Black Bag

George Woodhouse in his kitchen

What does all that spying do to spies? That’s Black Bag in a neat explicatory parcel, a Steven Soderbergh movie that mixes Who’s Afraid of Virginia Woolf? with the Michael Caine Harry Palmer films – or so say Soderbergh and writer David Koepp. But there’s John Le Carré in there as well. And as this densely packed, forensic examination of the spy psyche eases onto its queasy final straight, the comparisons with Tinker, Tailor, Soldier, Spy become unavoidable. Soderbergh opens with a long, glam tracking shot following Michael Fassbender’s George Woodhouse into a bar and then down and back up some stairs where, in wham-bam plotting, Koepp lays out the whole film in … Read more

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