Popular Reviews
26 May 2014-05-26
Out in the UK This Week Inside Llewyn Davis (StudioCanal, cert 15, Blu-ray/DVD/digital) The Coen brothers specialise in films about absence or lack – The Man Who Wasn’t There being the most obvious exemplar. Inside Llewyn Davis is about a folk singer on the Greenwich Village circuit just before Bob Dylan turned up and electrified – joke intended – the scene. It stars the hitherto obscure Oscar Isaac as the struggling singer who just lacks that last, magical quarter of an inch of whatever it is that makes an artist break through. It’s heartbreak in slo-mo, in other words, and to some extent it’s unwatchable, if you find beautifully crafted, brilliantly acted films unwatchable. … Read more
Rose Plays Julie
Rose Plays Julie arrives on screens an entire year late. I have an email from January 2020 telling me it would be out in “Spring 2020”, but here we are in Spring 2021, after a year of slippage. Presumably directors Joe Lawlor and Christine Molloy were waiting for the cinemas to re-open and eventually gave up. I’m glad they did. This is a brilliant film, and while it probably would suit the claustrophobic murk of a big theatre, the confines of a living room don’t do it too much harm. “These are operatic film makers in search of a bigger better subject,” is what I wrote in my notes for Mister John, the … Read more
Charley Varrick
Charley Varrick, a neo-noir from 1973, is much better than its mixed reputation would suggest. Lean and fast, dark and enigmatic, it stars Walter Matthau as a crop sprayer who heists a smalltown bank in the hope of making a fair amount of easy money. Nothing too massive, just a cushion. But when he and his sidekick come to count their haul, it turns out that it’s mostly 50s and 100s, not dollar bills, fives and tens as expected. They have inadvertently heisted a lot more money than they anticipated. This, for Charley, is a problem. It means the police will be particularly keen to get the money back. So will the bank. … Read more
Something in the Air
A movie for every day of the year – a good one 30 May Charles de Gaulle dissolves the National Assembly, 1968 On this day in 1968, French President Charles de Gaulle, in the face of increasing street protests against his government and his personal style, dissolved parliament. The previous day he had fled the country, telling his prime minister, Georges Pompidou, “I am the past, you are the future. I embrace you.” No one knew where he had gone. With strikes breaking out all over the country and running battles taking place on the streets of Paris, revolution was in the air. Government officials were burning documents and ministers were arming themselves … Read more
Haunters of the Silence
I got sent a link to Haunters of the Silence by its director, Tatu Heikkinen, with a nice note attached. Would I like to review it? Yes, of course, though my heart sank slightly. Not because I have anything against indie Finnish directors who have made a film for nothing ($2,000!) with friends and family taking on most of the duties (his wife, Veleda, is co-director, co-writer, co-star and cinematographer). The worry was that I wouldn’t like it and would feel obliged, out of a misplaced sense of personal integrity, to say so. Who wants to kick a struggling artist who’s just getting going? Well so much for that. I liked it! And … Read more
The Avengers: Series 6, Episode 20 – Wish You Were Here
After a couple of Tara-lite outings, a Steed-lite one for fans of Linda Thorson, who rises to the occasion in a fairly jokey episode, Wish You Were Here, which sees The Avengers doffing its hat to The Prisoner, whose 13 episodes had blazed across 1967 and 1968 (and continue to be talked about all these decades later). The premise behind Tony Williamson’s screenplay is laid out neatly in the opening sequence – two men, Brevitt and Merrydale (played by David Garth and Liam Redmond) discussing what appears to be a jailbreak. But when the camera pulls back… ta daaa… it turns out they are in fact guests at what looks like a high-class … Read more
Beyond the Hills/Dupa Dealuri
The Romanian director Cristian Mungiu’s most well known film to date, 4 Months, 3 Weeks and 2 Days, followed a pair of student girls in 1980s Bucharest into a grubby hotel where a back-street abortionist first took their money, then demanded further payment, of a sexual kind. After he’d had his way, and then performed his grisly termination, the two girls went down to the hotel restaurant, where the only food on offer was a plate of all-too-reminiscent offal, blood sausage and cold cuts of meat. Roll end titles, and up came a credit stating that the film was from the series “Tales from the Golden Age”. It’s this sort of gruesome black … Read more
Talk to Me
Talk to Me announces Danny and Michael Philippou as gifted new arrivals on the Australian indie scene. With a feature debut this strong, how long the twins remain indie and in Australia is anyone’s guess. Apparently they turned down a directing gig on one of the DC Extended Universe movies to do this, so they clearly felt they had something special to offer. And it’s horror, too. With the horror market particularly crowded right now, this makes their determination to go it alone (if two people can be said to go it alone) all the more admirable. So what’s it about? A séance that goes wrong, in short, leading to demonic possession and … Read more
Monte Carlo
Jolly and bright and unfashionable in so many ways – which just makes it better – Monte Carlo is also an Ernst Lubitsch film and so bubbles along like a thing demented. It has entirely uncool stars like Jack Buchanan and Jeanette MacDonald in the leads and a storyline taking repeated runs at the mistaken identity idea. MacDonald later became known for the films she made with Nelson Eddy, and is all the better without him here, as a flappy, silly, delightful countess who runs away on her wedding day from the oafish daddy’s-boy duke she’s meant to be marrying. In opening scenes that are textbook “Lubitsch touch” stuff and could come from a … Read more
Lesbian Space Princess
So what are you expecting from a film called Lesbian Space Princess? A countercultural screed with a blast of porn maybe? Once upon a time, maybe. But these days things are slightly less urgent. “Real-life girlfriends” (their scare quotes) Emma Hough Hobbs and Leela Varghese want to tell us an animated story that’s light and bright and very cute, with swear words and some cultural critique slid in on the downlow. Take “downlow” on advisement because it’s all set on the planet of Clitopolis – “famously hard to find” – where, as things get going, our heroine, Princess Saira (voiced by Shabana Azeez) is being dumped by her girlfriend Kiki (Bernie Van Tiel), … Read more
Sleepover
Alexa Vega – the girl component of Spy Kids – gets her own teenage vehicle, and it’s the sort of film it’s very easy to be snarky about, especially if you’re not the target audience. It’s the usual teen/tween fare, in fact, about girls who are obsessed with friends, boyfriends and status and focusing on Alexa and her mates who must embark on a scavenger hunt against the film’s obligatory Rich Bitches to win a treasure hunt. The hunt itself has no importance except to keep the film going but then there are a lot of films that use the flimsiest of pretexts to keep things bubbling along. In other news, Ferris Bueller’s … Read more
Herself
Phyllida Lloyd is most often described as the director of Mama Mia! but there’s a lot more to her than that. Take Herself, the latest in a line of strongly female-centred productions, including the Mrs Thatcher biopic The Iron Lady and the all-female Shakespeare productions of Julius Caesar, Henry IV and The Tempest at the Donmar Theatre in London, which drew raves from the critics, wild applause from audiences and loud harrumphs from the gammons. The Shakespeares all gave top billing to Harriet Walter, and meaty roles to Clare Dunne. Here, Dunne is thrust into the lead (well, she did co-write) and Walter is a gracious supporting star in a story about one … Read more
