaller toys”. The title music helpfully tells us the movie is about “Robots in disguise”, fighting Stunticons, Aerialbots … Read more
The Southerner
Fleeing France as the Nazis advanced, French director Jean Renoir went to Hollywood, where he tried to make more of the lyrical, socially engaged films that had made his name back home. 1945’s The Southerner was about as close as he got, but to make his third US feature he had to exit the studio system and do it as an independent. What do you know, it was his best received film, three-times Oscar-nominated, including one for Renoir himself as director. It was as near as he’d ever get to an Academy Award. Being a second-string production made outside the system meant not having access to big-name talent, but Zachary Scott and Betty … Read more
Bloody Nose, Empty Pockets
A day in the life of a Las Vegas bar, Bloody Nose, Empty Pockets is also a portrait of the lifestyle of the professional barfly. It’s actually the last day in the life of this bar, because the Roaring 20s is about to shut up shop for good. So there’s perhaps more of a celebratory air than usual as beers are downed and shots upended in farewell. Michael is the first and last figure we see – weaving his way shakily across a road and towards the bar as it opens up in the morning. He downs a hair of the dog, has a shave and freshen-up in the toilets and then instals … Read more
Anatomy of a Fall
Following on from the brilliant Sybil, Justine Triet double-taps it with Anatomy of a Fall, another rangy drama with rare psychological depth. Written expressly for Sandra Hüller by Triet and her partner Arthur Harari – and you only hope that it doesn’t reflect their own relationship – it’s the old “did he fall or was he pushed story” spun out at tantalising length. Did Sandra (Hüller’s character’s name too) push her husband to his death off the balcony of their swish chalet in the French Alps or was she asleep at the time, oblivious to everything with ear plugs in, as she claims? We follow Sandra from the film’s opening moments to the … Read more
Beyond the Forest
“Nobody’s as good as Bette when she’s bad!” screamed the posters for this 1949 melodrama starring, of course, Bette Davis. But bad how? The latest of a run of flops for Davis when it was released, Beyond the Forest allowed Jack Warner to offload the star who’d made him fistfuls of money for 18 years. Good riddance to you too, said Bette, who’d wanted out anyway. Or so she said. It’s a madly overcooked affair from the outset, with a rolling written introduction after the opening credits insisting that this is a grim but necessary portrait of evil and its rewards and ending with a metaphor about a “scorpion in a mad fury” … Read more
The Coffee Table
The Coffee Table (La mesita del comedor in the original Spanish) is a gonzo bad taste very black comedy that’s sat down and wracked its brains as to what could be the very worst situation that could befall a couple with a new baby, and then gone there, stayed there and started sending posts back to the rest of us. “My guess is you have never… seen a movie as black as this one,” no less than Stephen King opined after having seen it. It’s now been picked up by Screambox, who with films as bleak and out there as this might be on the verge of starting to give Shudder a run … Read more
3 November 2014-11-03
Out in the UK This Week Chef (Lionsgate, cert 15, Blu-ray/DVD/digital) The US TV show Diners, Drive Ins and Dives seems to be the inspiration for Jon Favreau’s warm-hearted comedy – which is simple, fun and just works. The story of a jaded high-flying chef who rediscovers his mojo working on a food truck, it’s put together with Favreau’s usual under-estimated skill (he writes and directs as well as stars), and he drafts in a few famous names (Scarlett Johansson, Sofia Vergara, Robert Downey Jr, Dustin Hoffman, Oliver Platt) for what look like “I promise you, one day’s work, max” appearances. Though welcome, none of them are essential. Dealing incidentally with our culture’s internet-driven … Read more
