A Haunting in Venice

Poirot in the dark with a crucifix in the background

A change of gear for Kenneth Branagh’s third Agatha Christie adaptation. A Haunting in Venice isn’t as starry as Murder on the Orient Express or Death on the Nile, doesn’t start out with a captive roster of possible murderers and murderees and, to an extent, abandons the strict rationality of previous Hercule Poirot adventures for something a bit more supernatural. All three turn out to be changes for the better. This is probably the best of the bunch so far, though, full disclosure, I’m not really a fan of these things. Whether it’s Peter Ustinov, John Malkovich, Albert Finney, Ian Holm, David Suchet, Tony Randall, Alfred Molina or even Austin Trevor (first of … Read more