Abrakadabra

Lorenzo the troubled magician

2018’s Abrakadabra rides the giallo revival like an ace jockey, completing in one hour nine minutes what the likes of Amer, Berberian Sound Studio and Dario Argento’s Dark Glasses spent much more time over, packing it all in and then doling it all out atmospherically. For all its race-winning form, it never feels hurried. It’s a gory story about a magician, told like a magician’s trick, with plenty of misdirection – “What the eyes see and the ears hear the mind believes,” we’re warned in a written preamble, a quote from master magician Harry Houdini, apparently. And then we’re off into a story about a stage illusionist whose trick goes badly wrong, resulting in … Read more