Popular Reviews
Slotherhouse
“It all started,” Slotherhouse co-writer Brad Fowler said in an interview, “when a little old man in Florida asked, ‘What is the dumbest idea you can come up with?’ ” After about five minutes of “joking around”, Slotherhouse had emerged – a concept and a title in one fell swoop. Sloths. The least predatory creature in the jungle, an animal that spends most of its time apparently asleep. Furry. Small. Cute. Not an anaconda, or a shark or a tyrannosaur. How about taking sloths and using them to menace a sorority house where a Mean Girls vibe separates out queen bitch Brianna (Sydney Craven – a Wes Craven-adjacent name to conjure with) from all … Read more
Hannibal
This may not be the best film out this week, but it is the one that is shouting loudest. Who doesn’t want to see Anthony Hopkins return to the role of Hannibal the Cannibal after several years of haggling over his fee, which includes an agreement to make one more film featuring everyone’s favourite cultured cannibal? Hannibal’s plot sees Hopkins’s Dr Lecter returning to the USA, having been lured back from Italy by an elaborate hoax cooked up by Mason Verger (Gary Oldman), a former victim of Lecter’s, who has survived a fiendish munching and is now using Agent Clarice Starling as bait to get payback. The plot is familiar cat v mouse … Read more
Les Misérables
The title Les Misérables is now so associated with the musical that it’s often hard to remember that it was originally a novel by Victor Hugo, and an immensely significant one at that. Surely, bearing the book, the musical and various film adaptations of both in mind, writer director Ladj Ly must have had qualms about calling his film that. But he went ahead anyway and here’s the result, a bravado piece of dramatic film-making that not only justifies Ly’s use of the title but also validates his chutzpah. Hugo’s masterpiece often translates as The Miserables, The Wretched, The Dispossessed and The Wretched Poor, and Ly finds the modern equivalents of Hugo bread-stealing … Read more
The Avengers: Series 4, Episode 24 – A Sense of History
Fifty years before a referendum determined that the UK wanted to leave the EU, the subject was tackled in this Avengers episode called A Sense of History. But Martin Woodhouse’s screenplay doesn’t call on Winston Churchill or the Second World War to help invoke British exceptionalism. He goes further back… to Robin Hood and Merry England. Things kick off when an academic heading for a conference about Europia (a Utopian vision of a future Europe) is killed en route, by an arrow in his back, launched, possibly, from the bow of a student from the local St Bode’s college (the actors are mouthing “Bede” but in the post-dub it comes out as “Bode” … Read more
A Hijacking
Stories of Somali pirates hijacking ships and holding people hostage for months regularly make the news bulletins but rarely seem to make it to the big screen. Which is odd considering that foreigners waving guns about in front of frightened innocents’ faces is a staple of cinema. Enter A Hijacking (original title: Kapringen), a Danish offering that welds a cast familiar to viewers of Danish TV sensation Borgen to a twin-track plot – one half takes place on the high seas, the other back at base where negotiations for the hostages’ release are taking place. The result is a drama so involving that, though I’d dragged myself to the cinema with a heavy … Read more
Spencer
A fairytale princess is trapped inside an ogre’s castle in Spencer, “A fable from a true tragedy” a note announces at the start of director Pablo Larraín’s film following Princess Diana over three Christmas-y days stuck with the Royal Family at Sandringham. But it’s also a story about a woman driven mad by the situation around her, gamely still fighting for independence, trying to assert that she’s also a somebody in her own right, a Spencer, not just a pretty bauble hanging off the tree of the British Royal Family. The story takes place at Sandringham over Christmas where the Firm all assemble annually. It’s the tenth time Diana has done the three-day … Read more
Sequin in a Blue Room
“A Homosexual Film by Samuel Van Grinsven” is how the Sydney-based writer/director describes his feature debut, Sequin in a Blue Room, in the space where the usual “A film by” card comes up. Not “Gay”, not “Queer”. And “Homosexual” as if the film itself were homosexual, which is impossible. Perhaps Van Grinsven is staring down any would-be criticism with a “yeh, what of it?”. Or maybe he’s making it clear to the ninnies who don’t like this sort of thing that this sort of thing is exactly what they’re getting. It’s a love story, in essence, though one overlaid with all the modern-day paraphernalia of dating culture – the apps allowing hook-ups on … Read more
Percy Vs Goliath
There’s much aggro with agri-business in Percy Vs Goliath, the – surely no surprise – David and Goliath tale of a Sesketchewan farmer taking on the agri-biotech conglomerate Monsanto after the company accused him of patent infringement. It’s a true story. In 1997 a pious, frugal, hard-working 70-ish farmer was suddenly landed with a lawsuit from Monsanto, who accused him of using their Roundup-tolerant genetically modified strain of canola seed (aka rapeseed) without paying for it. The thing is: Percy Schmeiser had never bought seed in his life. Instead he was a “saver”. He’d learnt from his father the practice of keeping seed from the season’s best plants, and he from his father … Read more
Au Pair Girls
Known in the US as The Young Playmates, Au Pair Girls is a ripe chunk of British cheese from 1972 and a prime example of the sort of film the UK was making at the time. A simple story of four girls arriving in the UK and then having various adventures, most of which involve them losing their clothes, Au Pair Girls really benefits from its feisty female leads, Astrid Frank, Gabrielle Drake, Me Me Lai and Nancie Wait. They’re an interesting bunch. Astrid Frank appeared in French, German and English language movies, switching from a French movie with Jean Gabin (1970’s Horse) to sexploitationers such as Swinging Wives or Swedish Love Games. … Read more
The Fury
The Fury (aka De Helleveeg in the original Dutch) gives Hannah Hoekstra something to do. Impressive in any number of films and TV shows, Hoekstra has at this point in her career (2016, she’s 29) played sexy young things with attitude and varying levels of coquettishness. And that’s just what she plays here, with a twist, and with a chance to show there’s more in her bag than we might have thought. She plays a young woman called Tiny, a working-class girl in a dead-end job in 1960s Netherlands whose life consists of her family trying to marry her off while in the interim she works for them as a skivvy. The local … Read more
Boss Level
For those days when you just want something entertaining – Boss Level, a new Joe Carnhan movie that gives us the familiar Carnahan formula, action plus buffoonery, delivered with a deadpan rictus by a new arrival in geri-action heroics – Frank Grillo. Grillo plays Roy Pulver, a guy who wakes up every day to the same scenario – a “machete wielding asshole” trying to kill him, followed by an encounter with a helicopter gunship, followed by a deadly explosion and a fall from a high window, after which he’s chased down city streets in fast cars by gun-toting bad guys determined to kill him. That’s if they haven’t already killed him. Because Pulver has lived … Read more
The Avengers: Series 6, Episode 28 – My Wildest Dream
Though broadcast towards the end of the Tara King era, My Wildest Dream was made towards the beginning. It marks the point where Brian Clemens and Albert Fennell had fully taken back control of the series from John Bryce and were able to start banging out episodes that were theirs through and through, rather than rehashes/cut-and-shuts of stuff Bryce had finished or half-finished. This was the first of that bunch. It looks, perhaps no surprise, like an Emma Peel-era episode. Defiantly so, in fact – big bold colours, wide, empty sets, a pop-art influence. The dialogue is more Peel-era too – rat-a-tat-tat, knowing and smart. The story is by Philip Levene and has … Read more
