A Perfect Murder
Andrew Davis has made something of a specialty of directing thrillers. He made Steven Seagal’s best film, Under Siege, and Chuck Norris’s best film too, Code of Silence. He’s also responsible for the breathless chase of The Fugitive and for this remake of Frederick Knott’s play Dial M for Murder, on which Hitchcock based his 1954 movie. The “perfect murder”, beloved of films of a certain vintage, now seems almost as dated a concept as that of the criminal mind. However Davis and adapter Patrick Smith Kelly squeeze a little more mileage out of it by playing up what you might call the Gordon Gecko aspects – cash and deceit. Which brings us … Read more